Book Review: Claire

Claire (Book II in The Merencourt Saga) by Carol Edgerley

A B.R.A.G. Medallion Honoree

The 19th and early 20th centuries contain not a few accounts of resolute women, females who pushed back or laid claim to their slice of the world, many meeting success and motivating others to aspire to greater goals. Marguerite de Merencourt was one such woman, and although the legacy she passed to her children and grandchildren contained mixed blessings—for Marguerite’s obstinate streak, so admirable in her younger years, often worked against her favor as she grew older—she remains a draw for readers precisely because some of her efforts yielded less than absolute success.

The lovely second-edition cover for Claire, winner of the B.R.A.G. Medallion (click image)

Marguerite’s eldest daughter Claire, introduced to readers in the final pages of her mother’s story, possesses Minette’s striking beauty as well as indomitable spirit, and from an early age mesmerizes those around her, though not always for the better. Her father’s bullying nature softens to smiles, but upon a long-time-coming visit to her maternal grandparents’ home in France, the teen is viciously rejected by the same woman who pushed away her own infant—Marguerite as a baby. As Claire is coming into her own, she often clashes with her mother and the failure of both to choose their battles widens the already substantial chasm between them.

Claire opens to a scene of the girl celebrating—or trying to—her first grown-up birthday at the end of the twentieth century’s debut decade. While the mores of the time have not drastically altered since her mother was 17, Claire recognizes the changes dawning in the world—cars and telephones make their appearances in the novel—as well as within herself, and like most teenaged girls, resents her mother’s strictures as much as she is mortified by her working status as a Calcutta business owner.

Unfortunately for Claire, she doesn’t seem to learn from her mother’s mistakes, nor does Minette—to the detriment of both. Eager to escape the house as well as the hanging cloud of a family secret, Claire enters into a marriage arranged by her mother, only to find that her once-charming fiancé has little feeling for her other than as sexual release in the absence of the married woman he had conducted an affair with during their engagement. Betrayed by her partner in life and humiliated in the public forum, Claire directs her energies and considerable organizational skills on lavish entertaining and a posh lifestyle.

Before readers get very far into the story, Minette and Claire have already bickered over so many and such petty grievances, one wonders if they spend copious amounts of time nursing exhaustion, for indeed it takes a great deal of energy to be angry. Edgerley’s dialogue, however, always fresh and sharp, combines with the narrative and clearly shows characters’ perspectives as well as the larger picture. Family members frequently engage in heated rows and these strong and well-spoken women are rarely short of intelligently articulated deliveries.

Having said that, there is indeed more to the characters than smartly-chosen words delivered for maximum effect. Readers are permitted to witness the ambitious Claire as she at times struggles to maintain her footing or determine the next step. Troublemaker Sonia is not always able clearly to see her sister’s secrets in order to exploit them, and Christina, with a tendency towards submission and desire just to keep the peace, develops a strength enabling her to speak out against Claire’s less desirable behaviors and actions.

Though Minette has kept most details of her unhappy childhood from her children, some eventually learn the most significant details, such as when Claire’s grandmother verbally assaults her—for being Minette’s daughter, of course, but also because she is so startlingly like her. “That unnatural mother,” as Minette considers the Marquise, nevertheless has exerted some sort of influence as we later see Claire repeat some of her grandmother’s acts and treat her own children with a contempt shocking to modern readers.

Claire’s life does, however, have its happy moments, and Edgerley’s descriptive prowess of them and other scenes is as powerfully true to reality as it is scrumptiously absorbing. Scenes of both ordinary and grand wrap around readers as if they are part of them, and as they move though seamless transitions, investment in those they read about deepens. Appreciation for Claire and others develops despite—or perhaps because of—her flaws and obstinate inability to move past some of them.

The young woman had never looked more beautiful, her dark hair drawn up into a loose knot encircled by strands of jasmine. In her hands, she held a bouquet of the same delicate white blooms encircled by green foliage. The elegant bodice of her soft taffeta gown was scattered with seed pearls that proceeded in swathes over the flowing skirts. Only her hands were seen to tremble…wedding nerves, it was said.

