Audio Book Excerpt: Timing, Extract A (Richard Abbott)

As readers recall, I’d previously reviewed Richard Abbott’s debut sci-fi novel, Far from the Spaceports, later returning for more Mitnash and Slate in its sequel, Timing. Today the author graces our pages with an audio excerpt from Timing—the first for us here at the blogola! It was rather exciting listening to it, and I am so pleased to have the opportunity to share it here, along with some author comments as to the linguistics involved in setting up the pieces.

First, for those unfamiliar with the novels and their plots, I’ve linked the book covers to their respective Amazon blurbs. Abbott’s world-building opens a new type of sci-fi, one accessible even to those not typically enamored of the genre (such as myself), and the above-mentioned duo will capture your imagination as they seek to solve the mysteries of high-tech crime in space.

Click image to read plot description
For more about Timing, click the pic!

 

 

 

 

 

 

 

 

Today you’ll hear—and can read along—a bit of discussion between Mitnash and Slate, along with another pair, Rydal and Capstone, as the group talks about oddities in the data they are studying. It comes from a narrated portion utilizing Amazon’s Polly software; Abbott points out that unlike Alexa, which is a single voice, Polly can do text to speech in several.

Previous to hearing this excerpt, I was still in marvel mode at any of this, though my conversation with the author brought me forward a bit, into a place where I began to distinguish characteristics and contemplate the mechanics of setting it all up.

“[I]t’s like all programming really… a slow start to get all in place, then once it’s there, you kind of just turn the handle.” Of course, I know very little about programming—probably readers are way ahead of me on that—but his comments enabled me to view it more as technology rather than something huge and undefinable. While constraints remain, it nevertheless is exciting to “witness” the process unfold.

“In this case [included are] limitations of the text-to-speech engine, which at current state of the art can’t correctly parse some complex sentences! I often put a qualifying clause at the end of a sentence instead of earlier on, and Alexa and Polly don’t know how to say it within the overall shape. So [in places] I’ve moved some phrases around in a sentence to give better flow.”

In today’s excerpt the audio remains faithful to the text, but as we move on in this series, we’ll catch glimpses of the accommodations. Listen, however, for the nuances that appear: accents, pronunciation inconsistencies (I thought I heard at least one), vocal pitch and so on. At post’s bottom, see the link to an article about using technology for far more than entertainment.

And without further ado, let’s listen up. Simply click the arrow below to start.

Extract A

Rydal’s gig, the Heron, was moored in amongst half a dozen vaguely similar craft. I had expected something about the size of the Mermaid, in which Nick had ferried me, last time I was here.

The Heron was considerably smaller though, and it would be a squeeze getting more than the two of us into her. A purist would say it was more of a scull, than a gig.

We sat side by side in the bridge to look at her analysis. It was rather less roomy there than my bedroom at the Rileys’, but since the Harbour Porpoise was still with Boris, there wasn’t much choice.

Rydal first got Capstone to display the increments as a kind of contour map, overlaid onto the Isles of Scilly. It wasn’t very revealing. There were certainly some minor local variations from island to island, but it looked random to me.

Then she pulled back to show the whole asteroid belt. That was different. Just as she had said, Ceres and Vesta showed huge peaks – Ceres was the larger – and the amount across the Scilly Isles was dwarfed in comparison. I nodded.

“That looks convincing. But it doesn’t tell us much about the cause.”

“Now see what happens if we scale for population size rather than show simple totals.”

The red planet as seen from the ESA Rosetta during its 2007 flyby [CC BY-SA 3.0-igo], via Wikimedia Commons
The display changed. This time the Ceres and Vesta peaks were almost identical in size. The total values might be different, but the subsequent disbursements had been chosen so as to make the amount per recipient the same. That spoke of careful planning. Meanwhile, Pallas was flat, and the various other domes here and there, around the belt, showed nothing as well. That was really interesting.

“You mentioned Mars?”

“Well, yes. There’s a few places on Mars itself, and a tiny scatter on Phobos. Nothing on Deimos. Here…”

The Martian system appeared. As she had said, Deimos showed the same low-level random splutter as the Scillies. Phobos showed a little bit more, but nothing very definite. Mars, with its wide diversity of settlements in different places, showed an equally wide variety. In amongst that, were several peaks, reaching almost the same value as Ceres and Vesta, but the data was patchy. I leaned back.

“Slate, what is there in common between those places?”

“I’ll see what I can find out. And I’ve just fired off a query to Khufu down in London to see if we have any similar data on the Jovian system. Capstone tells me that he and Rydal have no details for there.”

Khufu was the main Pyramid installation supporting the Finsbury Circus office, together with those other scattered souls who, like Slate and I, were on detached work off planet. Vaster than a persona and more capable, he was also more serious, less easily sparked into lively debate, and not really the sort of individual you would want to spend time with. He did, however, have access to a colossal amount of information, and was able to leverage this to make connections the rest of us might miss.

At any rate, a query going down to the Finsbury Office and back would take the better part of an hour, given the relative locations of Bryher and Earth just now. So we had time to spare. Time to see what we could do for ourselves with this puzzle.

