Book Review: Hearts Never Change (Plus Giveaway)

Richard Liveth Yet (Book III): Hearts Never Change
by Joanne R. Larner

The author is so generously gifting a signed paperback copy of
Hearts Never Change to one lucky winner! To get in with a chance to
win, simply comment below OR at this review’s Facebook thread, located here.

Drawing extended to December 22

Warm wishes for a Happy Birthday to Joanne & Rose  

May the best be yet to come!

Every so often readers come across a tale in which it is easy to sense the author had a blast writing it. This doesn’t negate the hard work, long hours and research that went into it, but the story contains so much that buoys the spirit and excites the imagination it is infectious. Hearts Never Change, third in Joanne R. Larner’s Richard Liveth Yet series, is one such captivating yarn. From first page to the last, its energy moves the reader and, quite simply, the book is difficult to put down.

Larner’s first installment in the series sees Rose Archer meeting up with a time-transplanted Richard Plantagenet, who by necessity quickly adapts to his new surroundings, though is challenged by his expectation of how he believes Rose should address him – he is an anointed king, after all. Nevertheless they get on well and develop a plan to return him to his time, armed with information he gains from historical studies and physical training, to face and survive the 1485 Battle of Bosworth.

The series goes on to bring Rose to the fifteenth century, which she mostly gets a feel for, though the news that she is to be a mother frightens her and she returns to her time for the birth of her twins. Hearts Never Change picks up some years later, following Rose’s desperate attempts to get back to Richard. The narrative alternates between his time and hers, and we see them at times so close, but never quite making it. Will they ever?

As with the other two installments, this one’s chapters are called after song titles, and this delightful imaginative twist can work directly, or on another level. For example, Rose decides to leave England for Norway in a chapter entitled, “Farewell, My Homeland.” Here we also learn that “[i]dentity information was stored on microchips implanted into their wrists these days—now the records associated with their chips were false.” Rose lives in this time so perhaps she is used to it, but for readers it is an embarkation to another world. Driverless cars, too, are advanced enough to make their way across Europe (through Germany, Denmark, Sweden and then to Norway). With savvy aplomb, Larner brings readers forward in time, and though the leap of years is not as great as within Richard’s travel, the technological changes are somewhat unnerving, “leveling the field” at least a little bit.

Larner knows when to let up on us, though, and the novel is sprinkled with humor of different sorts: Richard calling out using his medieval verbiage during a modern football match, for example. Having booked tickets online, which he initially suspects is a manner of witchcraft, he later attends, wearing a scarf with the team’s “cognizance” on it. At a foul he shouts, “You misbegotten cur! Our man was about to kick a goal!” Not long after: “Referee! Thou hast need of some eyeglasses, methinks!” Nevertheless, he has a good time:

“’Twas much better than I expected, Andy. As you know, I am used to the thrill of battle where winning or losing is a matter of life or death, so I did not think I would find football so exciting, but ‘tis very fast-moving and unpredictable—quite thrilling!”

 “Well, as the great manager, Bill Shankly, said, of course football isn’t a matter of life and death,” Andy said. “It’s much more serious than that.”

 As the story moves along, Rose is shown to be as mobile and adventurous as in past novels, and Larner’s skill in getting us to a variety of places is evident as the reasons to go there develop naturally. The reading flows smoothly and the characters, even cameos, are realistically portrayed. By necessity, some events or changes move quickly: the novel covers a number of years and depicting too many steps along the way would make the book massive and likely alter its light nature and fluid movement. The author definitely knows where to compress time and infer details for the sake of the story and its smooth progress.

Larner’s ability to blend the varying emotion and style of passage—poignant, humorous, distressing—rests largely on transitions, and these she handles as expertly as with her time management. Historical figures appear and are discussed, and the author’s economical prowess is evident in how much history is relayed in short amounts of passage, all while engaging readers who are hungry for more.