When still becoming acquainted with Claire and how she endures living in a pressurized society under the seal of a loveless marriage, this reviewer had at first mused she might be a character readers “love to hate.” It soon becomes clear that such stylization shortchanges Claire, her story and readers themselves. Multi-faceted, Claire’s dreams, disappointments, loves, losses, sins and attempts at atonement could be any of ours, and reflect the reality she once lived.

How Claire goes on to make a satisfying life for herself and her family is nothing short of astounding; with her perseverance in the face of unforgiving setbacks as well as unmitigated joy, she carries on amidst global as well as local changes, community and personal. Like India herself as midnight, a new day, approaches, Claire must acknowledge the past as she aims to settle into her future, one that will certainly contain agonizing choices alongside the promise beckoned by the birth of a new era. Having grown attached to her, both despite and because of her lapses, readers will long with and for her, and wish for more.

 

 

 

 

 

 

 

 

 

To see my review for
Marguerite (Book I in The Merencourt Saga),
winner of the B.R.A.G. Medallion, click here.

and

to see my review for
Susanna – Volume 1 – The Early Years (Book III in The Merencourt Saga) click here.

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Carol Edgerley tells us in her own words a bit about her amazing life…

Born in Calcutta, Carol spent most of her early childhood in France and then Jersey in the Channel Islands. Educated first at a French convent, she then attended Jersey College for Girls and later went to Heathfield, a girls’ boarding school in Ascot.

Throughout her long life (and three marriages) Carol has travelled extensively, visiting the Middle East, Australia, New Zealand and Canada, living several years in France, India and Hong Kong.

A qualified teacher, Carol ran a successful tutorial in Hong Kong for many years, teaching children French and English towards eventual O-Level examinations. She is delighted to still keep in touch with a number of ex-pupils.

Upon retirement to France, Carol was able to carry out a burning desire to write the story of her French great grandmother’s astonishing life, told to her by a great aunt when she was twelve years of age. In the delightful surroundings of her home in the Dordogne at that time, she wrote the story of Marguerite in long hand, initially for the benefit of her three children.

Years went by, and sweating blood and tears, Carol battled the mysteries of a computer, Mac, Word and email … finally Facebook and Twitter. Encouraged by friends and her three children, she re-invented herself as a writer and typed out the manuscript of Marguerite on her new Mac computer, editing furiously as she went. The exercise, however, took decidedly longer than she had imagined!

Unwilling to pursue a (generally) disappointing path to literary agents and publishers, being dismally aware her work might end up unread, and thrown on a “slush pile,” Carol ventured into the world of self publishing. It was one of her life’s greatest emotional moments to hold a print copy of Marguerite in her hands for the first time!

Delighted by readers’ response to the book, Carol went on to write Claire, the story of Marguerite’s wilful elder daughter, who led an amazing if somewhat tragic life. Now there is Susanna: The Early Years (Volume 1), this being the story of one of Claire’s granddaughters. This particular book shines a light on bullying in its worst form, an unpleasantness that unfortunately persists to this day.

Susanna: A Tale of Passion and Betrayal (Volume 2) will follow in due course.

Carol still lives in France, now in a comfortable old farmhouse set in the centre of its own twenty-eight acres of pastureland in the Vendée. Sitting at her desk in the veranda, she is invariably surrounded by six much-loved adopted dogs of all shapes and sizes.

Find and follow the wonderful Carol Edgerley at her website, Twitter and Facebook.

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A copy of Claire was provided to the blogger in order to facilitate an honest review

Author photo courtesy Carol Edgerley

 

Book Review: Susanna: The Early Years

Susanna: Volume 1 – The Early Years

(Book III in The Merencourt Saga)

by Carol Edgerley

B.R.A.G. Medallion-winning author

Download a FREE copy of Susanna: Volume 1 – The Early Years between November 10-14!

Available at Amazon and Amazon UK.

susannaWe were first introduced to author Carol Edgerley’s French side of the family via her great aunt, Marguerite de Merencourt, who lends her given name to the series’ first installment. Edgerley herself comes to this family history via clandestine story hours meant for her to improve her math grades, but thankfully her tutor aunt—a different one—gave in to her niece’s begging for family history and the result is the mesmerizing Merencourt Saga, of which Susanna is the third.