While waiting for Slate’s analytics to initialise, I half-turned to look at Rydal. Her skin was darker than mine, and as we had boarded the Heron, she had gathered her unruly ringletted hair back into a more orderly bob. She glanced at me briefly, and I looked back at the screen. It was ready now.

“Any ideas?”

“We need to find the common factor. Let’s see what Khufu comes up with.”

To my surprise, it was Capstone who answered.

“Slate and I have been working together on this, Mitnash. You see, I have a lot of demographic data that isn’t relevant for your normal investigations into fraud. But it fits very neatly with what Slate already knows, and means we can eliminate most possibilities. So far as we can tell, there’s only one common feature that appears to have any relevance to the matter. Ceres and Vesta use a twinned Sarsen pair as the main financial deal hub. Deimos and Pallas do not. Mars has a lot of different systems here and there, so it’s harder to tell.”

Artist’s concept of the Dawn spacecraft with Vesta and Ceres. NASA image. (Click image for details; once there click “open in media viewer” for a really fantastic closeup. Also see link for NASA gallery)

“He’s right, Mit. Pallas has a single Sarsen with a lot of upgrades to quicken her up. Deimos has a routing engine down to Mars, based on a cut-down Ziggurat. No real local processing at all. The main Mars site at Elysium Planitia has a full Pyramid, but there are a lot of sites elsewhere on the planet which do have twins. A couple of them are reasonably close to the peaks, but there is no direct connection that I can see yet.”

“From memory though, the twinned pair is a fairly common configuration. We mainly see it in finance, but it’s very widespread beyond that too. Ship navigation and all. I’m not surprised that there are several like that on Mars. Slate and I can send a query to get a full list across the system, if we think it would help. But does anyone here on the islands use twinned Sarsens?”

“Oh yes. The main financial hub on St Mary’s. You remember, we talked about it, last time we were here.”

Rydal stirred.

“Actually there is another, though hardly anybody knows about it yet. Back on Martin’s we have one as well. I’m telling you this in absolute confidence, but there is a move by some of us there, to take the islands’ deal processing away from Mary’s. We’re putting together a proposal right now, listing a number of occasions when the Mary’s hub has either underperformed or thrown errors. Acquiring the twinned pair was part of the proof of concept.”

This was news to Slate and I. At a guess, it would be news to Elias as well, but Rydal had effectively sworn us to secrecy, for the time being.

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Click here to read about some remarkable advances used to help people with autism enjoy higher levels of productivity, meaningful interactions and privacy. 

About the author…

Richard Abbott writes fiction set in two very different places. First, there is science fiction, set in a near-future solar system exploring issues of high-tech crime and human-machine relationships. The second area is historical fiction set in the Middle East at the end of the Bronze Age, around 1200 BC.

His first science fiction book, Far from the Spaceports, introduces Mitnash Thakur and his virtual partner Slate as they investigate financial crime in the asteroid belt. Its sequel, Timing, was released in the second half of 2016.

His historical fiction books explore events in the Egyptian province of Canaan, following events in the life of a priest in the small hill town of Kephrath during a time of considerable change throughout the region.

His latest publication, Half Sick of Shadows, a retelling and metamorphosis of Tennyson’s “The Lady of Shallot,” is now available for purchase, along with his other works, on Amazon and Amazon UK.

Richard lives in London, England and works professionally in IT quality assurance.

When not writing words or computer code, he enjoys spending time with family, walking, and wildlife, ideally combining all three pursuits in the English Lake District.

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You can follow and learn more about Richard Abbott and his books at Facebook and Google–and be sure to check out his brilliant collection of images! The author also has some amazing content at his blog, In a Milk and Honeyed Land, including Polly and Alexa, with space-related and not, his own reviews and reading list, information about his other books, and much more.

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Stay tuned for more excerpts, my review of Richard Abbott’s next book, Half Sick of Shadows, a retelling and metamorphosis of Tennyson’s “Lady of Shallot,” and some conversation with the author!

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This post has been updated to include an embedded audio box for excerpt as opposed to the hyperlink previously created. 

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Book Review: Claire

Claire (Book II in The Merencourt Saga) by Carol Edgerley

A B.R.A.G. Medallion Honoree

The 19th and early 20th centuries contain not a few accounts of resolute women, females who pushed back or laid claim to their slice of the world, many meeting success and motivating others to aspire to greater goals. Marguerite de Merencourt was one such woman, and although the legacy she passed to her children and grandchildren contained mixed blessings—for Marguerite’s obstinate streak, so admirable in her younger years, often worked against her favor as she grew older—she remains a draw for readers precisely because some of her efforts yielded less than absolute success.