Rich in detail and vivid in descriptions, Hearts Never Change is an addicting read people will be sorry to put down. Its re-readability factor is high, however, and the same is true for all three. While all three novels are stand alones, we recommend reading all, not because of anything missed without them, but rather their fabulous answer to the human desire to be told a story and the feel of someone telling it directly to each individual holding a copy of the book. The third then wraps it all up—or does it? Once you start reading, you won’t rest until you find out.

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See our reviews for other great Joanne Larner books:

Richard Liveth Yet: An Historical Novel Set in the Present Day,

Richard Liveth Yet (Book II): A Foreign Country and

Dickon’s Diaries – A Yeare in the Luff of King Richard the Third (with Susan Lamb)

 

About the author …

Joanne Larner was born in London and moved to Rayleigh in Essex (UK) in 2001. She has wanted to write a novel since the age of thirteen and finally managed it in 2015. She was helped by two things: National Novel Writing Month and Richard III. Richard was her inspiration and she became fascinated by him when she saw the Channel 4 documentary The King in the Car Park in February 2013. She researched his life and times and read countless novels, but became fed up because they all ended the same way – with his death at the Battle of Bosworth.

So she decided to write a different type of Richard story and added a time travel element. The rest is (literally) history. She found his character seemed to write itself and with NaNoWriMo giving her the impetus to actually DO it, she succeeded. After she began writing the story that was in her head, she found that there was far too much material for one book and, in fact, it finally turned into a trilogy consisting of Richard Liveth Yet (Book I); Richard Liveth Yet (Book II): A Foreign Country and Richard Liveth Yet (Book III): Hearts Never Change. The final installment takes place mainly in Richard’s time and Joanne found that many actual historical elements seemed to match serendipitously with her requirements. For example, the characters who were contemporary to Richard, the date of Joana’s death, the fact that Lorenzo’s wife, Clarice, had twins that didn’t survive the birth, etc.

In the event you simply cannot wait for the drawing and possibly win a free signed copy of Hearts Never Change, you may purchase Richard Liveth Yet (Book I) at Blurb, Amazon or Amazon UKRichard Liveth Yet (Book II): A Foreign Country at Blurb, Amazon and Amazon UK and Richard Liveth Yet (Book III): Hearts Never Change at Blurb, Amazon and Amazon UK.  Dickon’s Diaries – A Yeare in the Lyff of King Richard the Third is available on Blurb, Amazon and Amazon UK. The pair will again team up for a second volume, and Joanne  is working on another Richard book, which will be called Distant Echoes and will involve a fictional technology, Richard’s DNA and his story in his own words. Joanne is pleased to add that she has recently had a story published in The Box Under the Bed: An Anthology of Scary Stories from 20 Authors, available at Amazon and Amazon UK.

To follow Joanne Larner and her writing, sign up or follow her at Facebook, Twitter and her blog.

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Author image courtesy Joanne Larner

The blogger received a gratis copy of Hearts Never Change in order to write an honest review

Yorkist Rose image by Booyabazooka at English Wikipedia 

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Book Review: Retalio (Plus Giveaway)

Retalio (Book VI in the Roma Nova series) by Alison Morton

A B.R.A.G. Medallion Honoree, October 2017

A Discovered Diamond April 2017

Chill with a Book Readers’ Award

Author Alison Morton has generously doubled the goodies! In addition to the current contest with a free copy of Insurrectio to be had, she is also excited to gift a FREE copy of Retalio to one lucky winner! Simply comment below or at our Facebook thread, located here, to be in on the drawing. Both drawings will take place on December 9. Good luck!

Update: Drawing will be held December 16 (see link here)

In this third installment of the second, or Aurelia, cycle of Alison Morton’s six-part Roma Nova series, Retalio opens with Aurelia Mitela in exile. Originally from the small and only part of the Roman Empire to survive the centuries of history and immense change, the ex-Praetorian and former foreign minister of Roma Nova emerges in exile following the successful coup d’etat engineered by her lifelong nemesis, Caius Tellus.