Despite being this far into the series Susanna could easily be read as a stand-alone, and if that were all any given reader wanted to dip their toes in, I would say don’t miss it. However, there is a richness in Susanna’s background, amazing tales of strong women, perseverance and a will to succeed that informs each generation. Marguerite and Claire bring us through these eras and we can see where Susanna gets the stoicism that carries her though the worst of times. Never to worry, however, dear readers, for anyone who starts first with number three will simply want to reach back and devour all the stories, much like Edgerley herself did as a child.

Marguerite de Merencourt was unwanted and disliked by her aristocratic mother, who with her favored son carried on a lifelong campaign against the girl, ultimately resulting in her banishment to an Irish convent school, followed by elopement and hasty relocation to British India. In an era when women existed in the shadows of the men they were connected to (fathers, husbnds), Marguerite’s life seems like payback for having made her own decisions. Ultimately she plans a way for herself, but the price she pays is steep.

Claire takes us to the next generation of Merencourt women, a journey through which we discover that dysfunction prefers to travel in packs, and no one seems spared from the misery of ambition, pride, righteousness and bigotry (in a variety of forms). The teenage Claire grows into a rather bitter woman whose lot in life is to deal with the overturn of almost every fortune she might ever receive. She throws it right back at the universe, not taking the time to think about those who stand in the way, and her behavior is at times very difficult to read.

claire
Claire is a B.R.A.G. Medallion Honoree

So it may come as a surprise when this very same Claire opens Susanna’s story as the doting and affectionate grandmother, now living in France, who takes the sickly toddler into her home while the girl’s mother runs a school in the Himalayas. Diana’s occasional visits seem designed to disrupt any balance or security in Susanna’s life, for she comes with an irrational anger, blaming her daughter for the distance between them, lobbing accusations and subjecting her to violent abuse. Claire is mortified by this and pleads with Diana, who only reminds her of past transgressions and denies her any redemption, thereby absolving herself of the wrongs she too perpetuates.

Not long into Susanna the girl’s delight of her mother’s new baby is severely punished when she peers into the pram and the nanny reports to Diana that Susanna has attacked the infant.

I’m catching this wicked, BAD girl attacking Baby in her pram, Madam!” declared the nanny in outraged tones. So jealous she is, wanting to hurt our little baby. See how poor Samantha is crying!”

N … no! I didn’t hurt —”

 “Why, you vicious little brat!” Diana surged to her feet, scarlet in the face with fury. “I’ll teach you to attack a defenceless baby!”

 Seizing Susanna by the arm, she hoisted the shrieking child into the air and began to violently beat her. “See how you like that, you vile child!” Diana panted between wallops. “If I catch you anywhere near my baby again, you’ll get another thrashing.”

While Edgerley writes in the same style as in her previous novels, with a flair and grace that embodies a bygone time and its mannerisms, mores and standards, she also captures events in an economic style that tells all we need to know, reaching out to our hearts for this little girl while avoiding a literary sort of voyeurism that would threaten to lessen the story’s value.

marg
Opening novel in The Merencourt Saga series, Marguerite is also a winner of the indie B.R.A.G. Medallion

One of the novel’s greatest strengths is that as Susanna grows older, the narrative takes on deeper layers as we witness the ins and outs of Diana’s horrific projection and psychological abuse. Astounded at such cruelty, I found myself frequently asking, “But why? Why and how is this mother so cruel to her child in such a way that most of us would not inflict on a dog?”

A great part of the answer goes back to Marguerite; in the review for this book I mused on the perils of wasted talent and forced idleness in a society and era in which women’s mobility barely existed. While we in our age do not often dwell on it, movement in reality equals freedom, both of which Marguerite claims for herself in opposition to her parents’ plans for her. The hand of authority—again, back to the standards of the time—nevertheless reaches to her in India all the way from France, inflicting in other ways its harsh grip and affecting her relationships.