The lovely second-edition cover for Claire, winner of the B.R.A.G. Medallion (click image)

Marguerite’s eldest daughter Claire, introduced to readers in the final pages of her mother’s story, possesses Minette’s striking beauty as well as indomitable spirit, and from an early age mesmerizes those around her, though not always for the better. Her father’s bullying nature softens to smiles, but upon a long-time-coming visit to her maternal grandparents’ home in France, the teen is viciously rejected by the same woman who pushed away her own infant—Marguerite as a baby. As Claire is coming into her own, she often clashes with her mother and the failure of both to choose their battles widens the already substantial chasm between them.

Claire opens to a scene of the girl celebrating—or trying to—her first grown-up birthday at the end of the twentieth century’s debut decade. While the mores of the time have not drastically altered since her mother was 17, Claire recognizes the changes dawning in the world—cars and telephones make their appearances in the novel—as well as within herself, and like most teenaged girls, resents her mother’s strictures as much as she is mortified by her working status as a Calcutta business owner.

Unfortunately for Claire, she doesn’t seem to learn from her mother’s mistakes, nor does Minette—to the detriment of both. Eager to escape the house as well as the hanging cloud of a family secret, Claire enters into a marriage arranged by her mother, only to find that her once-charming fiancé has little feeling for her other than as sexual release in the absence of the married woman he had conducted an affair with during their engagement. Betrayed by her partner in life and humiliated in the public forum, Claire directs her energies and considerable organizational skills on lavish entertaining and a posh lifestyle.

Before readers get very far into the story, Minette and Claire have already bickered over so many and such petty grievances, one wonders if they spend copious amounts of time nursing exhaustion, for indeed it takes a great deal of energy to be angry. Edgerley’s dialogue, however, always fresh and sharp, combines with the narrative and clearly shows characters’ perspectives as well as the larger picture. Family members frequently engage in heated rows and these strong and well-spoken women are rarely short of intelligently articulated deliveries.

Having said that, there is indeed more to the characters than smartly-chosen words delivered for maximum effect. Readers are permitted to witness the ambitious Claire as she at times struggles to maintain her footing or determine the next step. Troublemaker Sonia is not always able clearly to see her sister’s secrets in order to exploit them, and Christina, with a tendency towards submission and desire just to keep the peace, develops a strength enabling her to speak out against Claire’s less desirable behaviors and actions.

Though Minette has kept most details of her unhappy childhood from her children, some eventually learn the most significant details, such as when Claire’s grandmother verbally assaults her—for being Minette’s daughter, of course, but also because she is so startlingly like her. “That unnatural mother,” as Minette considers the Marquise, nevertheless has exerted some sort of influence as we later see Claire repeat some of her grandmother’s acts and treat her own children with a contempt shocking to modern readers.

Claire’s life does, however, have its happy moments, and Edgerley’s descriptive prowess of them and other scenes is as powerfully true to reality as it is scrumptiously absorbing. Scenes of both ordinary and grand wrap around readers as if they are part of them, and as they move though seamless transitions, investment in those they read about deepens. Appreciation for Claire and others develops despite—or perhaps because of—her flaws and obstinate inability to move past some of them.

The young woman had never looked more beautiful, her dark hair drawn up into a loose knot encircled by strands of jasmine. In her hands, she held a bouquet of the same delicate white blooms encircled by green foliage. The elegant bodice of her soft taffeta gown was scattered with seed pearls that proceeded in swathes over the flowing skirts. Only her hands were seen to tremble…wedding nerves, it was said.

When still becoming acquainted with Claire and how she endures living in a pressurized society under the seal of a loveless marriage, this reviewer had at first mused she might be a character readers “love to hate.” It soon becomes clear that such stylization shortchanges Claire, her story and readers themselves. Multi-faceted, Claire’s dreams, disappointments, loves, losses, sins and attempts at atonement could be any of ours, and reflect the reality she once lived.

How Claire goes on to make a satisfying life for herself and her family is nothing short of astounding; with her perseverance in the face of unforgiving setbacks as well as unmitigated joy, she carries on amidst global as well as local changes, community and personal. Like India herself as midnight, a new day, approaches, Claire must acknowledge the past as she aims to settle into her future, one that will certainly contain agonizing choices alongside the promise beckoned by the birth of a new era. Having grown attached to her, both despite and because of her lapses, readers will long with and for her, and wish for more.

 

 

 

 

 

 

 

 

 

To see my review for
Marguerite (Book I in The Merencourt Saga),
winner of the B.R.A.G. Medallion, click here.

and

to see my review for
Susanna – Volume 1 – The Early Years (Book III in The Merencourt Saga) click here.

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Carol Edgerley tells us in her own words a bit about her amazing life…

Born in Calcutta, Carol spent most of her early childhood in France and then Jersey in the Channel Islands. Educated first at a French convent, she then attended Jersey College for Girls and later went to Heathfield, a girls’ boarding school in Ascot.

Throughout her long life (and three marriages) Carol has travelled extensively, visiting the Middle East, Australia, New Zealand and Canada, living several years in France, India and Hong Kong.

A qualified teacher, Carol ran a successful tutorial in Hong Kong for many years, teaching children French and English towards eventual O-Level examinations. She is delighted to still keep in touch with a number of ex-pupils.

