Reading 2017: Importance of Book Covers (from the IndieBRAG Cover Contest Series)

On November 22, 2017November 21, 2017 By LislIn book covers2 Comments

A few months back I visited with Stephanie, who at that time helped organize indieBRAG‘s cover contest. It was another opportunity for me to chat about book covers and the role they play in my reading and blogging, and it was a lot of fun!

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Book cover layouts play an important role in the overall presentation of stories, and often times readers first judge a book by its cover. This year indieBRAG has put together a cover contest of books chosen by the indieBRAG Team. These covers were chosen based on several factors including; 1) professionalism 2) visual appeal 3) creativity and 4) fit with the story/genre.

This week we have asked the ladies of the indieBRAG Interview Team to discuss with us the importance of book covers, what they like, want to see more of and so on. Today Lisl talks with us about this.

Lisl, on the scale one to five, how important are book covers to you?

I’d probably say in between four and five. Though I add the caveat that there have been books with solid color covers I’ve enjoyed. If a work’s premise appeals to me, I won’t not read it because of a dull jacket, but it is so that such a cover lessens the chances I’ll be drawn closer and discover the richness between the pages.

Why are they important to you?

A fantastic cover often draws me to a book, even from across a room (or stack). It will make a statement or offer some insight or perspective to the story, or even provide food for further thought that wasn’t necessarily addressed in the book, at least not directly. Sometimes it’s just beautiful or striking in a way that makes me want to experience the pleasure of simply taking it in.

What do you not like in book covers?

Despite my comment above about solid covers, I really don’t care for them. They’re bland and don’t provide any kind of visual peek into the world the story’s characters inhabit, which I really love. I can understand an author preferring not to have images of characters; some want to leave that visualization up to reader interpretation, and I respect that. However, not to have any image, pattern or design detracts from the experience of reading a book—reading the cover is an integral part of the event. The lacking even strikes me as a bit lazy.

What would you like to see more of in covers?

Hmmm … I wasn’t really sure how to answer this at first, so I did a quick examination of five covers I especially like. One, for 1066: What Fates Impose, by Glynn Holloway, is fairly straightforward, with minimal but forceful design that takes a stand, replicating the martial tone threaded throughout the novel. The image on Sarah Bruce Kelly’s Vivaldi’s Muse is the partial reproduction of a Lefebvre painting, which in particular sets a tone, with its creative beauty and expression, and absolutely spot-on colors, that exactly matches the personality of the historical character portrayed within—plus it’s a picture not often seen within the reproductive market (greeting cards, coasters, books, etc.) The other three show images with lots of detail and space for commentary on the themes: Anna Belfrage’s A Rip in the Veil’s girl walking away from the viewer is surrounded by a host of detail meaningful to the theme, as is the warrior on Paula Lofting’s Sons of the Wolf (first edition). And finally, Annie Whitehead designed a magnificent cover for Alvar the Kingmaker that reflects—literally even, what with items mirrored in a crown’s arch—contemplations of the past and present for the people involved, as well as their future and that of others: strands of life that touch multiple lives, including those yet to come, in this world and the next.

Despite the various styles these book covers all have, it’s easy to recognize that the statements made by or the reading of them provide strong and meaningful links to what happens within the narratives. The characters might even recognize themselves or something close to their identity within the images, and if that’s the case, then surely it is all the more striking for a reader. Moreover, the various styles of these covers indicate that there are many ways to achieve this intimacy and insight.

So I suppose the short(er) answer would be that I’d really love to see covers with more connection to the people and places that populate the books. Their lives and events depicted meant enough to put them to paper, so why not go all the way?

How many books have you read this year thus far?

Well, 34 to be precise, though I confess I haven’t even looked at one portion of my goal (sci-fi), which focuses more on genre this year than numbers.

Do you participate in cover contests by voting for your favorite?

I would if I knew about them! I love examining and interpreting covers, though it is true I haven’t been online quite as much recently as in the past, so I’m sure I miss a lot. Which is why I was so excited to learn about indieBRAG’s contest—even as an observer.

When writing a book review do you consider the covers to be part of your rating the book?

Truth be told, I’m not in love with star ratings, and don’t use them (except within online social cataloging sites that make me, in order to post reviews). My reviews tend to be non-linear and contain a touch of the analytical; how much I enjoyed each work can be determined by my words. But as a more direct answer, I typically don’t talk about covers, at least not at great length. This is partly because my entries are a bit longer than many other reviews, and adding too much more might on occasion become a bit weighty for some readers. Also, for better or worse, not all books have covers that bear much discussion.

How much do you blog per week and how much do you talk about book covers?

Also for better or worse, my blogging has to be scheduled around my family and work, so I don’t have a set number of entries per week, though I try to do at least one. (That doesn’t always happen!) I have done a couple of cover crushes, after the practice initiated by a fellow blogger and indieBRAG reviewer, and would love to do more. Sometimes I make mention of covers in reviews, though for the reasons stated above I don’t always.

It’s been great chatting with you, Stephanie, about book covers—and as always, I thoroughly enjoyed the get-together!

A pleasure, Lisl! Thank you for visiting today.

Link to another interview with Lisl here.

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Well, my book count has increased since this interview originally published, and you can see what I’ve read here (and what I’m still reading, here). I do confess, however, I remain behind in my sci-fi ….