However, the die was cast. As I read Susanna I mused more on a conversation within the events of a popular reality/time experiment television series in which a family lives for three months, in every way possible, as would a typical household in Victorian England. One participant reflects the manner in which people of the era—particularly women—threw themselves into their projects and with sustained interest because the day’s enforced limitations resulted in boredom so severe it could drive individuals to madness. While Susanna is unfortunate in being confined within such parameters, she has inherited Marguerite’s imagination and drive, never willing to settle for dutifully giving in to the tasks and activities assigned to her.

The historical Claire, aged about 48, in France
The historical Claire, aged about 48, in France

Within this Edgerley reminds us that this is not mere knitting and fainting couch dwelling—not that this isn’t bad enough, though usually the sort of image we conjure when thinking of women’s lives in this time. As Susanna’s cognitive abilities sharpen with age, so too do Diana’s strategies for emotional manipulation and mental exploitation. Inserting herself into every corner of the girl’s life, Diana even makes use of casual conversation, constantly reconnoitering, the intelligence drawn from it utilized for offensive attacks. She forcefully employs Susanna in occupations that some then and now might find interesting, but are not where the girl’s heart resides. Humiliating Susanna with accusations terribly exaggerated or blatantly untrue, each turn of the screw brings her closer to the edge.

Acting in part almost as a psychological case study—sans the paucity of soul within institutional jargon—the author skillfully shows us the delicate balance her heroine is faced with: bestowed with the benefit of strength of character, the teenage Susanna must also confront the demon that plagues each generation as a cycle of abuse is passed from one to the next. Will her strong personality become a detriment as her ambitions are thwarted? Even if she does manage to break the horrific progression, will she be able to differentiate her actual desires from choices effected by spite?

But it isn’t all doom and gloom. Susanna does have an ally in her grandmother Claire, and she engages in happy times in France and India, the author vividly portraying people, places and events in a manner so marvelously descriptive the passages come alive, though not only in image form: we feel the aura, hear the roar of the ocean’s waves, mingling of the people, mouths water at the platters of food as we stride through scenes.

Flora led the way through the house to a colonnaded terrace adjacent to the swimming pool area, where elegantly dressed people chatted together in groups. A band played popular music, and white-coated bearers, wearing the traditional muslin pugri, slowly circulated bearing canapés on silver trays. Garlands of fairy lights twinkling around the pool area added to the festive atmosphere.

 Words are subtly employed as actors to facilitate our engagement with the prose: hair tumbles defiantly about Susanna’s shoulders, Diana surges to her feet in anger and the heat seeps through the ground to our feet or the salt water sprinkles noses as we travel by sea. Hints of culture sprinkle themselves through the novel as Edgerley moves us between continents and years.

Readers ought not be tempted to see Susanna, smaller in appearance than its predecessors, as a book of lesser consequence. It is so readable one might find they have read quite a chunk as the time slipped by, though despite this ease of immersion the content’s dual layers of story and study captures our attention in totality. As The Early Years in the life of Susanna Lalinski, we can expect a part two, and I shall be anticipating it as much as I did each subsequent novel after I first read Marguerite. Readers should keep alert for it as well, and in the meantime, if they haven’t done already, reach back into a room where a young girl was meant to be practicing numbers, but instead begged a tale be told ….

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Carol Edgerley tells us in her own words a bit about her amazing life…

Born in Calcutta, Carol spent most of her early childhood in France and then Jersey in the Channel Islands. Educated first at a French convent, she then attended Jersey College for Girls and later went to Heathfield, a girls’ boarding school in Ascot.

carol-edgerleyThroughout her long life (and three marriages) Carol has travelled extensively, visiting the Middle East, Australia, New Zealand and Canada, living several years in France, India and Hong Kong.

A qualified teacher, Carol ran a successful tutorial in Hong Kong for many years, teaching children French and English towards eventual O-Level examinations. She is delighted to still keep in touch with a number of ex-pupils.

Upon retirement to France, Carol was able to carry out a burning desire to write the story of her French great grandmother’s astonishing life, told to her by a great aunt when she was twelve years of age. In the delightful surroundings of her home in the Dordogne at that time, she wrote the story of Marguerite in long hand, initially for the benefit of her three children.