Upon retirement to France, Carol was able to carry out a burning desire to write the story of her French great grandmother’s astonishing life, told to her by a great aunt when she was twelve years of age. In the delightful surroundings of her home in the Dordogne at that time, she wrote the story of Marguerite in long hand, initially for the benefit of her three children.

Years went by, and sweating blood and tears, Carol battled the mysteries of a computer, Mac, Word and email … finally Facebook and Twitter. Encouraged by friends and her three children, she re-invented herself as a writer and typed out the manuscript of Marguerite on her new Mac computer, editing furiously as she went. The exercise, however, took decidedly longer than she had imagined!

Unwilling to pursue a (generally) disappointing path to literary agents and publishers, being dismally aware her work might end up unread, and thrown on a “slush pile,” Carol ventured into the world of self publishing. It was one of her life’s greatest emotional moments to hold a print copy of Marguerite in her hands for the first time!

Delighted by readers’ response to the book, Carol went on to write Claire, the story of Marguerite’s wilful elder daughter, who led an amazing if somewhat tragic life. Now there is Susanna: The Early Years (Volume 1), this being the story of one of Claire’s granddaughters. This particular book shines a light on bullying in its worst form, an unpleasantness that unfortunately persists to this day.

Susanna: A Tale of Passion and Betrayal (Volume 2) will follow in due course.

Carol still lives in France, now in a comfortable old farmhouse set in the centre of its own twenty-eight acres of pastureland in the Vendée. Sitting at her desk in the veranda, she is invariably surrounded by six much-loved adopted dogs of all shapes and sizes.

Find and follow the wonderful Carol Edgerley at her website, Twitter and Facebook.

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A copy of Claire was provided to the blogger in order to facilitate an honest review

Author photo courtesy Carol Edgerley

 

Book Review: A Foreign Country (With Giveaway)

Richard Liveth Yet (Book II): A Foreign Country
by Joanne R. Larner

See below for details on how you can win a free, signed copy of

A Foreign Country!

… as well as how to get your FREE Kindle edition of 
Dickon’s Diaries – A Yeare in the Lyff of King Richard the Third.

Not having recalled reading in the past any alternative history, I wasn’t entirely sure what to expect when I picked up Joanne R. Larner’s debut work, Richard Liveth Yet: A Historical Novel Set in the Present Day. To its credit, the book doesn’t take itself overly seriously, though it does present us with a marvelous package of imagination and poignant insight. Moving forward now to its sequel, A Foreign Country, we delve deeper into Rose’s brush with time travel and the last Plantagenet king.

Previously we witnessed King Richard’s appearance in our modern times; now, as the novel’s title implies, we—along with Rose, of course—journey to a land that has simultaneously fascinated and been ignored: the past. Following a year spent with the king in which he trains and they plan for his success at the “next” Battle of Bosworth, Rose marks the first anniversary of Richard’s departure by attempting renewed contact through a time fault. After some failure, she makes her way to Richard and his court, where by necessity he introduces the time traveler as “Princess Rose of Norway.”

I was pleased to see Larner repeat her pattern of using song names as chapter headings. As before, titles, not necessarily any song’s words, reflect each chapter’s events, and the author matches marvelously. An early section, titled “The Court of the Crimson King,” shows Richard as Rose first sees him on the night of a formal event:

His doublet was of a deep, dark blue, crossed with gold thread, with a thin, golden collar and edging, the fastenings down the front jeweled with pink rubies and sapphires. It enhanced the deep blue of his eyes.

 We catch further delightful glimpses in phrase, such as “sleeves slashed with lemon silk,” as Larner takes us through a wide array of songs and artists accompanying Rose and King Richard’s experiences, passages winding their way through the pair’s beings as well as the storyline, in much the same way we, too, recall movie or music lines within certain real-life contexts.

As the narrative moves forward, Richard and Rose have opportunity to get to know each other better, now in his own time, though still with the limitations he has placed on their relationship. By now he is married with children and loves his wife deeply, while maintaining a strong bond with Rose. However, suspicions arise and there is recognition that something is afoot, and while fears color ideas regarding what it all may be about, the details are clear to none, characters and readers alike. Mixed in with this are Rose’s own personal anxieties that grow stronger as time passes, until she can no longer dismiss them.

While not falling away from the plot, the author digs in a bit deeper as well, referencing mutual deals and the Hanseatic League’s stranglehold on European business interests, as well as Rose’s wry observation that bureaucracy in the fifteenth century is just as convoluted and outlandish as in her twenty-first. Even as citation, Larner’s mention of various historical trade and further political doings adds substance to her story as well as life in this era, a time many seem to perceive as made mostly of various narcissistic wars.

Brought into this mix is Leonardo da Vinci, who very much plays his own part while also mirroring the old and the new, and the mixing of the two, within the tale. We see both Richard and Rose’s roles reflected within his persona: an acceptance of other, and retention of attitudes prevalent in his own time, the contrasts creating new layers of each individual as they explore, directly or via proxy, someone else’s world. Rose and Leonardo, too, come to know one another better as Larner sketches in the artistic angle with proficiency and grace while the great polymath seeks out the new and different to examine. During one journey da Vinci

was often in a litter too, because he enjoyed looking out over the countryside and sketching in his notebook, occasionally making a caricature of one of the company. He particularly liked drawing subjects with interesting faces: those with exaggerated features, such as prominent noses, bushy eyebrows, large moles or deep wrinkles … She learned by watching him[.]