Also, you won’t want to miss: Stephanie’s blog, Layered Pages, and her fun new endeavor, Novel Expressions, a Facebook page that in January shall be expanding into a blog well worth marking your calendar for. She’ll be partnering with Erin, whose own blog, Flashlight Commentary, is birthplace of the cover crush spoken of above.

Previous entries in the Reading 2017 series:

Readers’ Chat with Stephanie Hopkins

Origins of the Challenge

Reading Challenge 2017

New Genre Library (True Crime): Murder in Greenwich

The Importance of Book Covers (Book Blogger Group Chat)

New Genre Library (Graphic Novel): The Metamorphosis

New Genre Library is a three-part spinoff series of Reading 2017

Upcoming:

New Genre Library (Science fiction): Title TBA

And a fun entry to round out the year!

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950: 1066 Remembered, Guest Post: The Price of Love and Loyalty (Annie Whitehead)

On May 13, 2017 By LislIn before the second sleep2 Comments

Having previously looked backward into history as part of our examination of 1066, multiple award-winning author Annie Whitehead now brings us into even closer focus as we seek to make sense of this Conquest and all it has wrought. In so doing, we find we are not the only ones weighing the flood of events, actions, loyalties, what we say and what we do not. Could something have changed this deluge, could we have prevented it? Might we have escaped paying a price while remaining true? Or was it fated to happen, that we be swept up and carried along in meandering history, so like the wildest river Alvar speaks of with King Edgar?

*The “thin place” author Annie Whitehead walks, where worlds old and new rub shoulders, and opportunities may arise to cross paths with those who came before …. (click image)*

If we were to spy upon King Edgar, look at him from a (very) long-distance viewpoint, we would notice that, even compared to his contemporaries, he is short of stature. Perhaps his reputation is a little unremarkable, too. In a list of kings which featured Alfred the Great and Aethelred the Unready, Athelstan, he would barely stand out.

Yet in many ways, he was the most successful king of the tenth century. Respected, loved, he never had to fight, not on the battlefield, anyway. He and his brother were orphaned at a very young age, when their father the king died and was succeeded by his brother, who then died young, and childless. The teenage boys grew up separately. One of them, the eldest, was profligate, and louche, and was deeply unpopular. The other was Edgar, who grew up in the house of the powerful earl of East Anglia, where he developed ambition, and learned the art of politics. He saw how to harness the power and strength of other men, and he decided he wanted a kingdom for himself.

And since we’re having a peek, let me introduce Alvar (Old English name ‘Aelfhere’). He was Edgar’s right-hand man, helping him to secure a throne, and, much later, helping his son to secure one, too. He and his king are thinking about the years they spent together, when Alvar was earl of the powerful erstwhile kingdom of Mercia, dependent on Edgar for his position, while Edgar was dependent on the loyalty of Alvar, and the folk who lived on his lands.

Edgar: You broke an oath to serve me.

*King Edgar the Peaceful, a contemporary portrayal in the New Minster Charter. via Wikimedia Commons*

Alvar: I did. And it has been a cross to bear. But I saw a strength in you that I had not seen in your elder brother, whom I had sworn to serve. Some said his morals were lax, but my lord, I could say the same about yours. He was a weak man, and although it wasn’t fair what they did to him, it’s true that he was not fit to rule. He tried to buy the nobles, by giving them land. You seemed to understand what was required of a king. You respected the people you sought to rule. That was important to me.

Edgar: Ah yes, the Mercians. A proud people.

Alvar: Rightly so. Look what we achieved…

Edgar: Let me stop you before you give me a history lesson. You begin to sound like your faithful man, Helmstan. Always talking about Mercian independence…

Alvar: But you recognised it as fact.

Edgar: I did. I was nothing if not prudent. The Mercians and the Northumbrians were mainly of Danish stock by the time I came to the throne and I would have been mad not to acknowledge that. I knew I had to win their support against my brother, and I had to repay the debt. My policy was to keep everyone happy, with no reason to rebel. It worked. You all loved me.

Alvar: We did. We didn’t love each other though, that was the problem. We, the lords, and your bishops, well, let’s say we found ourselves with different ambitions.

Edgar: I held you all together, didn’t I? Between us all, look how we even managed to arrange that all the kings of Scotland, Ireland and the Isle of Man bowed down to me. Now that was a team effort. I even ignored the rumours about you and my wife…

Alvar: There was only ever one person who believed those rumours, and she should have looked at the evidence.

Edgar: When you say ‘she’, do you mean my wife, or Helmstan’s wife?

Alvar: You knew? Please say you never told him. I was never disloyal. I kept it secret, or so I thought.

*Upper Slaughter in Gloucestershire, where Alvar had his main residence. Courtesy Charlesdrakew via Wikimedia Commons*

Edgar: You were never disloyal to anyone, and that was your failing, really. You served me and mine well and faithfully. I know how much you sacrificed to help me take the throne, to help me keep it, and I know how hard you fought for my son.

Alvar: There was nigh-on full scale civil war, you know? At first, I was merely fighting for your son, as rightful heir, and then the tide of Mercian resistance seemed to sweep me along. It carried me to some dark places. Things were done…

Edgar: But even if they were done in your name, they were not done by you. Some of your enemies could have said the same thing, could they not?