Years went by, and sweating blood and tears, Carol battled the mysteries of a computer, Mac, Word and email … finally Facebook and Twitter. Encouraged by friends and her three children, she re-invented herself as a writer and typed out the manuscript of Marguerite on her new Mac computer, editing furiously as she went. The exercise, however, took decidedly longer than she had imagined!

Unwilling to pursue a (generally) disappointing path to literary agents and publishers, being dismally aware her work might end up unread, and thrown on a “slush pile,” Carol ventured into the world of self publishing. It was one of her life’s greatest emotional moments to hold a print copy of Marguerite in her hands for the first time!

Delighted by readers’ response to the book, Carol went on to write Claire, the story of Marguerite’s wilful elder daughter, who led an amazing if somewhat tragic life. Now there is Susanna: The Early Years (Volume 1), this being the story of one of Claire’s granddaughters. This particular book shines a light on bullying in its worst form, an unpleasantness that unfortunately persists to this day.

Susanna: A Tale of Passion and Betrayal (Volume 2) will follow in due course.

Carol still lives in France, now in a comfortable old farmhouse set in the centre of its own twenty-eight acres of pastureland in the Vendée. Sitting at her desk in the veranda, she is invariably surrounded by six much-loved adopted dogs of all shapes and sizes.

Find and follow the wonderful Carol Edgerley at her blog, Twitter and Facebook.

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A gratis copy of Susanna: Volume 1 – The Early Years was provided to the blogger in order to facilitate an honest review.

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Images courtesy Carol Edgerley

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This post was updated to include links to free downloads (between November 10-14, 2016).

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Author Interview: Carol Edgerley (B.R.A.G. Medallion Winner)

Stay tuned for my reviews of Claire and the upcoming Susanna: The Early Years, books II and III in The Merencourt Saga.

Today I am honored to welcome Carol Edgerley, author of the B.R.A.G. Medallionmarg-winning Marguerite, the story of her French great grandmother’s adventurous life and times. Born to privilege, Marguerite de Merencourt defies her parents’ ambition and chooses her own path. Her travels take her to British India where she learns and begins to pay the price for the independence she claims.

Edgerley follows the saga up with Claire, which focuses on Marguerite’s firstborn daughter, and currently is working on a third book, Susanna. While all these women are strong characters determined to find success, they are very much their own people and the directions their lives take are as varied and unpredictable as anything fictional tales might serve up.

Interestingly, when reading Claire, by which time I had already read and reviewed its predecessor, I broke periodically, tablet at my side, to engage in chat with Miss Edgerley. She was first to “see” my reactions to what I had been reading and we discussed families, ambition, children—all kinds of topics. It was a great experience and, unplanned as it was, provided a real opportunity for both of us to unpack some of our thoughts, ideas, responses to life events, coming from different perspectives as they do, and contemplate it all in a thoughtful fashion. It was amazing to experience alongside my reading, and I shall treasure the memory always.

claireI, too, enjoyed the unexpected dialogue about Claire with you, Lisl!  It’s not every day that I have the opportunity of “seeing” somebody’s reaction to a book I have written. I was also impressed that you did not immediately condemn Claire for being a double-dyed bitch: she was a complex character, had a difficult childhood, was sometimes stupidly impulsive, but capable of deep love and loyalty. Claire was so like her mother in temperament…but without her innate courage.

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Carol Edgerley! It’s so wonderful to get to chat to you again! How have you been doing these days? Hopefully the sun has been shining strongly in your neck of the woods.

So this is probably a question you frequently get: You were meant—on orders of your mother, who was not pleased with your math scores—to be learning from an auntie handpicked to tutor you. Instead the pair of you got into conversations about her family. As you write in your foreword, once you asked, she was off and running. So it took no cajoling or persuasion to get her going? Did she try to tell a little but then get back to math? Did you have to ask a few times? Or did she pretty much abandon that project? (giggles) Did your math grades improve at all? 

My great-aunt Christina was a real sweetie as well as being a mathematician and teacher. Faced with the (undoubtedly) sulky face of her niece, maybe it wasn’t altogether surprising she was easily distracted from the onerous task in hand? Did my grades improve? Er…no. I can add, subtract, multiply and divide and still know my multiplication tables!