 While on one level a lighthearted and unpretentious tale, A Foreign Country works on and within others, too, that examine the world and its strange attractions, the division and meeting of these and the complicated manners in which humans respond to a variety of stimuli. Like the actors between the novel’s covers, events are typically more complicated than they appear. Still, Larner’s aim for an entertaining yarn more than succeeds as we read through the smoothly-written narrative, easily transported from one scene to the next and reluctant to put it down at any point. With a larger cast than the first book and multiple plotlines, one is eager to see where the author could possibly take this story next in the series’ final installment, Hearts Never Change. That readers mightn’t be able to conceive the path forward for Richard and Rose is not a worry, for Joanne Larner has established herself as a proficient storyteller. Given her passion for Richard III, there is also a great eagerness to travel to wherever she may wish to take us.

For your chance to win a free, signed copy of A Foreign Country, simply comment below OR at our Facebook page, located here. All names will be entered into a giveaway and a winner drawn in two weeks.

About the author …

Joanne Larner was born in London and moved to Rayleigh in Essex (UK) in 2001. She has wanted to write a novel since the age of thirteen and finally managed it in 2015. She was helped by two things: National Novel Writing Month and Richard III. Richard was her inspiration and she became fascinated by him when she saw the Channel 4 documentary The King in the Car Park in February 2013. She researched his life and times and read countless novels, but became fed up because they all ended the same way – with his death at the Battle of Bosworth.

So she decided to write a different type of Richard story and added a time travel element. The rest is (literally) history. She found his character seemed to write itself and with NaNoWriMo giving her the impetus to actually DO it, she succeeded. After she began writing the story that was in her head, she found that there was far too much material for one book and, in fact, it finally turned into a trilogy, of which A Foreign Country is the second part. This takes place mainly in Richard’s time and Joanne found that many actual historical elements seemed to match serendipitously with her requirements. For example, the characters who were contemporary to Richard, the date of Joana’s death, the fact that Lorenzo’s wife, Clarice, had twins that didn’t survive the birth, etc.

In the event you simply cannot wait for the drawing and possibly win a free signed copy, you may purchase Richard Liveth Yet (Book I) at Blurb, Amazon or Amazon UKRichard Liveth Yet (Book II): A Foreign Country at Blurb, Amazon and Amazon UK and Richard Liveth Yet (Book III): Hearts Never Change at Blurb, Amazon and Amazon UK.

Dickon’s Diaries

will be FREE on Kindle this Wednesday and Thursday, July 19 and 20. 

Click one of the Amazon links below to get yours!

Joanne has also collaborated with Susan Lamb to write a humorous book about Richard called Dickon’s Diaries – A Yeare in the Lyff of King Richard the Third, also available on Blurb, Amazon and Amazon UK. The pair will again team up for a second volume, and Joanne  is working on another Richard book, which will be called Distant Echoes and will involve a fictional technology, Richard’s DNA and his story in his own words.

To follow Joanne Larner and her writing, sign up or follow her at Facebook, Twitter and her blog.

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A copy of Richard Liveth Yet (Book II): A Foreign Country was provided by the author in exchange for an honest review. 

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Author photo courtesy Joanne R. Larner

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Book Review: Timing

Timing (Far from the Spaceports: Book 2)
by Richard Abbott

There are some sequels we get around to reading, or even purchase enthusiastically, remembering the pleasure experienced from their predecessors. Rarer, however, is the follow-on one prodigiously hopes is being written before they even conclude the first. In this instance, I became a beneficiary of the reality behind that wish when I learned of Timing, second in Richard Abbott’s Far from the Spaceports series. Having read and reviewed the first novel last year, I became quite attached to Mitnash Thakur, financial fraud investigator to the Scilly Isles, an asteroid belt near Jupiter, and couldn’t get enough of his prepossessing personality and, dare I say, aura.

This time around I fairly dove into the narrative, enabled by Abbott’s smoother story opening in Frag Rockers, a then nearly-empty Bryher bar in which Mitnash feels “old contentment resurfacing,” an apt manner in which to re-unite previous readers with this protagonist, given the memories re-kindled as we observe Mitnash’s gaze circle around his group and, together, remember. This is not to say one must have read Far from the Spaceports to understand what occurs here. Timing is most definitely a strong standalone, and any reader coming to it first also experiences an order advantage.


Neither of us had considered transferring her to a handheld, or some other portable gadget, since our last experience of that was still too painful.