It will be a less than restful exile:

‘Betrayal and collaboration used to lead automatically to a death sentence. You should be grateful this is the 1980s.’ She refused to look at me and instead jabbed her spoon into the coffee cup, almost scraping the glaze off as she rattled it around the tiny amount of liquid at the bottom.

 ‘Is that what you really think I’ve done, Maia Quirinia?’

 ‘I’m an accountant, Aurelia, used to looking at facts and figures. And the evidence against you adds up, if you’ll forgive the pun.’

 This was my childhood friend, my fellow minister, one of the inner circle I had trusted with my secrets, my failures as well as my successes. The person who’d comforted me when I was nearly raped as a fifteen-year-old, whose common sense gave me balance and whose life I’d saved on the dreadful night of fires.

In this brief opening passage of her alternate history, Morton communicates to readers—in one of the best “show don’t tell,” dialogue-driven sequences we’ve read—when our story is set, the pair’s history, the charges Aurelia faces, some context on our protagonist’s conflict with Tellus, Quiriana’s background and how it informs her thinking, as well as her current state of mind and Aurelia’s awareness of it. This sort of succinctness is how Morton’s novel is laid out, and the voice has the same feel as that of Aurelia, pragmatic and proficient.

Which are, of course, attributes Aurelia will need if she is to get through this exile and back to Roma Nova. With crisp efficiency she develops a series of perilous plans, one of which will lead her back into her occupied country, now run like a misogynistic dystopia on steroids. There is also the question of an underage heir, legally Tellus’s charge. But before any of this can come into play, she must first break the tool of every tyrant—the lies designed to discredit Aurelia and isolate her and all the exiles from each other. Without full communication and co-operation, they cannot hope to liberate their homeland.

As its title implies, Retalio ushers in the end of events in this cycle, perhaps with a little retaliation into the bargain. Whose retribution remains an ongoing question, for Morton keeps us on tenterhooks almost up to the end. Before we even arrive at the group’s realization that a distraction to keep Tellus from seeing what they are really up to is in order, we are second-guessing people and events. A trusted bank official, homeless exiles, ordinary Viennese: which ones can we trust? Morton skillfully reveals her foundations, and we find ourselves inspecting every corner for telltale signs of weakness or treacherous build.

As with Aurelia and Successio, I found myself flipping the pages furiously, perhaps at a match for the fast-paced and thrilling narrative. It also is perhaps the most satisfying and best of the three novels, possibly because it wraps things up, even though the finale doesn’t play out in all aspects as we might want it to. But it also employs winding threads and subplots that meet in the end, with perfect pacing and authentic characters that each play their role to perfection, even when they are royally messing up.

As a standalone novel, Retalio is superb. The filling in is measured and complete, and its re-readability factor—as with the others—is extremely high. Don’t give away your copy once you’ve finished—the Roma Novan world Morton has built is addictive and follow-up visits will surely be in order.

To read my review for Aurelia, click here. For my recent review

on Insurrectio, and to get in on the giveaway, click here.

About the Author…

Even before she pulled on her first set of combats, Alison Morton was fascinated by the idea of women soldiers. Brought up by a feminist mother and an ex-military father, it never occurred to her that women couldn’t serve their country in the armed forces. Everybody in her family had done time in uniform and in theatre all over the globe.

So busy in her day job, Alison joined the Territorial Army in a special communications regiment and left as a captain, having done all sorts of interesting and exciting things no civilian would ever know or see. Or that she can talk about, even now ….

But something else fuels her writing … fascinated by the mosaics at Ampurias (Spain), at their creation by the complex, power and value-driven Roman civilisation she started wondering what a modern Roman society would be like if run by strong women.morton

Alison lives in France and writes Roman-themed thrillers with tough heroines.

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You can connect with Alison Morton on her Roma Nova site, Facebook author page, at Twitter and on Goodreads.

