Freebie Friday: Giveaway Bonanza!

Need help filling up your shelf? You’ve come to the right place! I think it was last month I started somewhat of a flurry of reviews that came one after the other, many of which have giveaways attached. Typically I hold drawings one to two weeks out, but this time Thanksgiving and upcoming Christmas kind of darted in and out of my schedule and plans, and dates became sort of wonky.

So, for your ease and mine, I decided to post a blog with links to all the drawings in one spot. Simply click on the link (book title) to the review for any book you like the look of and comment there – fancy schmancy not necessary – to get your name in the drawing. (And be sure to leave current contact info in the event you are our winner!) Since some peeps have difficulty commenting at WordPress, I’ve also linked to respective Facebook threads where you can comment instead. You do not need to comment at both; one works perfectly well. Unless otherwise indicated, blurbs are from Amazon and author names link to their websites and/or blog.

There is no limit of books you can enter the drawings for – enter them all if you like!

Drawing to be held December 16 

So without further ado, here are the prizes up for grabs:

Half Sick of Shadows: A Historical Fantasy by Richard Abbott (One paperback copy available, and this author also has December Deals from December 10 – 17)

Who is The Lady?

In ancient Britain, a Lady is living in a stone-walled house on an island in the middle of a river. So far as the people know, she has always been there. They sense her power, they hear her singing, but they never meet her.

At first her life is idyllic. She wakes, she watches, she wanders in her garden, she weaves a complex web of what she sees, and she sleeps again. But as she grows, this pattern becomes narrow and frustrating. She longs to meet those who cherish her, but she cannot. The scenes beyond the walls of her home are different every time she wakes, and everyone she encounters is lost, swallowed up by the past.

But when she finds the courage to break the cycle, there is no going back. Can she bear the cost of finding freedom? And what will her people do, when they finally come face to face with a lady of legend who is not at all what they have imagined?

A retelling – and metamorphosis – of Tennyson’s “Lady of Shalott.”


Lars D. H. Hedbor is offering our winner a choice of any one of his books in paperback. In this case, review links are below and blurbs at author website; click author name to access. (He also has a promotion for free e-copy of The Declaration; click book title to get yours straight away.)

The Light (Tales From a Revolution: New-Jersey)

The Smoke (Tales From a Revolution: New York)

The Break (Tales From a Revolution: Nova-Scotia) 

Excerpt from The Break

The Wind (Tales From a Revolution: West-Florida)

The Darkness (Tales From a Revolution: Maine)

The Path (Tales From a Revolution: Rhode-Island)

The Prize (Tales From a Revolution: Vermont)

 

 

 

 


Child of the Northern Spring by Persia Woolley (Blogger is gifting one paperback/hardback copy direct from online retailer)

Among the first to look at the story of Camelot through Guinevere’s eyes, Woolley sets the traditional tale in the time of its origin, after Britain has shattered into warring fiefdoms. Hampered by neither fantasy nor medieval romance, this young Guinevere is a feisty Celtic tomboy who sees no reason why she must learn to speak Latin, wear dresses, and go south to marry that king. But legends being what they are, the story of Arthur’s rise to power soon intrigues her, and when they finally meet, Guinevere and Arthur form a partnership that has lasted for 1500 years.

This is Arthurian epic at its best-filled with romance, adventure, authentic Dark Ages detail, and wonderfully human people.


Insurrectio and Retalio by Alison Morton (Two prizes: one e-copy of each book)

In Insurrectio

‘The second fall of Rome?’ Aurelia Mitela, ex-Praetorian and imperial councillor in Roma Nova, scoffs at her intelligence chief when he throws a red file on her desk. But 1980s Roma Nova, the last province of the Roman Empire that has survived into the twentieth century, has problems – a ruler frightened of governing, a centuries-old bureaucracy creaking for reform and, worst of all, a rising nationalist movement with a charismatic leader. Horrified when her daughter is brutally attacked in a demonstration turned riot, Aurelia tries to rally resistance to the growing fear and instability. But it may already be too late to save Roma Nova from meltdown and herself from entrapment and destruction by her lifelong enemy…