What I mean by this is that periodically within Timing Abbott references an episode that occurred in the first novel; as a previous reader I feel the satisfaction of recognition. Newer readers have this in store for them as well, even if they read the two novels in reverse order: in the series debut, happening upon full events only referenced in Timing consummates each occasion, resulting in a gratifying sense of completion, an “Ahh, so that’s how it played out!” Mitnash tells his story with an intimate feel, as if he is speaking only to you the reader, so links between the novels as well as those connecting readers to the narrative and real-life society’s imaginings of their own future, link two worlds not only with technological realities and fantasies in common, but also the range of emotions that accompany them. We don’t just care for the characters; we feel a kinship.

Within the narrative, Abbott avoids weighty jargon, relying instead on a writing style that runs as smoothly as water, and an ability to communicate succinctly and economically some layered and otherwise complicated information. In this manner he takes us from Jupiter now to Mars, where a financial scam spirals into terror activity, negatively affecting even Slate, Mitnash’s artificial intelligence (AI) partner, whose own agency as persona is demonstrated in a robust personality, preferences, even bias and occasional snobbery. Her fears, too, play a role in how they navigate their way through the case, for the fallout might be serious indeed. At one point Slate attempts to interact with a set of personas centrally located within the attack directed against a college computer system.

They were still metaphorically limping along very awkwardly, their normal coordinated step disrupted by the trauma. When they did approach the subject, cautiously and with much hesitation, the level of fear they felt was like nothing Slate had witnessed before.

 [T]hey had also been unable to communicate with one another. For a pair whose initial, halting attempts at chat had been with one another, whose awareness had included each other from their very first cold startup, the loss was catastrophic. It was still difficult for them to build a trusting rapport with anything external.

 Slate was, I understood, very gentle with them, and avoided probing too deeply.

Slate’s compassion is tinged with fear for herself as well, and as events escalate with threats and extortion from a new band of outlaws called Robin’s Rebels, the pair must join forces with an unlikely partner, one they are not sure they can trust, even as they know they have to. The author maintains a fine balance with this angle, re-introducing a previous character and keeping us sitting up straight as we journey from spot to spot—experiencing the idiosyncratic nature of each—keeping a close lookout for someone we don’t know. Abbott also splices in details about our protagonist’s relationship with Shayna, back on Earth, and the peculiar weave of time that affects how days are experienced in these parts, on occasion plaiting them together in a brief comment about his poor timing, the utilization of which he would need to execute more efficiently if he is to crack this case. As we move along, Abbott silently teases out the question hovering between the lines about Mitnash and Shayla: Are their own weaves of time, and the manner in which they experience them, compatible? Or does the timing of each exist on planes far too separate for their union to be a success?

These questions and the situation they inhabit, paired with Mitnash’s continuing working relationship with Slate make one of my favorite aspects of the novel. Not that I admire trouble, mind you. In Far from the Spaceports the investigative duo get on well despite the occasional stumble, and carry on nicely. It works and is, as part of the introductory novel to this world, appropriate. In Timing, Mitnash and Slate experience deeper disagreement, some rather more serious as Abbott gives us a more profound view to the nature of the discord, or at least their conflicting perception and opinion. It also solidifies Slate’s role as more than a sidekick, intensifies the pressure of work in space and the stress of a human and AI relating to each other—not to mention humans raised in a number of extremely different environments—and lends questions to where Mitnash’s deeper feelings, preferences and loyalties lie.

As Mitnash struggles to write and dispatch a message to Shayna, partly attempting to explain his excessive amount of time away, we see how relationships affect those within them as well as those who observe. As in so many other passages through the book, Abbott provides insight into how a persona—this particular one, anyway—thinks, even if her logic is flawed, and the influence it has on Mit’s behavior.

“If we did succeed in getting straight back, we’ll still have been away from Earth for about six months. You need a better note than that.”

 An hour later I had crafted something which, I thought, sounded warm and conciliatory rather than just trite … Signal lag was about a quarter of an hour to Earth, and it was morning in Greenwich just now. Shayna would read it before too much longer.

 “Is that why you and Rocky gave up sooner than us?”

 [Slate] was not impressed.

 “Don’t you think that’s rather glib, Mit? On the Lovelace scale, we had the equivalent of nearly ninety years as a couple. And managed some five year separations within that. Do you think you will be together that long? How many human couples do you know who get to ninety years together?”

 Of course I apologised, and she accepted, and I settled down for the night.

Abbott as a science-fiction author, the characters and the plot itself mature as the complexities of all three, plus more, interact and give us a story that provides questions as well as answers, thrill and satisfaction, and an adventure that can’t be beat. The psychology of relationships being a huge theme running through the book follows superbly, in human terms and within a storyline unencumbered by excessive examination to bog down events. As a reader not typically attracted to sci-fi, it enthralled for itself, as well as the awareness that I could be drawn to the genre not once now, but twice, a condition that underlines the author’s ability to captivate readers from inside as well as out of the genre’s general readership.