Be sure to check out other great titles from Alison Morton~

Inceptio, the first in the Roma Nova series: shortlisted for the 2013 International Rubery Book Award; B.R.A.G. Medallion finalist in 2014; Writing Magazine Self-Published Book of the Year

Perfiditas, second in series: B.R.A.G. Medallion; finalist in 2014 Writing Magazine Self-Published Book of the Year

Successio, third in series: Historical Novel Society’s Indie Editor’s Choice for Autumn 2014; B.R.A.G. Medallion; Editor’s Choice, The Bookseller’s Inaugural Indie Preview, December 2014

Aurelia, four of the Roma Nova thriller series, set in Roma Nova’s recent past – the start of the young Aurelia Mitela’s adventures … HNS indie Editor’s Choice Autumn 2015; Finalist 2016 HNS Indie prize; B.R.A.G. Medallion, October 2015; Discovered Diamond January 2016; Chill With A Book Readers’ Award 2017

Insurrectio, fifth in series, second in a new cycle of three and multiple award winner. To purchase Insurrectio, click here for multiple retailers/formats.

And more on Retalio, book six of the Roma Nova thriller series, set in Roma Nova’s recent past – the conclusion of the younger Aurelia Mitela’s adventures … B.R.A.G. Medallion, October 2017; Discovered Diamond April 2017; Bookmuse Recommended Read; Historical Novel Society reviewed; Chill with a Book Readers’ Award

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A copy of Retalio was furnished to the blogger in exchange for an honest review

Author image courtesy Alison Morton

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Book Review: Insurrectio (Plus Giveaway)

Insurrectio (Book V in the Roma Nova series) by Alison Morton

Historical Novel Society Indie Editor’s Choice Spring 2016

Chill with a Book Award Book of the Month February 2017

A B.R.A.G. Medallion Honoree, October 2016

For your chance to win a FREE e-copy of Insurrectio, simply comment below to get your name in the draw!

Update: Drawing will be held December 16 (see link here)

Imagine a remnant of the Roman Empire has survived, transformed into a society in which women have more public power, and continues to govern today in a modest portion of Europe. Author Alison Morton has done this and her alternate history series, featuring Aurelia Mitela, descended from the lead of the originally exiled Twelve Families, ex-Praetorian and current imperial counsellor in Roma Nova, is the fabulous result of her wanderings through the past.

Click image to peruse one of the nicest author sites: attractive, organized, user friendly–plus a free e-copy of Inceptio, first in the series

Roma Nova is divided into two parts of three books each: the second cycle, Aurelia, Insurrectio and Retalio, functions as the prequel story and occurs in the 1960s and 80s, ahead of Inceptio, Perfitidas and Successio, set in an alternate-reality present day. There is no disadvantage to opening with the Aurelia cycle, indeed at any within it, for Morton has written them as stand-alone novels, each a complete and satisfying story of a chain of events in the life of our protagonist, whose childhood nemesis, Caius Tellus, brings his antagonism to bear on the government he loathes. A misogynist with an axe to grind, he derives special pleasure from targeting Aurelia, whose strength and determination threatens not only his fragile ego, but also the plans he has in store for their small but silver-rich nation.

Most of us have heard it said repeatedly: power never exists in a vacuum. Aurelia understands this all too well, but has difficulty getting others to realize the danger of the void that exists, and which Tellus has already recognized. As circumstances go from bad to worse, Aurelia seeks to protect her teenage and lately contrary daughter, while simultaneously working to reconcile her relationship with Miklós, whose inability to remain in one spot unsettles her. At just about the time Aurelia begins to wish her strong ethics had not stayed her hand in a confrontation with Tellus some years earlier, others in her social and administrative circles see her as conspirator, and Aurelia is faced with a dilemma that umbrellas all her other troubles: is it too late to do anything?

Thinking I might like it enough, not being a big reader of Roman historical fiction, I had been pleasantly surprised with my reading of Aurelia a year or so ago. That sense of wonder increased exponentially with my inhalation of Insurrectio, the bulk of which was absorbed in one 24-hour period. The pages turned in swift succession with the thrill of events often occurring just as quickly, and I found myself responding to them, sometimes aloud, groaning in exasperation, lecturing people, smacking my forehead in disbelief, urging them to light a fire under it ….