Alvar: Ah, now here is where I must beg to differ. I did all I could to prevent what happened. Had I arrived just a few minutes sooner, I could have averted a killing. Dunstan, on the other hand…

Edgar: Shall we speak of him with full honour, and accord him his title of Archbishop of Canterbury?

Alvar: If you insist. The archbishop knew of many things, some done in his name, some done for his cause, about which he should not have kept silent.

Edgar: Hmm. Perhaps you are right. So how would you sum up our story?

Alvar: It is a story of kings, murdered. It is a tale of Mercia – a once proud kingdom, with nationalist feeling still running high. It is a love story, and love, as we know, never takes the straight course but meanders like the wildest river. The key word of this tale is loyalty. We are all bound by it, we all makes mistakes because of it. Some of us die for it…

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Annie Whitehead is a history graduate and prize-winning author. Her first novel, To Be A Queen, is the story of Æthelflæd, daughter of Alfred the Great, who came to be known as the Lady of the Mercians. It was long-listed for the Historical Novel Society’s (HNS) Indie Book of the Year 2016, and it has been awarded a B.R.A.G. Gold Medallion and Chill With a Book Award.

Her newest release, Alvar the Kingmaker, is a tale of intrigue, deceit, politics, love, and murder in tenth-century Mercia. It charts the career of the earl who sacrificed personal happiness to secure the throne of England for King Edgar, and, later, Æthelred the Unready. Alvar the Kingmaker is also a recipient of the B.R.A.G. Medallion.

She has completed a third novel, also set in Mercia, and scheduled for publication in 2017. She has twice been a prizewinner in the Mail on Sunday Novel Writing competition, she won first prize for nonfiction in the new Writing Magazine Poetry and Prose competition, and she has had articles published in various magazines, on a wide range of topics. She is also an editor for the EHFA (English Historical Fiction Authors) blog.

Most recently, she has contributed to the anthology of short stories, 1066: Turned Upside Down, in which nine authors re-imagine the events of 1066, and which has just been awarded HNS Editors’ choice and long-listed for Book of the Year 2017. She lives in the English Lake District with her husband and has three grown-up ‘children’.

You can learn more about and follow author Annie Whitehead and her work at her website, blog, Twitter, Facebook and her Amazon author page. Click titles to purchase To Be A Queen, Alvar the Kingmaker and 1066: Turned Upside Down.

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For links to previous entries in our “950: 1066 Remembered” series, including reviews for To Be A Queen and Alvar the Kingmaker, click here.

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“Thin place” photo courtesy Annie Whitehead.

950: 1066 Remembered, Guest Post: Between Two Worlds (Annie Whitehead)

On January 28, 2017November 18, 2017 By LislIn before the second sleep3 Comments

“Between Two Worlds” by Annie Whitehead

My name is Annie; a few years ago, on my travels as a writer, I discovered an Anglo-Saxon lady. This lady really existed, but survived only as a footnote in history, and now I’m going to visit her.

Every morning after my kids had gone off to school on the bus, I would walk along a green lane, which took me between fields. At the end of the lane there is a cluster of dwellings, and, just out of sight, an old farm. Midway along the path, the way is darkened by trees and it was at this point on my walks that I sensed a little of what some folk describe as a ‘thin place’ where the old and new worlds collide. This bucolic and slightly ethereal location became the basis for my fictional village of Ashleigh, the home of Káta, wife of Helmstan, and secretly loved by Alvar the Kingmaker, earldorman of Mercia.

upper-slaughter — *Upper Slaughter, where Alvar lived, as it appears today. Do you suppose Káta might recognize it? By Charlesdrakew (Own work) [Public domain], via Wikimedia Commons*

Today I am stepping through, metaphorically, into that other world, back to the year of AD963. I want to talk to Káta, and I have a message for her.

I know a little about her daily chores and I think I know where to find her. She will be in the bake-house, supervising the kneading of dough for the daily loaves, or she might be in the weaving-shed, working one side of the big loom. Ashleigh means ‘the clearing in the ash grove,’ and the village is surrounded on most sides by trees. Most people live in, or near, the enclosure but some live out in the woods. The houses are all made of timber, with thatched roofs, but inside I am surprised to see that the main hall has lime-washed walls, and is insulated with embroidered hangings.

Káta, wiping her hands free from flour, comes in from the bake-house, and gestures for drinks to be brought. She obviously doesn’t stand on ceremony, having come straight from working, but she thinks I don’t hear her add, “And bring the best cups.”

She glances round, and I can see from the way her gaze sweeps from corner to corner that she is assessing whether her house is ‘presentable.’ This lady is very house-proud.

She bids me sit down, and she stares at my feet. More precisely, at my boots. I always wear thick-soled walking boots when I come down the lane. She puts out a hand as if to touch them, and I am sorry that they are so muddy. She withdraws her hand. I look down at her leather, soft-soled shoes and I realise why she is so taken with mine.

“How often do you need new shoes?” she asks. “Mine do not last long, especially not at this time of year.”

I smile. How we take these things for granted in our modern world; my shoes will last me for years, whereas hers will wear through incredibly quickly. Being a shoemaker must be a lucrative job in the tenth-century!