The asteroid belt between Jupiter and Mars. In 1596, Johannes Kepler noted the excessive gap in the orbits between the two and believed there must be an undiscovered planet there. There is in fact a dwarf planet, Ceres. By Mdf at English Wikipedia (Transferred from en.wikipedia to Commons.) [Public domain], via Wikimedia Commons (Click image for more information)
So where do we go from here? Interestingly, I find myself contemplating a second reading of both novels—and soon—something I often pass up on other books I unsurprisingly loved because the timing was always off. I feel as if I am the only one Mitnash is telling his story to, and am drawn into the world Abbott builds with such fluidity, a perfect mix of fantasy elements with reality, the differences of the people in his world to us, as well as how similar and ordinary much of it is. (As readers may know, I’m a great lover of the ordinary.) As the story wraps itself around us, we become a part of that world, a magical attachment that lingers even when we step away.

About the author …

Richard Abbott writes fiction set in two very different places. First, there is science fiction, set in a near-future solar system exploring issues of high-tech crime and human-machine relationships. The second area is historical fiction set in the Middle East at the end of the Bronze Age, around 1200 BC.

His first science fiction book, Far from the Spaceports, introduces Mitnash Thakur and his virtual partner Slate as they investigate financial crime in the asteroid belt. Its sequel, Timing, was released in the second half of 2016.

His historical fiction books explore events in the Egyptian province of Canaan, following events in the life of a priest in the small hill town of Kephrath during a time of considerable change throughout the region.

His latest publication, Half Sick of Shadows, a retelling and metamorphosis of Tennyson’s “The Lady of Shallot,” is now available for purchase, along with his other works, on Amazon and Amazon UK.

Richard lives in London, England and works professionally in IT quality assurance.

When not writing words or computer code, he enjoys spending time with family, walking, and wildlife, ideally combining all three pursuits in the English Lake District.

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You can follow and learn more about Richard Abbott and his books at Facebook and Google–and be sure to check out his brilliant collection of images! The author also has some amazing content at his blog, In a Milk and Honeyed Land, with space-related and not, his own reviews and reading list, information about his other books, and much more.

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The blogger was furnished with a complimentary copy of Timing in order to facilitate an honest review.

For my review of Far from the Spaceports, click here

Stay tuned for my review of Richard Abbott’s latest, Half Sick of Shadows, a guest blog and more!

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Author image courtesy Richard Abbott

 

Author Interview: Valerie Biel (B.R.A.G. Medallion Winner)

Circle of Nine: Sacred Treasures – A B.R.A.G. Medallion Honoree

Hello, Valerie Biel, and welcome! Thank you so much for taking a few moments to chat with us. And congratulations, not just for your initial B.R.A.G. Medallion for Beltany, but now also Sacred Treasures. Sa-weet!!

So, Sacred Treasures is third in the young adult Circle of Nine series in which Brigit Quinn, still somewhat working through having her newfound knowledge and magical abilities, faces additional challenges. Her gifts being hereditary, they also spur Brigit to turn an eye to those who came before, and the possibilities and realities she finds are, to say the least, confounding.

Is there anything else you would like to add about Circle of Nine in terms of its description?

Thanks for that great summary, Lisl. Yes, Brigit is gradually becoming more used to the idea of being part of the Circle of Nine (the nine women who have the job of guarding the ancient ways and stone circles of Ireland.) She never wanted these “magical gifts” she’s been given and is still working through how she feels about them when she is catapulted into a mission to protect the circle. And what’s worse is that she doesn’t know who she can trust to help her fight those who wish to destroy the circle.

Did you read fantasy as a child? Or did you “discover” it later on?

I read a ton of mystery novels—series mostly as a preteen and teen. I definitely discovered fantasy as an adult reader! That may seem strange when I have such a love now for both reading and writing in this genre.

How did Brigit’s story come to you?

I was inspired by my travels to Ireland and became fascinated with the stone circles that dot the countryside. Beltany, the subtitle of the first novel in the series is an actual stone circle in County Donegal, Ireland. There’s something eerie and beautiful about these circles which rise up out of the greenest grass you’ve ever seen. Who built them? Why did they build them? If that’s not enough to start a story, nothing is. That led me to write the historical chapters of Brigit’s ancestors first. These chapters are included in the first and second book in the series. Brigit discovers these stories through a book of family history she is given on her 15th birthday.

Who were your favorite authors? Who or what inspired you to record your stories?

I have so many favorite authors in so many genres . . . I love a good creepy story like Stephen King writes, but I also adore Jane Austen’s novels. I am a little bit all over the place. Epic long journeys through another time are some of my favorites. Diana Gabaldon’s Outlander series is one I will read and re-read.

I read a ton of young adult and middle grade novels too. There’s so much smart writing out there to choose from!

I have always been a storyteller. I don’t know if this comes out of my birth order as the youngest in a family of six or what – but I’ve always liked telling a good story and being the center of attention that way. My first attempts (3rd grade or so) were decidedly not good, but I’ve improved since then! I am so much happier when I’m creating new stories and plot lines and playing around with characters. It’s my creative outlet.

Would you want to have any of Brigit’s powers?

Yes, please, all of them! But I won’t spoil anything for the reader by listing them out here.

How did you select the names for your characters?