Part of what makes Morton’s political thriller so exciting is the pace at which her story moves, influencing a habit I have recognized in myself and seen in others, of reading more rapidly, as if somehow that might prompt the positive outcome of characters in danger. Paired with a narrative of intrigue and deception, betrayal woven into even small corners of instances, we become more suspicious of everything and then cry out when someone falls into a trap.

One such potential snare is a Roma Novan law that functions for the society’s women to retain power, but its discriminatory nature provides a weak spot for exploitation. As plot device, however, it is strong, setting the stage for Caius to make his attempts at “reform,” and threatening to lead his nation to a Roman dystopia. Then there is the Roman feel of the setting, what with traditional names (including plural ending of surnames), titles (domina, Praetorian), reference to ancient worship (“What in Hades is that supposed to mean?” or “Jupiter! What’s this?”) and the perception that the Prussians are a soft society, amongst a people who use cell phones, drive cars and do business worldwide. This, to be honest, is a lot to mix together, but Morton does it with style and flair as she also subtly mirrors real-life current events and passionate but flawed expectations:

Terrifying as the attack … had been, it was minor compared with the trouble in the city. By the time he’d flown out to see me, Plico had compiled the full picture. A parade of thousands of men from the Roman National Movement marching in full toga order from the forum had ended a rally in front of the amphitheatre with twice the number they’d started with. There’d been declamatory speeches which some of Plico’s operatives had listened to while mingling with the toga toughs.

 ‘The speakers call themselves Gracchus, Sulla, Clodius and so on.’ He snorted. ‘Pseudonyms, obviously, but they’ve got the crowd fired up. My people said they pushed emotional words at the crowd, repeating over and over again stuff about land, virtue, tradition, strength, order, manliness, grabbing every popular reference they could from history. They called for stability, jobs, respect—all the usual stuff—without any explanation about how they were going to deliver them, of course.’

It would be a mistake to perceive this as mere gender reversal, not only because, as weak Roma Novan governance itself demonstrates, any group is subject to instability, but also as it removes personhood from the entire populace, not only its men. As a study in leadership, it works, because this angle, too, reveals the strengths and weaknesses of all people (not only women), and highlights a need for balance to overcome inequality, not legislatively favoring one or certain elements within any population.

As we are given greater view to genuine gripes exploited by an agenda, the rapid pace of the narrative reflects the manner in which individuals must act. Though Aurelia draws on her past experience to move forward, as a character she grows. Her humanity is more revealed, though so too is her vulnerability. Her very real anxieties threaten to trip her up as they carry readers along with events, breathlessly urging her to be as wary of her fears as the occasions that birth them. For readers familiar with the titular character of Aurelia, this is especially satisfying given her very practical and efficient portrayal in the cycle’s first installment.

Overall, it’s easy to say this was a fantastically paced tale with a plot that captures reader attention and doesn’t let go. Aurelia is a likeable character up against an enemy carefully developed into a realistic and formidable foe. With subtle teasers here and there as to the future of Roma Nova, it beckons us deeper into Alison Morton’s world. Read alone or along with the others, those within this world grow closer to us and we care about what happens to them, as does Aurelia, even though she doesn’t like some of them very much. It causes one to wonder what happens next, which can be seen in the first three books of the series, though we suspect they will remain with us long after even their conclusion.

To enter the contest for a FREE e-copy of Insurrectio, simply comment below – no need for anything fancy! – and you’re in! Alternately, you may also comment at this review Facebook thread, located here. 

Drawing to be held December 2

To read my review for Aurelia, click here.

 

About the Author…

Even before she pulled on her first set of combats, Alison Morton was fascinated by the idea of women soldiers. Brought up by a feminist mother and an ex-military father, it never occurred to her that women couldn’t serve their country in the armed forces. Everybody in her family had done time in uniform and in theatre all over the globe.

So busy in her day job, Alison joined the Territorial Army in a special communications regiment and left as a captain, having done all sorts of interesting and exciting things no civilian would ever know or see. Or that she can talk about, even now ….