When we have finished our drinks (she has given me wine; it’s too sweet, and I don’t drink in the middle of the day, but I don’t wish to offend) she will take me on a tour. November was blood-month, the time when the animals grown for food are slaughtered, and much of their summer produce has been preserved for the winter. Traditionally, they hang cheeses from the rafters – a hazard for tall people! She will need to keep a check on her personal store of dried herbs and plants, which are used for medicine.

“My duties are many. As lady, I must look after the folk who dwell on our land. I must nurse them when they are ill, bring food to those who are too elderly to fetch their own…”

“Like meals on wheels,” I say.

She shakes her head. Not in rebuttal, but in confusion.

In winter, they do not do much sewing, for daylight hours are short, but she assures me that they do mend their linens. She is proud of her beeswax candles – no smelly tallow for this lady!

Other things are purchased, such as crockery, and combs carved from antler.

“I would dearly love to ride to Chester to buy some new cups,” she says. I was right when I thought that she was house-proud.

She twirls her cup in her hands, but I notice she keeps her right hand hidden from view.

“Don’t worry,” I say. “I won’t tell anyone about that.” (Although readers of the book are sure to find out its significance.)

She fiddles with a brooch. It is a present, she says, from her husband. It is enamelled, and she treasures it because it was a present from London, a place where she has never been.

“I have a message for you,” I tell her. Her forehead wrinkles and I add, “It is from Alaska.”

“Who is Alaska?” She holds out her hand, as if for a letter.

“Not a who. A where. Alaska is a place, across the sea. Lisl lives there. It’s a long way from here. Even the boat journey would take months.”

She shrinks down in her chair. “The longest journey I ever took was from my father’s house to this one. Have you been to this … Alaska?”

I shake my head. “No, but I would love to go one day.”

“Then you have met someone who has been there?”

I smile again. How to explain? In her world, only the written page, or word of mouth, can convey information.

Instead, I tell her, “Lisl says that in Alaska many of the folk there grow their own little patches of garden, and the homesteaders sell lots of their produce. Some of the villages there are small and really isolated and some don’t have proper roads into them.”

Káta barely raises an eyebrow. “So things are not so different in Alaska.”

“The weather is a little different. Lisl says there’s a chance you might run into a stray bear.”

Now she is horrified. “I’ve seen pictures of such things. Thank goodness we do not have bears here.”

I am rather glad that we no longer have wolves in this country, but I keep silent.

We walk past the wooden gate-house, no more than a viewing platform, really, and out onto a lane that is considerably busier in these times than it is in mine. Folk all know each other by name, and occupation, and there is much more of a sense of community than in the rural England in which I now live.

Káta says, “Is it like that in Alaska?”

I shrug and say, “I don’t know. I’ll ask…”

picea_glauca_taiga — White Spruce Taiga with the Alaska Range in the background. While we might be intimidated by traveling along some of the roads Káta would have been familiar with, she might find uneasiness in the vastness of this landscape. By L.B. Brubaker (NOAA photo [1]) [Public domain], via Wikimedia Commons

Click here to see my review for the multiple award-winning Alvar the Kingmaker.

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About the author …

Annie Whitehead is a history graduate and prize-winning author. Her first novel, To Be A Queen, is the story of Æthelflæd, daughter of Alfred the Great, who came to be known as the Lady of the Mercians. It was long-listed for the Historical Novel Society’s Indie Book of the Year 2016, and it has been awarded a B.R.A.G. Gold Medallion and Chill With a Book Award.

Her new release, Alvar the Kingmaker, is a tale of intrigue, deceit, politics, love, and murder in tenth-century Mercia, and is available now. It charts the career of the earl who sacrificed personal happiness to secure the throne of England for King Edgar, and, later, Æthelred the Unready. Alvar the Kingmaker is also a recipient of the B.R.A.G. Medallion, Discovering Diamonds Special Ward and Chill with a Book Readers’ Award.

whitehead-author-pic She has completed a third novel, also set in Mercia, and scheduled for publication in 2017. She has twice been a prizewinner in the Mail on Sunday Novel Writing competition, she won first prize for nonfiction in the new Writing Magazine Poetry and Prose competition, and she has had articles published in various magazines, on a wide range of topics. She is also an editor for the EHFA (English Historical Fiction Authors) blog.

Most recently, she has contributed to the anthology of short stories, 1066 Turned Upside Down, in which nine authors re-imagine the events of 1066, and which has just been awarded HNS Editors’ choice and long-listed for Book of the Year 2017. She lives in the English Lake District with her husband and has three grown-up ‘children’.

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950: 1066 Remembered, Book Review: Alvar the Kingmaker

On January 23, 2017November 18, 2017 By LislIn before the second sleep5 Comments

Alvar the Kingmaker by Annie Whitehead

A B.R.A.G. Medallion Honoree

Recipient of a Discovering Diamonds Special Award and

Chill with a Book Readers’ Award

“My father told me that the lady of the Mercians was dead and gone before the days of the great Athelstan who was king even before Edgar’s father. Her daughter was shut away, and ever since there have only been West Saxon kings.”

So relates Káta to husband Helmstan, simultaneously telling part of a new story as well as filling in a bit the bridge between the days of King Alfred the Great and his daughter, and their now, here in Annie Whitehead’s second novel, Alvar the Kingmaker. Her debut, To Be A Queen, is Æthelflæd’s story of loyalty, identity, the determination to act upon what is right for self and one’s people, and how those people took her as their own and called her their lady.