And Retalio

Early 1980s Vienna. Recovering from a near fatal shooting, Aurelia Mitela, ex-Praetorian and former foreign minister of Roma Nova, chafes at her enforced exile. She barely escaped from her nemesis, the charming and amoral Caius Tellus who grabbed power in Roma Nova, the only part of the Roman Empire to survive into the twentieth century. Aurelia’s duty and passion fire her determination to take back her homeland and liberate its people. But Caius’s manipulations have isolated her from her fellow exiles, leaving her ostracised, powerless and vulnerable. But without their trust and support Aurelia knows she will never see Roma Nova again.


There is Always A Tomorrow by Anna Belfrage (One e-book available)

It is 1692 and the Colony of Maryland is still adapting to the consequences of Coode’s Rebellion some years previously. Religious tolerance in the colony is now a thing of the past, but safe in their home, Alex and Matthew Graham have no reason to suspect they will become embroiled in the ongoing religious conflicts—until one of their sons betrays their friend Carlos Muñoz to the authorities.

Matthew Graham does not leave his friends to rot—not even if they’re papist priests—so soon enough most of the Graham family is involved in a rescue attempt, desperate to save Carlos from a sentence that may well kill him. Meanwhile, in London little Rachel is going through hell. In a matter of months she loses everything, even her surname, as apparently her father is not Master Cooke but one Jacob Graham. Not that her paternity matters when her entire life implodes.

Will Alex and Matthew be able to help their unknown grandchild? More importantly, will Rachel want their help?


Hearts Never Change by Joanne R. Larner (One paperback copy available)

Richard III as you have never seen him before! Richard has been King of England and France and Lord of Ireland for over twenty years and he is beginning to question his life. He misses his secret wife, Rose, who had to return to the twenty-first century when she found she was expecting twins, both for her own and the babies’ safety. Everyone around the king seems to be happily in a relationship. The realm is at peace and his son and heir, Richard junior, is of an age to take over the reins of government, so Richard makes a decision…


Good luck to all!!!

Update: Some of the older reviews for the Tales From a Revolution series are unlinked as they were done before the drawing was planned.

Feel free to comment there anyway OR at any other review from that series OR below on this post OR at this post’s Facebook thread, located here

Whichever is easiest for you; we’ll be checking them all. 🙂

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Guest Post: The Culture and Adaptability of Space Settlement (Richard Abbott)

Author Richard Abbott has some great December Deals, with

99c/99p novels and a Goodreads giveaway! Don’t miss out!

Click image for a review of Richard Abbott’s first foray into sci-fi
Pockmarked Phobos, larger of two satellites orbiting Mars, by NASA/JPL-Caltech/ University of Arizona, via Wikimedia Commons
“I came away a satisfied customer, and decided that, apart from the constant changes in ambient light, and the eerie silence of the people walking around alleys and corridors, I quite liked Phobos. Slate was amused. ‘After a month you’d be craving noise. Here you don’t even let yourself sing in the shower. You’d never survive.’ She was probably right. As I walked, I found myself wondering how people managed their lives in situations where a certain amount of noise was called for. What happened during games? In the privacy of a shower? Or a bedroom? Slate was right; I had become quite obsessive about creeping about, and restraining my normal level of liveliness.”

As I started to write this, the European Space Agency was coming to terms with the loss of the Schiaparelli Mars lander. A breaking news item had just shown a picture captured by another satellite – NASA’s Mars Reconnaissance Orbiter – which probably shows its resting place. Schiaparelli was never supposed to last long on the surface, and the remaining component, the Trace Gas Orbiter, will continue to deliver good science for some time to come. But if I was in that team, I’d be disappointed. Since then, Elon Musk has announced what most people consider is a wildly ambitious plan to land settlers there in huge numbers.