But something else fuels her writing … fascinated by the mosaics at Ampurias (Spain), at their creation by the complex, power and value-driven Roman civilisation she started wondering what a modern Roman society would be like if run by strong women.morton

Alison lives in France and writes Roman-themed thrillers with tough heroines.

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You can connect with Alison Morton on her Roma Nova site, Facebook author page, at Twitter and on Goodreads.

 

Be sure to check out other great titles from Alison Morton~

Inceptio, the first in the Roma Nova series: shortlisted for the 2013 International Rubery Book Award; B.R.A.G. Medallion finalist in 2014; Writing Magazine Self-Published Book of the Year

Perfiditas, second in series: B.R.A.G. Medallion; finalist in 2014 Writing Magazine Self-Published Book of the Year

Successio, third in series: Historical Novel Society’s Indie Editor’s Choice for Autumn 2014; B.R.A.G. Medallion; Editor’s Choice, The Bookseller’s Inaugural Indie Preview, December 2014

And more on Insurrectio, fifth in series, second in a new cycle of three and multiple award winner. To purchase Insurrectio, click here for multiple retailers/formats.

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A copy of Insurrectio was furnished to the blogger in exchange for an honest review

Image courtesy Alison Morton

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Book Review: Aurelia

Aurelia (Book IV in the Roma Nova series) by Alison Morton

Shortlisted for the 2016 Historical Novel Society Indie Award

Historical Novel Society’s Indie Editor’s Choice for Autumn 2015

A B.R.A.G. Medallion Honoree

AURELIA_cover_image600x385 copyIn her Roma Nova series, Alison Morton engages the query of What if, and world-building on the possible answers or results. Combining this with her own military experience and consideration of Roman women playing a more significant role than actual history shows, an installment such as Aurelia is born.

Growing Aurelia, of course, requires the possession of its own history, and Morton deftly provides this. Following Theodosius’s 395 (AD) ban on all pagan religious observation, some four hundred Romans depart, setting up an infant society, Roma Nova, on the family-owned land of its senator, who leads the new colony’s twelve prominent clans.

In her brief but fascinating historical note—wisely positioned at the start of the novel—Morton reminds us via Davies’s Vanished Kingdoms that any fledgling state requires certain elements to ensure its survival, amongst them defense, naturally, but also a diplomatic force, revenue system and, the author adds, adaptability.

Silver copyThe Roma Nova of Aurelia, set in the 1960s and populated by the descendants of the Twelve Families, has indeed looked after these interests: silver is their major export and they possess a hardy diplomatic corps, both of which come into play when Aurelia Mitela is sent abroad to investigate the price manipulation of this precious metal.

Aurelia, mother to a sickly child and who also recently lost her own mother under suspicious circumstances, travels to a Berlin different in two major ways, one for her and one for us.

Unlike the rest of Europe in this era, where women generally continue to embrace traditional roles, Roma Novan females are accustomed to being able to move into positions of power; indeed, Aurelia has a successful army career only recently put on hiatus. So she encounters a society unused to her authority and assertive demeanor, though without the fallout of an infamous Austrian-born corporal’s rise to terrible power, which in this alternate history never occurred.

Woman soldier copyBringing a reader from the opening of this conception to the point at which Aurelia embarks on her investigation is no mean feat. Morton packs many centuries of history into the backstory and narrative without overwhelming us, but allowing Aurelia to develop a rapport with us as we read. She is a “mere soldier,” though proud of her service. She understands her tiny country has always had to work hard and remain vigilant to overcome their vulnerability. She is embarrassed at her weight gain and worries about her small daughter, and that she cannot fill her late mother’s shoes and keep up with her new duties.

Aurelia is sensitive but practical and as such, I didn’t entirely expect poetic-style passages in this first person narrative. Not that Aurelia isn’t intellectually capable; her character simply seems too no-nonsense. In that respect I was not disappointed for Aurelia’s voice makes sense; it fits perfectly with who she is … even when Morton tosses in a treat here and there.