How long after hearing these details and stories did you begin to write down the bits and pieces? Before you began to seriously work on the first book, had you any idea you would become a writer?

I never did write anything down. The story seemed to be branded on my mind, occasionally trotted out in conversation when appropriate (discussing one’s unusual relatives for instance). I was a dedicated teacher with no thought of becoming a writer.

Marguerite was a formidable woman who overcame a lot. She escaped an arranged marriage, but alienated her family. What if she had gone ahead with the marriage? Do you think her strong will could have seen her through it to be as ambitious and productive as she proved to be apart from it?

From my own standpoint, I think Marguerite would have carried the mantle of Countess magnificently, despite her young age! Her strong will might well have clashed with her older and possibly more conventional husband’s family, but I am sure Marguerite would have brushed all that aside. And she would always have had the support of her father and grandparents.

Are there any other books, authors or styles that influenced how you wrote Marguerite’s story?

Not for Marguerite. I wrote about her in longhand from the heart (subsequently investigating the mysteries of a computer, Mac Word and email) and later transcribed the manuscript to a computer, editing chunks with lots of swear words as I went. I don’t think I ever thought about style per se…I merely liked the way Rosamund Pilcher wrote her books for instance. Also Judith Kranz’s writing appealed to me.

Have you met Marguerite de Merencourt? If so, what was your impression of her? Did she give any clues as to her impression of you?

I believe Marguerite saw me as an infant, and apparently declared me to be on the scrawny side and needed feeding up! I would have loved to meet her when she was a girl…so much fun in spite the constraints of a difficult youth.

horserace
Sadly, no pictures of Marguerite are now known to exist; she was not very keen to be photographed. From childhood Minette, as she was affectionately called, drew great comfort from and loved horses dearly. Above: Calcutta Racecourse

What traits do you think you inherited from your great grandmother? My guess would be the animal lover in you. (I must show you that magazine spread about the donkey sanctuary in Ireland, by the way!) What else?

Yes, a love of animals of course, especially horses. I suppose I also inherited a core of steel that has enabled me to cope with life’s difficulties…if not always correctly! Other than that, I have dark curly hair like she had…and I regard France as the country where I have roots….

What is your favorite part of writing?

I love relating amusing incidents, also vignettes that are exciting or adventurous. I hated writing about the negative aspects of my girls…but that’s how it was after all.

Do you have other ideas banging around for future projects?

There is still the second half of Susanna’s life (volume 2) to come, after which there is the fascinating story of Olivia…all supposing I can pin her down to garner all the pertinent points of her life and factual events!!  Not an easy task as Olivia is a great traveller….

Do you have an all-time favorite book (or series)?

I adore all David Starkey’s historical books as well as Simon Schama’s. Alison Weir is also a favourite author of mine. At the opposite end of the scale I enjoy Mary Higgins Clark’s novels, also Martina Cole and Lynda le Plante’s thrillers.

Apart from your relatives and ancestors, are there any historical figures you would like to spend a day with if you had the chance? Or an historical event you would want to witness?

I would have loved to be around during Edward VIII’s scandalously salacious affair with Wallis Simpson! The woman actually referred to Queen Elizabeth as “Cookie”! As for spending the day, I guarantee there would be no boredom on a visit to the Tower of London and Hampton Court with David Starkey or Simon Schama!  My two heroes of all time!

Here are a few different kind of questions I thought might be fun…

Could you go a week without the Internet?

swimming pool
I’d wake up early for that pool!

I have gone five weeks without telephone or Internet, thanks to the local telephone guys’ incompetent messing up the line with “works”! GRRR!  It was like being “Confined to Barracks”!

 Are you an early or late riser?

Early. With children and animals…no chance of snoring till midday! After which it became habitual…and even if the opportunity presents itself, I simply can’t!

 What jokes make you really laugh out loud?

Silly caricatures or videos of animal antics that I post on my Facebook timeline, and the occasional bit of smut…provided it’s funny!

garden oneDo you buy flowers often?

Yes, I do…in winter!  I love my garden that is a mass of flowers from May onward…nothing arranged, just a profusion of colour and scents. In winter I buy bunches from the local supermarket!

What was your latest discovery?