Oh, my gosh! You would laugh if you saw my gigantic spreadsheet of names. I spent a lot of time on the internet gathering cool Irish-sounding names. I’m very careful to keep track so I don’t re-use a name.

How long, on average, does it take for you to write a book—at least the ones you’ve penned so far?

It has totally varied – my first book took a year when I was writing part time. When I switched to writing full time, I could complete a novel in four months—about 80,000 words.  I don’t write every single day, but when I’m in writing mode I can write up to 4,000 words in one day. Not all of those sections make it to the final novel, of course.

Is Circle of Nine the (or one of) young adult book(s) you wanted to read when growing up?

I think so. Don’t we always write what we want to read? I know I do.

What is your writing Kryptonite?

Oh, I am so distractible. I write from home and when I used to perch at the breakfast bar, all the comings and goings in the house interrupted me constantly. I finally have snagged one of my kids’ bedrooms for an office. (She is 22 and assures me she is not moving home—so it’s okay!)

Now, I’d say that social media is my Kryptonite. I have to turn everything off – no pings, no pop ups – to immerse myself in my work in progress.

Do you ever read reviews for your books?

Ha, I do. Every-Single-One! Mostly, that’s okay because my reviews have mostly been good, but there’s always a stinker in there somewhere. I get a little upset, but I find there’s always something to learn from a less than stellar review.

As a fantasy author, what would you choose as your mascot or animal spirit?

A bird or a butterfly.

Have you ever been on a literary pilgrimage?

Whenever we travel, I weave in stops at important literary locations or authors’ homes/museums. For instance, on a trip to England with my family we stayed in a number of Jane Austen-ish locales like Bath and Lyme Regis.

I’ve been on personal literary pilgrimages—or maybe that is better defined as a research trip. Luckily, we don’t always have to visit far-off places to write about them with the ability to immerse ourselves in a place via the internet, but truly there’s nothing like being somewhere to convey the sights, sounds, and smells of a place in our literary descriptions.

Do any other mythologies interest you? Would you consider writing a story within that setting/location?

Yes, I am completely fascinated by other mythologies and folk lore of other countries, especially those beyond the traditional Greek and Roman studies we encountered in school. Norse and Viking themes are big right now, but lately I’ve been intrigued by Egyptian mythology.

What are your favorite literary journals? Genres? Books?

I’m a big fan of Stephen King’s book On Writing. (There are so many other books about writing and how to write that I’ve read, but this is one I will re-read.)

I love The Sun – it’s a beautiful literary journal.

Are there any question not asked here today that you would like to address?

No, this has been a lovely and interesting set of questions to answer!

And now for some fun queries…

Do you ever (or often) have conversations in your head?

Yes, doesn’t everyone. Sometimes out loud, too. I think people assume that I’m talking on a hands-free cell phone in my car when they see me at a traffic light. (I live in a small town, so everyone knows everyone.) In truth, I am likely working out some dialog between two of my characters.

What is your favorite mode of transport?

Trains – I really adore trains.

What track have you played to death lately?

The music from the Young Pope miniseries on HBO is fantastic and yes, I’ve played it to death.

What accent(s) do you find charming?

Irish & Scottish

What does your ideal day look like?

It would begin with waking up to breakfast in bed on a tropical island.

But, a  good day in my regular life includes an hour or so of social media work before writing for a solid four or five hours and then a break for a workout/run before cooking dinner and relaxing with an excellent book (or possibly some reality TV like the Great British Baking Show or The Amazing Race.)

Thanks again, Valerie Biel, for joining us and congratulations!

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About the author …

Valerie Biel’s debut novel Circle of Nine: Beltany has been honored as a 2015 Kindle Book Award Finalist, a finalist in the Gotham Writers’ Young Adult Novel Discovery Contest and the Readers’ Favorite Book Award Contest as well as being a B.R.A.G. Medallion Honoree. The final installment in this series – Circle of Nine: Sacred Treasures – has also received a B.R.A.G. Medallion and was short listed for the Eric Hoffer Book Award grand prize, earning the First Runner-Up distinction in the YA category. In addition to the young adult stories in the Circle of Nine world, she has also authored two middle-grade novels and is represented by Kim McCollum of the Purcell Agency.

When she’s not writing, she’s working on freelance publicity projects and assisting other authors through her business Lost Lake Press or teaching about writing topics at conferences, libraries, and schools. She’s a member of a fantastically fastidious critique group through her membership in the Society of Children’s Book Writers and Illustrators (SCBWI).

When Valerie’s away from the computer, you might find her working on community theater projects, local history preservation, wrangling her overgrown garden, traveling the world, and reading everything she can get her hands on. Once upon a time, she graduated from the University of Wisconsin with degrees in journalism and political science. Now, she lives in rural Wisconsin with her husband and children and dreams regularly of a beautiful cottage on the Irish coast where she can write and write and write.

Follow and learn more about author Valerie Biel and her world at her website, blog, at her Amazon author page or Facebook, TwitterInstagramTumblr, or Pinterest.

Author image courtesy Valerie Biel.

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