He opened a glazed door at the far end of the glass wall. A narrow ledge protected by a waist-high glass wall with a curled edge metal top rail extended out about a metre from the wall. He was right; the view was spectacular. The sky glittered like a net of white diamonds on navy velvet. At times like this, you wondered if there really were gods on Olympus who could have created such beauty.

It wasn’t exactly a surprise to read such a lovely passage, as Aurelia indeed is brilliant, without a doubt. In fact, its sparing placement is in keeping with her personality and realistic presentation of her as a character. Morton’s dialogue is smooth and rhythmic, economic and directed.

The author also knows how to keep balance: Aurelia doesn’t run the risk of becoming too perfect because she does, in her worry and fatigue, occasionally overlook crucial bits that lead to new circumstances, for both better and worse. Further character development also occurs as events play out, and Aurelia grows in her awareness, a clever route for Morton to pursue as it lends greater tension to the story as we follow it.

I heard a gasp from Mercuria. Numerus came up beside me and stared at Tella with contempt. Before he could do anything, I stalked over to the older woman. My ribs were hurting, my arm aching and my tiredness was making me irritable. But more than anything, fury raced through me at her unreasonable attitude. She’d made a career out of being obnoxious but it was going to stop here. I halted within centimetres of her, almost touching her clothing.[…] As I turned my back on her, I was trembling, but I walked away in what I hoped was a dignified way.

As fourth in the Roma Nova series, Aurelia nevertheless may be read as a stand alone, and in fact it is prequel to the first three installments. It is easy to see why this is an award-winning novel, action-packed as it is, with Aurelia having to battle just to keep her investigation from being stymied and herself killed as she navigates her way through determination of allies and enemies. We see events through the eyes of Aurelia, gaining insight into the Twelve Families and their relationships with one another, as well as a love interest for Aurelia.

Morton’s familiarity with the inner workings of the military as well as solid research and a fabulously imagined Roman-descended culture—and the rich details provided—make this novel a page turner that not only will inspire readers to finish it in one go, but also take themselves back to Inceptio, number one in the series, and have at it from the beginning.

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About the Author…

Even before she pulled on her first set of combats, Alison Morton was fascinated by the idea of women soldiers. Brought up by a feminist mother and an ex-military father, it never occurred to her that women couldn’t serve their country in the armed forces. Everybody in her family had done time in uniform and in theatre all over the globe.

So busy in her day job, Alison joined the Territorial Army in a special communications regiment and left as a captain, having done all sorts of interesting and exciting things no civilian would ever know or see. Or that she can talk about, even now ….

But something else fuels her writing … fascinated by the mosaics at Ampurias (Spain), at their creation by the complex, power and value-driven Roman civilisation she started wondering what a modern Roman society would be like if run by strong women.morton

Alison lives in France and writes Roman-themed thrillers with tough heroines.

*********

You can connect with Alison Morton on her Roma Nova site, Facebook author page, at Twitter and on Goodreads.

 

Be sure to check out other great titles from Alison Morton~

Inceptio, the first in the Roma Nova series: shortlisted for the 2013 International Rubery Book Award; B.R.A.G. Medallion finalist in 2014; Writing Magazine Self-Published Book of the Year

Perfiditas, second in series: B.R.A.G. Medallion; finalist in 2014 Writing Magazine Self-Published Book of the Year

Successio, third in series: Historical Novel Society’s Indie Editor’s Choice for Autumn 2014; B.R.A.G. Medallion; Editor’s Choice, The Bookseller’s Inaugural Indie Preview, December 2014

And more on Aurelia, fourth in series, the first of a new cycle of three: Historical Novel Society’s Indie Editor’s Choice for Autumn 2015; shortlisted for the 2016 Historical Novel Society’s Indie Award; B.R.A.G. Medallion. To purchase Aurelia, click here for multiple retailers/formats.

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A copy of Aurelia was furnished to the blogger in exchange for an honest review.

Images courtesy Alison Morton.

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