Now, however, Mercia has been absorbed into the Wessex kingdom, and time has marched forward: new generations, new rivalries, new threads that loosely wend their way in to form new models of a society growing away from its past.

As a reader who had hungrily consumed Queen, I found myself greedy for this next book, even though I knew nearly half a century comes between the two eras, that Æthelflæd would not appear in it. Nevertheless, she does touch the story, as the Mercians, indeed the even more ancient Hwicce tribe, yearn for their centuries-old identity, past days and the rights enjoyed at that time.

Whitehead brings this to life as she introduces the warrior Alvar, who grows into his status as a statesman following a broken oath and crowning of a new king, the above-mentioned Edgar. Her tale brilliantly takes us through the years of Alvar’s close friendship with his deputy Helmstan, and the secret love he holds for the man’s wife. During these years he also must do battle with church leaders who play ungodly hardball, unafraid to bring harm to the innocent, who unwittingly wander into their sights, as they seek to destroy Alvar, seize his lands and render him irrelevant. When civil war erupts, he finds he must make his way past accusations of regicide and the future under a king whose weakness endangers the land against Danish military raids.

There is something unreal about witnessing the birth of Æthelred’s reign, knowing as we do about the choices he is to make that will link to future claims and pave the road toward the most important year in English history. Whitehead’s prose conveys these realities, though with a storytelling brilliance that captures my reader’s heart as well as the individuality of the people who actually lived this time. Utilizing historical details, the author weaves their tales, revealing their dimensions beyond mere residency, instead showing us what matters to them. Entwined within are the many ways people live and love, heartbreak that ensues and choices they make that on occasion affect many others.

Like vines creeping across brick walls, the moments within these lives intersect and influence the scenes and events of Alvar the Kingmaker, and Whitehead’s prose is as lyrical as we have come to expect it to be. Like poetry in bloom, flowering into a prose that flourishes across her pages, it subtly wends its way in ordinary moments as well as highlights passages in a fashion that causes one to stop and read it again—best aloud.

Káta partially closed her eyes against the sun, and looked through rainbow-lashes at the brightness. Away near the woods, the incessant triple hoot of the wood pigeon announced that full summer had arrived, while beyond the mill the rising laugh of the curlew marked the way to the estuary, but, beside them, the downward slope of the riverbank offered shelter from the breeze, and the loudest noise here was the gentle chatter of the water.

As the flowering poetry-prose makes its way among the pages, Whitehead carries us across the scene, visiting each small moment as we gracefully flit from point to point, exhilaratingly experiencing the beauty of the moment and the sweetness of summer as Káta encounters it as part of her world.

The author gives us glimpses and insight into much of Káta’s world, even parts of it she herself is not privy to, as we traverse time and geography to understand the linkage between the events within this time and as they will later relate to other important episodes. Alvar’s fealty to his king cannot prevent the direction of time’s march, however, and that surrealistic sensation of hovering above history, witnessing it unfold unleashes a flurry of questions and possibilities loosed by the winds of change that gust through the pages of the book, in the end reminiscent of Henry’s last leaf, clinging to the vine, an indicator of strength so long as it remains tethered to its host.

We know, for example, that Æthelred will later wed Emma of Normandy in attempt to pacify Viking raids with a unity between England and Normandy. Their son, the future King Edward the Confessor, however, will die childless, opening the way for a storm of claimants and the end of a dynasty. Is Edward the last leaf, the one torn from its root as the seasons inexorably must change? Or does his youth, largely spent in Normandy and perhaps laced with loyalty to his mother’s land, coincide with the timing as “[t]oo many things have come loose that cannot be tied together”?

Whitehead does not actually bring her story as far as Edward’s reign, though it is nearly impossible not to think about what the future beyond Alvar and Káta holds as they themselves live as part of the bridge between the days of Alfred and Edward. By their time, yes, Alfred’s daughter Æthelflæd is long dead and gone, her daughter’s fate not entirely certain. Nevertheless, she is their heritage as they will one day be someone else’s. Exactly how they get there remains to be seen, however, as Alvar rises in his position as a statesman and loves not only Káta, but also another.

The road that leads this other to him, like other events, helps determine history, but we also live through more personal trials with the characters, an omniscient narrator cleanly carrying us from perspective to perspective, smooth dialogue coursing through the pages like Káta’s water as its presence fertilizes and grows the life within its words. Whitehead also makes this sharper with her habit of assigning nicknames or slightly modernized versions of Anglo-Saxon names to her characters. Perhaps the best part is that the events are based on the lives of real people, and so as we think back to Káta’s moment in the sun excerpted above, it is difficult not to be awed by the author’s ability to transport us—really making us feel as if we are there—a thousand years back to a time that determines our own, and the people who made it all move.

A poignant, sometimes humorous, masterfully-told tale of the life of a man dedicated to his country, Alvar the Kingmaker is a must-read in the growing collection of an award-winning author whose name is solidly linked to quality historical fiction and enlightening Anglo-Saxon studies.

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Stay tuned for some follow-up guest posting from multiple award-winning author Annie Whitehead.