Kindle cover for Timing, the fantastic sequel to Far from the Spaceports (click image for audio excerpt)

Mars has historically proven itself to be a difficult destination to land on, but in my novels I take for granted that the problem has been solved. So this post is not at all about how to land successfully on that planet, but about how I have imagined that society will adapt to new homes, whether on Mars or further afield.

In Far from the Spaceports, and its sequel Timing, the various scattered settlements are separated by days or weeks of travel time. Destinations on the outer rim of the solar system – which so far my characters have not visited – might take a few months. This puts them in the same degree of remoteness as European ports in the age of sail, or global ones in the age of steam. They are far enough apart that you pause to think about the commitment, and ensure you have plenty to do on the journey, but not so far that they take up a significant part of your lifetime.


“That close in, it wasn’t going to last long, in planetary terms. I probably had less than fifty million years to solve the case before the whole thing crumbled into a ring of dust and pebbles. No pressure, then.”


Schiaparelli impact site Mars, NASA/JPL Caltech/University of Arizona (click image)

Each of the places I describe has a particular character. The Scilly Isles – a group of asteroids somewhere in the gulf between Mars and Jupiter – were originally settled to extract minerals, but these are now largely exhausted. The residents are now trying to establish a new identity based on different enterprises. Some readers have commented that there’s a very British feel to them. In passing, the occupants of the real Scilly Isles off the Cornish coast have also needed to constantly adapt to the changing economic environment around them. They have not had much success on the mining front since the Bronze Age, but have successfully found new means of livelihood as older ones die out. Fishing, kelping, cut-flower production, and tourism have all taken turns, alongside the perennial use of the sea which borders them and shapes life there.

The economic life of a place – on Earth or elsewhere – depends crucially on its geography. We know that Phobos – a tiny moon orbiting very close in to Mars – is fragile. It has a rather low density, probably because much of its interior consists of loosely packed rubble rather than solid rock. It is, in all likelihood, riddled with faults. The ground is not sound and reliable. In Timing, this fact dominates life on Phobos, and the social customs are heavily skewed around this fact. Making loud or unnecessary noise is considered a taboo, backed up by local laws. Social gatherings have developed ways for people to be together quietly. Mining of any kind is out of the question, so the economy rests on other industries – like finance. The moon happens to be largely settled by (former) Canadians, and other places tend to have populations largely drawn from one or other of Earth’s nations.

The (real) Scilly Isles

Mars, on the other hand, is huge in comparison to Phobos. Lots of authors have written speculatively about terraforming Mars – boosting the thin atmosphere in various ways with a view to restoring running water on the surface. In my version, this is a long way off, and each settlement is an enclosed pocket of habitable space within a harsh and inhospitable context. But the planet’s size means that there is room for all kinds of difference. There’s a college specialising in financial trading, a glider club – Mars is big on several kinds of extreme sports – and a large, chaotic arena for gambling and more exotic pleasures. And much more besides – if I ever take Mitnash and Slate back to Mars, there’s plenty of opportunity to explore other delights.

On a bigger scale, I see these settlements as basically independent and self-governing. Signal messages from Earth take between about four and twenty minutes to Mars, depending on relative positions. Out to the asteroid belt, that jumps up to somewhere between quarter and half an hour.  That means up to an hour’s delay between asking a question and getting back the answer. You can’t have a real-time conversation like that – back in the days of the Apollo missions it was frustrating enough dealing with a three second round trip! And with journey times lasting weeks or months, you can’t easily enforce decisions either. So I’m not imagining any kind of solar system empire, or federation, or whatever.

For a bit of fun, some code for an Alexa skill the author is developing. (Click image for more of the Alexa results: additional audio excerpt from Timing).

There is no unifying organisation deciding how things should be, and no system-wide constabulary to enforce them. Mitnash and Slate work for the Earth-based Economic Crime Review Board. In the course of their duties they might end up pretty much anywhere in the solar system, troubleshooting fraud and other financial crimes. But although they can ask for information from the main London office, they’re on their own day to day. They don’t, and can’t, go in with all guns blazing. Instead they resolve matters by more covert means, hacking into and fixing the computer systems which have been compromised. The battles they engage in are fought with lines of code, not brawn or physical weapons. Like those people today who consider themselves “ethical hackers”, their work takes them very close to the line between decent and dubious.