An unwelcome one!  With increasing age I find I can no longer play with my weight…put on a kilo or two…lose them just as easily. Strong genes in the family condemn me to taking care of what I put in my mouth all the time!  Being a vegetarian doesn’t help much…but I believe I have finally found my personal answer to a reasonable weight and good health to boot!

What would you like to mention—book related or not—that we haven’t yet talked about?

garden twoI dread what the future holds regarding the overwhelming migrant problem Europe is facing.  All those who rant about “lack of humanity” and that all should be accepted into whatever country they wish…cannot have thought about clash of culture, school places, medical availability and housing, not to mention a lack of desire to integrate with the country’s own population.

Ability and willingness to integrate is so crucial, especially as concerns the country’s heritage. That’s why it’s so important that writers such as yourself record the lives of those who came before, and I am so grateful for this. Not just for the amazing reads, although there is that. From our ancestors we have also learned a great deal about our past and how to be better people. However, everyone must engage in this type of self reflection and bring the best to wherever they go.

Carol, thanks so much for taking the time to sit with me for a few and being such a great sport! I always enjoy our chats and am looking forward to more in the future. And as for that chat when reading Susanna–you’ve got it!

Me too, Lisl!  Keep smiling and in regular contact!  xxx

You bet!!!

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Carol Edgerley tells us in her own words a bit about her amazing life…

Born in Calcutta, Carol spent most of her early childhood in France and then Jersey in the Channel Islands. Educated first at a French convent, she then attended Jersey College for Girls and later went to Heathfield, a girls’ boarding school in Ascot.

carol edgerleyThroughout her long life (and three marriages) Carol has travelled extensively, visiting the Middle East, Australia, New Zealand and Canada, living several years in France, India and Hong Kong.

A qualified teacher, Carol ran a successful tutorial in Hong Kong for many years, teaching children French and English towards eventual O-Level examinations. She is delighted to still keep in touch with a number of ex-pupils.

Upon retirement to France, Carol was able to carry out a burning desire to write the story of her French great grandmother’s astonishing life, told to her by a great aunt when she was twelve years of age. In the delightful surroundings of her home in the Dordogne at that time, she wrote the story of Marguerite in long hand, initially for the benefit of her three children.

Years went by, and sweating blood and tears, Carol battled the mysteries of a computer, Mac Word and email…finally Facebook and Twitter. Encouraged by friends and her three children, she re-invented herself as a writer and typed out the manuscript of Marguerite on her new Mac computer, editing furiously as she went. The exercise, however, took decidedly longer than she had imagined!

Unwilling to pursue a (generally) disappointing path to literary agents and publishers, being dismally aware her work might end up unread, and thrown on a “slush pile,” Carol ventured into the world of self publishing. It was one of her life’s greatest emotional moments to hold a print copy of Marguerite in her hands for the first time!

Delighted by readers’ response to the book, Carol went on to write Claire, the story of Marguerite’s wilful elder daughter, who led an amazing if somewhat tragic life. Now there is Susanna: The Early Years (Volume 1), soon to be published, this being the story of one of Claire’s granddaughters. This particular book shines a light on bullying in its worst form, an unpleasantness that unfortunately persists to this day.

Susanna: A Tale of Passion and Betrayal (Volume 2) will follow in due course.

Carol still lives in France, now in a comfortable old farmhouse set in the centre of its own twenty-eight acres of pastureland in the Vendée. Sitting at her desk in the veranda, she is invariably surrounded by six much-loved adopted dogs of all shapes and sizes.

Breakfast time!

Her two well-travelled horses now gone to heaven, she keeps five gorgeous, Baudet de Poitou donkeys. Adding to the animal family, there are two small bunnies living in their “château” and very large cage, a sweet barn cat, and an elderly cockatiel that can colourfully swear…when in the mood!

During summer months, Carol receives visitors at her bed & breakfast, helping to finance her large animal family and maintain her home.

You can follow Carol Edgerley and learn more about her work at her Facebook page for Marguerite as well as her own timelinewebsite and Twitter. And remember to pick up Susanna, latest addition in The Merencourt Saga.

Susanna banner

All images courtesy Carol Edgerley.