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About the author …

Annie Whitehead is a history graduate and prize-winning author. Her first novel, To Be A Queen, is the story of Æthelflæd, daughter of Alfred the Great, who came to be known as the Lady of the Mercians. It was long-listed for the Historical Novel Society’s Indie Book of the Year 2016, and it has been awarded a B.R.A.G. Gold Medallion and Chill With a Book Award.

whitehead-author-pic Her new release, Alvar the Kingmaker, is a tale of intrigue, deceit, politics, love, and murder in tenth-century Mercia, and is available now. It charts the career of the earl who sacrificed personal happiness to secure the throne of England for King Edgar, and, later, Æthelred the Unready. Alvar the Kingmaker is also a recipient of the B.R.A.G. Medallion, Discovering Diamonds Special Ward and Chill with a Book Readers’ Award.

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A copy of Alvar the Kingmaker was provided to the blogger in exchange for an honest review.

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950: 1066 Remembered, Guest Post: Marching Toward 1066 (Annie Whitehead)

On December 19, 2016October 13, 2017 By LislIn before the second sleep3 Comments

Today author Annie Whitehead joins us with some fascinating background into the kingdom of Mercia, following the eras in which she writes, those of King Alfred the Great and its succeeding generations with Æthelred and Æthelflæd (Lord Ethelred and Lady Aethelfaed), and Edgar, all of whom appear in her award-winning novels, To Be A Queen and Alvar the Kingmaker. Earls Edwin and Morcar, too, spoken of below, are the focus in “A Matter of Trust,” the author’s contribution to 1066: Turned Upside Down. Though even the latest of her characters lived a century before the Conquest, Whitehead succinctly illustrates the interconnectedness of their lives to the drama and horror of the invasion and its aftermath.

In so doing they connect to us, we who look back upon those who conquered and those subject to the calamity and tragedy of these events that had their roots in episodes long before the arrival of the year 1066. As we peer back into history, we wonder what they saw when they did the same, these individuals and groups simultaneously forced to stare into the future within events of their present. We know a bit of what they did, though of course they knew much more, most of which has been lost to us, or buried as it awaits re-discovery and the brushing off of earth, of questions triggered by connections here too, between what is known and that newly found. Today Annie Whitehead connects for us many of these puzzle pieces into a broader image that brings greater understanding of how the inhabitants of 1066, how their history mattered to them, and their personal experiences matter to us.

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Marching Toward 1066 by Annie Whitehead

Æthelflæd_as_depicted_in_the_cartulary_of_Abingdon_Abbey — *Æthelflæd, Lady of the Mercians, as depicted in the chartulary of Abingdon Abbey (British Library, Online Gallery) (click image)*

Mercia. Once a kingdom, now a distant memory, preserved only in certain names: The West Mercia Police, the West Mercia Primary Healthcare Trust, and although it is now slowly dying out, the dialect of the ‘Black Country’, which is based on the old Mercian language, and is widely regarded to be as close to Old English as it is now possible to get.

At its peak, it was ruled by such famous people as Offa, who was considered an equal to the Emperor Charlemagne. As readers of To Be A Queen will know, it was indispensable during Alfred the Great’s battles against the Viking invaders, when first the Lord Ethelred and then his wife, Aetheflaed, daughter of Alfred, fought the invaders, and built strategically important ‘burhs (fortified towns).

But yes, sadly they were Lord and Lady of the Mercians. Mercia had run out of kings.

It emerged, briefly, as a significant force during the middle part of the tenth century. A succession of West Saxon (Wessex) kings had died young and/or childless. In 955, when King Eadred died, the throne passed to the eldest of his two young nephews, sons of the previous king.

The first of these boys was Eadwig (Edwy) who started off his reign by rocking the nation with a scandal, having been allegedly caught in flagrante delicto on his coronation night with his wife. And her mother! For many reasons he was not a popular king, and his younger brother, who had grown up in the house of the powerful earl of East Anglia, hankered for a kingdom.

new_minster_charter_966_detail_edgar-copy — *Detail of miniature from the New Minster Charter, 966, showing King Edgar (Wikimedia) (click image to see the king flanked by the Virgin Mary and St. Peter)*

This younger brother was Edgar, and at around the age of 14, he rose up in rebellion against his brother. He had the backing of the East Anglians, and now he needed the help of the Mercians and the Northumbrians. Much as the Lord and Lady of the Mercians had fought them off, inevitably some of those invading Vikings had stayed, and settled in these midland and northern kingdoms. Edgar was canny, enlisting their support and allowing them to live according to their own laws. For two years there were two separate kingdoms, until Eadwig died suddenly, aged 19, and Edgar became king of all England. Mercia was once more relegated to being simply an earldom, albeit a powerful one. At one point Edgar made direct reference in a law code to his three leading earls, and Alvar was one of those men. Mercia and the north maintained a sense of separateness from the south, a partisan sentiment that was to mar relations even as far as 1066.

Mercians made their mark on history after the period which I wrote about in Alvar the Kingmaker. Most people have probably heard about Lady Godiva, for example. Perhaps less so the rest of her family, who found themselves, 100 years after the time of Edgar and Alvar, in direct conflict with the powerful Godwin family. Godiva’s son, Aelfgar, was twice driven into exile because of them, and Aelfgar’s daughter was widowed when Harold Godwinson caused the death of her Welsh husband. When Aelfgar’s sons, Edwin and Morcar, became earls respectively of Mercia and Northumbria, the family was in the ascendant.