So, where next for Mitnash and Slate? There’s another plot brewing, tentatively called The Authentication Key, which will take them out to Saturn. There’s plenty of moons to choose from there, ranging from tiny fragments under a kilometre across right up to Titan, which is larger than the planet Mercury. And of course there are the rings….

This NASA/JPL picture is a composite from the last few days of the recently-finished Cassini-Huygens mission, commenced on October 15, 2007 and named after seventeenth-century astronomers Giovanni Cassini and Christiaan Huygens. It presents a poignant image given its very recent ending (click for NASA’s farewell to Cassini).

 

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About the author…

Richard Abbott writes fiction of several varieties, including both historical and speculative fiction. His historical is set in the Middle East at the end of the Bronze Age, around 1200 BC. It explores events in the Egyptian province of Canaan, following events in the life of a priest in the small hill town of Kephrath during a time of considerable change throughout the region.

His heretofore speculative writing is set in a near-future solar system exploring issues of high-tech crime and human-machine relationships.

Far from the Spaceports introduces Mitnash Thakur and his virtual partner Slate as they investigate financial crime in the asteroid belt. Its sequel, Timing, was released in the second half of 2016.

His latest publication, Half Sick of Shadows, a retelling and metamorphosis of Tennyson’s “The Lady of Shallot,” is now available for purchase, along with his other works, on Amazon and Amazon UK.

Richard lives in London, England and works professionally in IT quality assurance.

When not writing words or computer code, he enjoys spending time with family, walking, and wildlife, ideally combining all three pursuits in the English Lake District.

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You can follow and learn more about Richard Abbott and his books at Facebook and Google–and be sure to check out his brilliant collection of images! The author also has some amazing content at his blog, In a Milk and Honeyed Land, including Polly and Alexa, with space-related and not, his own reviews and reading list, information about his other books, and much more.

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Images courtesy Richard Abbott, except where otherwise indicated.

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Book Excerpt: Half Sick of Shadows, Audio/Text (Richard Abbott) (Plus Giveaway)

Half Sick of Shadows – Audio Excerpt
by Richard Abbott 

Like Audio Excerpts A and  B & C, for author Richard Abbott’s second sci-fi novel, Timing,  the excerpt below, from his historical fantasy, Half Sick of Shadows, is powered by Amazon’s Polly software, which is enabled for text-to-speech in multiple accents and intonations. There sometimes are limitations on the range of speech and accents Alexa can produce, but technology is advancing and can be utilized in a number of ways, such as to help produce speech for those on the autism spectrum.

Below you’ll find the next audio excerpt offering, this time from Half Sick of Shadows, Richard Abbott’s historical fantasy based on Alfred, Lord Tennyson’s inimitable poem, “The Lady of Shalott.” Take a peek at our review, which pairs well with this particular extract, for its background pertaining to the scene here.  And don’t forget to join in for a chance to win a free copy of the novel!

See below for details about winning a free paperback copy of Half Sick of Shadows

Addendum: Contest extended and drawing will occur on December 2

 

 

Exactly a month after she had first seen the baby, they brought it out to the cairn opposite and held it up to her in the evening. The woman placed an offering on the cairn, and the man threw something metal into the flowing stream. The little one did nothing, unable even to hold up its head, but her heart melted at the scene.

She sang again, breaking her self-imposed fast, and saw their faces light up with awe as they heard her.

Just a few nights later she found herself ravenously hungry, and gorged herself on the food all around. Only at the end of her feasting, when she lay exhausted in her chamber and looked around, did she realise what was happening. Soon she would sleep, and while she slept her body would go through another change.

She gasped with anguish. How many racing years would slip away between sleep and waking?

“But if I sleep, I shall never know what happens to my sister, nor my brother, nor the child I helped them make. I cannot bear this, Mirror. It is cruelty. You must let me be awake for longer. I want to see what happens to them.”

There was no answer, but unquenchable hunger seized her again. She tried not to eat, but the desire was stronger than gravity, irresistible as wind, and she could not deny it. Great helpless tears rolled down her face even as she tore at great strips of leaf and swallowed brimming bowls of sap.

Heavy, and feeling full to bursting, she wallowed on her couch, desperate for nightfall to come. Would she be given even one more day, before the unstoppable urge to sleep overwhelmed her?

They came that evening, and held up the infant so she could see it. She sang again for them, and her song was full of both the beauty and the sorrow of the passing world. She watched the glow of wonder on their faces as they heard her. She knew what they could not, that this would be the last time she would see them, and she sang to bless them as the shortening day eased into night.

Long after they had gone, she lay looking at the riverbank where they had stood. The world was made up of shadows now. When her brother and sister next came, when they held up the infant for her to see, she would no longer be there. She would be lost in her own world of slumber and transformation, and the quick years of the world would roll unseen around her.

How long would they continue to come, she wondered, once the sound of her singing was gone? Would they think that she was lost to them, lost somewhere in the gloaming? She watched herself stuffing food into her body, slithering awkwardly, heavily, into her chamber, and she felt that her heart was breaking.

The Lady of Shalott, by John William Waterhouse via Wikimedia Commons

Would you like to win a free paperback copy of Half Sick of Shadows? Simply comment below – even a quickie hello works! – and you are automatically entered into the drawing, which will occur in mid November.

(This would also make a great gift!!!)

 Alternately, you may comment at the pinned post in the blog’s Facebook page, located here

Please make sure we have a way to contact you!

Click titles to read our reviews for Richard Abbott’s Far from the Spaceports or Timing.

For more on “The Lady of Shalott,” please click here.

About the author…

Richard Abbott writes fiction of several varieties, including both historical and speculative fiction. His historical is set in the Middle East at the end of the Bronze Age, around 1200 BC. It explores events in the Egyptian province of Canaan, following events in the life of a priest in the small hill town of Kephrath during a time of considerable change throughout the region.

His heretofore speculative writing is set in a near-future solar system exploring issues of high-tech crime and human-machine relationships.

Far from the Spaceports introduces Mitnash Thakur and his virtual partner Slate as they investigate financial crime in the asteroid belt. Its sequel, Timing, was released in the second half of 2016.

His latest publication, Half Sick of Shadows, a retelling and metamorphosis of Tennyson’s “The Lady of Shallot,” is now available for purchase, along with his other works, on Amazon and Amazon UK.

Richard lives in London, England and works professionally in IT quality assurance.

When not writing words or computer code, he enjoys spending time with family, walking, and wildlife, ideally combining all three pursuits in the English Lake District.

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You can follow and learn more about Richard Abbott and his books at Facebook and Google–and be sure to check out his brilliant collection of images! The author also has some amazing content at his blog, In a Milk and Honeyed Land, including Polly and Alexa, with space-related and not, his own reviews and reading list, information about his other books, and much more.

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Book Review: Half Sick of Shadows (With Giveaway)

Half Sick of Shadows: A Historical Fantasy
by Richard Abbott

See below for details about winning a free paperback copy of Half Sick of Shadows

Update: Drawing will be held December 16 (see link here)

In the first half of the twentieth century, Victorian poetry began to be marginalized by the developing field of scholarly literary criticism, which focused on works fitting complex parameters requiring a rather esoteric body of knowledge for successful interpretation. Earlier poets such as Tennyson, whose works were written for and appealed to a broader readership, fell out of favor.