“Here sits Harold King of the English” Scene 37 from the Bayeux Tapestry (Wikimedia) (click image)

In 1066 Harold Godwinson felt it necessary to ride north and ask for their support for his kingship, even taking their sister, the woman he had widowed, as his wife. Edwin and Morcar were, seemingly, unassailable.

But they lost the battle at Fulford, just outside York, when they were overpowered by the forces of Harald Hardrada and Tostig Godwinson, and got to the south too late to enjoin with Harold at Hastings. And so they needed to make their peace with a certain William of Normandy.

Was it so easy? Were they really willing to capitulate to the Conqueror?

Apparently not.

In 1068 a series of rebellions began, of which Edwin and Morcar were leading members. William had not managed to assert his royal authority in Mercia and Northumbria and it took a royal campaign into Mercia to secure a surrender. The brothers were restored to favour. But the events of 1068 were merely a ‘prologue’.

In January 1069, a Flemish appointee of William’s, Robert of Comines, was murdered in Durham, along with perhaps as many as 900 of his men. English exiles at the Scottish court came south and attacked York. William also had to deal with rebellions breaking out in other parts of the country – in Staffordshire and Shropshire in Mercia, the outlaw Eadric the Wild, along with Welsh allies and men from Chester, attacked Shrewsbury. Similar attacks in the north, and in the southwest, meant that the Norman hold on England was being severely tested. Severely, but not successfully. York was recovered, and it seems that Edwin came to an ignominious end; having played no active part in the great uprising, Edwin nevertheless fled from the court and was betrayed by his own retainers whilst trying to make his way to Scotland. (An interesting side note for me is that Edwin’s lands in his brother’s Northumbrian earldom were given to Alain Le Roux in 1071, and the district was renamed Richmondshire. Alain is said to be my family’s ancestor.)

Panel from the Bayeux Tapestry depicting Bishop Odo of Bayeux, Duke William, and Count Robert of Mortain (Wikimedia) (click image)

Eadric the Wild was pardoned, and Morcar retreated, along with that famous man from folklore, Hereward the Wake. But Morcar fared less well than Hereward. William launched a campaign into the Fens and Morcar surrendered. He was incarcerated in Normandy, and it’s likely that he died in prison.

The brutal putting down of the English rebels came to be known as the Harrying (or Harrowing) of the North. And that was the end of Mercia.

Of course, the place itself still exists – and is rich in historical sites. Little survives of the Anglo-Saxon era, but in this it is no different from anywhere else. The Saxons favoured wooden buildings, which don’t survive. These days the medieval ruins are of the stone buildings of the conquest, built to intimidate.

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Click here for my review of Alvar the Kingmaker.

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About the author …

Annie Whitehead is a history graduate and prize-winning author. Her first novel, To Be A Queen, is the story of Æthelflæd, daughter of Alfred the Great, who came to be known as the Lady of the Mercians. It was long-listed for the Historical Novel Society’s Indie Book of the Year 2016, and it has been awarded a B.R.A.G. Gold Medallion and Chill With a Book Award.

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To Be A Queen and Alvar the Kingmaker are both B.R.A.G. Medallion recipients, with Queen claiming the additional prize of Chill With a Book Award, and appearing on the long list for Historical Novel Society Indie Book of the Year, 2016.

The Age of Æthelflæd: Anglo-Saxon Warrior Queen, Guest Post: Invitation to the Past

On September 27, 2016October 2, 2016 By LislIn before the second sleep2 Comments

Today Annie Whitehead, award-winning author of To Be A Queen and Alvar the Kingmaker, takes up the reins with a lovely guest post, giving us a bit of background as to how she came to the world of the Mercians ….

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In the last piece, I was ‘chatting’ to Lord Ethelred of Mercia, and he asked me how I first ‘met’ him and his wife.

To Be a Queen came about because of a single sentence. My university tutor said of Ethelred of Mercia that “Nobody knew exactly where he came from.” I suddenly had a vision of this guy riding onto the pages of history out of some unknown hinterland. I wanted to write his story and, in a way, I have. Although of course the real story was that of his wife: daughter of a king, wife of a man with the powers of a king, a woman who led her army into battle against the Vikings.

aetheflaed-big-image — *Statue of Æthelflæd with her nephew Æthelstan, son of Edward the Elder (Photo provided by author, courtesy Richard Tearle)*

Aethelflaed was born around AD869 – we don’t know where – and was the eldest child of Alfred the Great of Wessex, and his wife, who was a Mercian princess.

Firstly, how does one pronounce her name? Some say Ethelfled, some say Athelflat. To be honest, I’m not sure, and there are other names in the book which are equally hard to pronounce and pretty difficult on the eye. So I changed a few of them, and gave others nicknames – like my heroine, who is called ‘Teasel’ by those who know her. Why? Ah, that would be telling. And it leads to some confusion early on, when her husband misunderstands…

It’s thought that Aethelflaed spent some of her early years in Mercia. At this time there were essentially four Anglo-Saxon kingdoms: two of them, Northumbria and East Anglia, had already been overrun by the Danish Vikings and now those invaders were pushing at the borders of Mercia in the midlands. Mercia could not hold them off, caught as it was in a succession dispute.

Onto the pages of history, seemingly from nowhere, rode a nobleman called Ethelred, who was determined to re-establish Mercian independence.