Perhaps post-war audiences “re-discovered” Victorian poetry once it was realized that it often actually integrated and entailed some of the elements it had been criticized for lacking. Given its enduring Arthurian theme, it is no surprise then, that amongst Tennyson’s work, “The Lady of Shalott” should be one of the first rising to resurgence in popularity: countlessly anthologized and appearing in numerous cultural contexts (video, music, theater, art, literature and more) even into our own time nearly 200 years after publication, it provokes wider analysis and re-interpretation than much modernist poetry, whose seemingly impenetrable nature often contributes to its own dismissal, despite its aim of getting people to culture up. While this is a worthy goal and there certainly is no shortage of study for early twentieth-century poetry, it disregards the lesson Tennyson already understood: holding something out of people’s reach won’t allow them to grasp it any easier.

Contemporary author Richard Abbott takes this one step further by incorporating his own already popular literary bents—historical and science fiction—into a highly accessible re-interpretation of Tennyson’s masterpiece, itself based on the life of Elaine of Astolat, a tragic figure within the Arthurian catalogue. Written in prose and sectioned off a few more times than “The Lady of Shalott,” Abbott’s Half Sick of Shadows takes us into a world of beauty and cruelty, loving and longing, a world of isolation in which the Lady yearns for her own voice and must choose which sacrifice to perform.

Significantly, Abbott opens Half Sick of Shadows with an awakening, though it is veiled by a “kindly darkness” and marked as the Lady’s birth. It is as smooth and relaxed as Tennyson’s own lead-in, “On either side of the river lie/Long fields of barley and rye,” as it initiates the creation and, later, upbringing, so to speak, of an infant and then adolescent who will be the Lady villagers come to know by way of her song. She, in turn, learns about them via her second-hand observations of the people in a mirror housed with her, and to which she eventually begins to talk and, later, question. Their communication is of the telepathic sort, at least the expressive language is on the part of the mirror, which the Lady silently receives.

The metamorphosis of this re-telling gifts readers the feeling that they are receiving the Lady’s story for the very first time. For those familiar with Abbott’s previous work, the historical may be an expected element, but the speculative angle is a definitive bonus, and done with a subtly that enhances rather than reduces the Arthurian and historical within Tennyson’s version. There is a machination about the mirror, in its gathering of data as the Lady sleeps between instars, or growth states, and during her acquisition of knowledge, and periodically we hear a word or phrase (e.g. gibbous) that injects the story with a small flavor of the author’s previous forays into a galactical colony. Indeed, the Lady travels through time and space as “[s]he ate, and she slept, and she changed[,]” as “[t]he world outside, with its fleeting years, took no notice of her sleep, and changed even more rapidly than she did.” These centuries of growth bring her from a time before people existed and “[n]obody was watching” through the eras until settling into the Arthurian, widening the form of science fiction the book engages.

For me, this speaks volumes about Abbott’s ability to transition from genre to genre: he clearly is comfortable writing in a variety, and with Half Sick of Shadows we see this taken to another level as he combines it into one: history, mythology, fantasy and speculative. Perhaps some might even add mystery and/or romance, for the Lady catches a glimpse of Lancelot in her mirror, and from then on everything she acts upon, whether in pragmatic caution or foolish abandon, is in response to the spell she knows she is under, a magic that will destroy her should she try to look directly at the world outside. The manner in which Abbott expands upon the Lady’s life and events within, simultaneously breaking ground while remaining true to Tennyson as he retains the spiritual within the legends of Camelot, is inspiring and captivating. The imagery and descriptive language is economic yet rich.

As she grows, so too do the Lady’s awareness, needs, questions, demands and reaching out to the larger world. She observes and bonds, solitary as the association is, with a prehistoric family whose habits she admires and thrills to. It is this family whose actions first lend her an unarticulated awareness of herself as a shadow, only half existing, a theme that permeates the novella along with the idea of voice in its physical form and as metaphor. Upon re-awakening from one of her sleep phases, she comes to realize that the nature of the world’s growth and movement forward necessitates forfeiture, though awareness make it no less difficult. She laments her loss and fate within her existence, and one of Abbott’s most poignant passages gives new voice, as it were, to the idea of futility of life within isolation. Having already questioned the purpose of knowing how to speak if there was no one to listen,

[s]he noticed the Mirror’s stream of information falter and then, almost immediately, restart when she spoke of her beginnings. This, then, was the source of the deception. A little tingle of anxiety pattered inside her … Outside of these walls neither person, nor bird, nor animal could properly see her. Perhaps in truth she was no more than a fiction, an incorporeal figment, no more than someone else’s projection. Her fretful feet rattled on the floor, until she seized on a memory of song, a memory of the last time around.