Ethelred entered into alliance with Alfred of Wessex who gave him his eldest daughter, Aethelflaed, in marriage, probably around AD887. Although we don’t know the precise age of either of them, it is safe to assume that Ethelred was the elder of the two, by some distance. This cannot be imagined as anything other than a political marriage. Aethelflaed was a ‘peace-weaver’, and this could so easily have been another tale of a woman, married off, and quietly slipping between the pages of the chronicles.

The alliance between Mercia and Wessex held but, from AD902 onwards, Ethelred is no longer mentioned riding out into battle. We don’t know why; he continued to witness charters, so something was stopping him from fighting, but not from leading.

Closeup of Æthelflæd and Athelstan. (Photo provided by author, courtesy Richard Tearle) — *Closeup of Æthelflæd and Athelstan (Photo provided by author, courtesy Richard Tearle)*

AD907 found the Mercians defending Chester from a Viking siege. It was not another lord who took Ethelred’s place, but Aethelflaed who directed proceedings. An Irish chronicle has her fighting back with swarms of bees, which is more than likely just a tale, but fun nonetheless. The Irish came to regard her as a queen, as did the Annales Cambriae, the Welsh chronicle.

After Ethelred’s death, no new male ruler was appointed. Edward (Aethelflaed’s brother, who was by this time king of Wessex) allowed his sister to retain control of Mercia.

Let’s consider what a unique story this is. In a time of almost perpetual warfare, a country and its neighbouring king were content to allow a woman to lead, even into battle. Whether or not she actually wielded a sword in anger, this is still remarkable. And yet, it was not remarked upon.

There are many stories to be found within Anglo-Saxon history. This was a society which produced the most exquisite artwork – the Lindisfarne Gospels – and the most intricately worked jewelled weaponry – the Staffordshire Hoard – hundreds of years before the period in which Queen is set, and had a sophisticated system of government. My characters are not the inhabitants of Middle Earth. They are not mystical, magical or mythical, but rather they are medieval.

The Anglo-Saxons were very real, but I still needed to know how they lived. I immersed myself in my Early Medieval world, finding out about looms, textiles, cooking methods, flour production, and I even learned how flammable flour dust can be (a fact which served me well in one particular passage in Queen).

But research isn’t the only thing required: you have to decide where along the historical time-line to begin and end your tale. I decided that I needed to tell Aethelflaed’s whole life story; I think we are all a product of our childhood experiences, tempered by the wisdom gleaned from experiences as an adult, and I felt that we needed to know about her upbringing and the times she’d lived through if we hoped to understand how she came to be famous, and yet, bizarrely, forgotten.

It appears that the Mercians were happy to let a woman lead them, and not even a native one at that, so it must, in part, have been down to her personality.

She was a special woman. So why is she not better known?

I think there are two reasons: in fiction, the Anglo-Saxon age has suffered a little on account of those unfamiliar and difficult-to-pronounce names. In terms of non-fiction, history is written by the victors. No, not the Vikings, but the kingdom of Wessex. Mercia ran out of kings and, after Aethelflaed’s ‘rule’, a merger was inevitable. Our greatest source of information, the Anglo-Saxon Chronicle, was commissioned by Alfred the Great and written by monks of Wessex. Mercia was never going to get top billing.

But Aethelflaed is remembered fondly by some. There is a statue of her in Tamworth, the ancient Mercian capital, which was re-dedicated in 2013, 1100 years after she fortified the town, and where they still refer to her as “The Lady of the Mercians.”

commemoration — *Base of the Æthelflæd statue, erected in 1913 to commemorate her fortification of Tamworth (Photo provided by author, courtesy Richard Tearle)*

Still, I had to make sure not to place my modern values on my character; she needed to live and work in her own world. Aethelflaed is a strong-minded woman, yes, but in writing her, I had to keep her firmly rooted in her early medieval environment. She’s a woman in a man’s world, but she’s not what we would recognise as a feminist.

Shortly before her death, delegates from the kingdom of York made an appeal to her for aid against the Norse armies of Ragnall. They had heard, as we do in the book, of her steely determination and single-mindedness.

In AD915 we not only have her location but the exact date – June 19th – when she took an army into Brycheiniog in Wales to avenge the killing of an abbot who was dear to her. And in AD917 she was in charge of the siege which resulted in Derby being returned into English hands. (As one of the ‘Five Boroughs’ of the Danelaw, it was strategically and symbolically an important victory.)

But, although she wouldn’t recognise the phrase, there is no gain without pain. Next time, an excerpt, from that siege at Derby…

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Stay tuned as “The Age of Æthelflæd: Anglo-Saxon Warrior Queen” continues next week with an excerpt from Annie Whitehead’s To Be A Queen.

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About the author …

Annie Whitehead is a history graduate and prize-winning author. Her first novel, To Be A Queen, is the story of Æthelflæd, daughter of Alfred the Great, who came to be known as the Lady of the Mercians. It was long-listed for the Historical Novel Society’s Indie Book of the Year 2016, and it has just been awarded a B.R.A.G. Gold Medallion.

You can learn more about and follow author Annie Whitehead and her work at her website, blog, Twitter, Facebook and her Amazon author page. Click titles to purchase To Be A Queen, Alvar the Kingmaker and 1066: Turned Upside Down.

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