 Surely I am like them? Surely I am as real as they are? I am not just a shadow. I am not.

 She felt a tentative acceptance from the Mirror, but knew that it was still holding something back. The truth she was given was always partial, always qualified. She flung herself full-length on the couch and … screamed at the unresponsive face in front of her.

 “I’m half sick of shadows.”

It is significant that the author utilizes this most famous of all “Lady of Shalott” lines to so masterfully illustrate the power of powerlessness, which might at times contain a wealth of talented, gorgeous magnificence waiting for the freedom to flourish, or the explosive consequences of destruction felt by some in history forced into idleness as a way of life (women), or blocked from society (poets), a lifetime of being thwarted by doubt and questioning by individuals of how real they actually are. The inscrutable, vexing shadows may eventually drive the Lady to one rupture or the other—determined productivity or her own end—and the growth of Abbott’s protagonist as well as the narrative itself as it progresses, contains an additional message within as to the value of any given circumstance and whose purpose it serves.

One easily noticeable trait about Half Sick of Shadows is that there is very little dialogue. It is only recently that this reviewer  discovered how much stronger this can render a well-told tale, and in this case such a possibility rings absolutely true. Abbott’s technique of utilizing the omnipotent observer—in some stories a gamble that may not always pay—works perfectly, and contains a silence and mystery to the feel of the tale as we move through, lending substance and support to the Lady’s feelings of loneliness and anguish following her efforts to oblige the mirror to answer her and later, access others to interact with her.

“I am Half Sick of Shadows,” Said the Lady of Shalott by John William Waterhouse via Wikimedia Commons (Click image)

While quite different to such a work as The Metamorphosis, which also experiences very little dialogue and involves a character cut off from others but remaining cognizant of life and events around him, Abbott throughout expertly utilizes allusion in form and narrative, including when the Lady “become[s] desperate with the need to speak and be spoken to.” As in Kafka’s great classic, the theme of voice is part of how the author explores the meaning of being alive and aware as psychological and physical change occurs.

She knew that her voice was high, reed-like compared to any of his own people, and that she could not form the words properly. The parts of her mouth and throat would not allow anything closer. But it was better than nothing[.]

One needn’t be familiar at all with Tennyson or Kafka to appreciate, understand and thoroughly enjoy Half Sick of Shadows, an amazing study as much as it is pleasing story. Whether re-visiting or new to the legend, readers will cherish Abbott’s novella, an original and enthralling re-telling suitable to current sensibilities, with a blend of Victorian sensory and critical, and the Modernist aim to further pique cultural curiosity. It is a merger in which Abbott splendidly succeeds.

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Would you like to win a free paperback copy of Half Sick of Shadows? Simply comment below – even a quickie hello works! – and you are automatically entered into the drawing, which will occur in mid November. (This would also make a great gift!!!)

 Alternately, you may comment at the pinned post in the blog’s Facebook page, located here

Please make sure we have a way to contact you!

Click titles to read our reviews for Richard Abbott’s Far from the Spaceports or Timing

For more on “The Lady of Shalott,” please click here.

About the author…

Richard Abbott writes fiction of several varieties, including both historical and speculative fiction. His historical is set in the Middle East at the end of the Bronze Age, around 1200 BC. It explores events in the Egyptian province of Canaan, following events in the life of a priest in the small hill town of Kephrath during a time of considerable change throughout the region.

His heretofore speculative writing is set in a near-future solar system exploring issues of high-tech crime and human-machine relationships.

Far from the Spaceports introduces Mitnash Thakur and his virtual partner Slate as they investigate financial crime in the asteroid belt. Its sequel, Timing, was released in the second half of 2016.

His latest publication, Half Sick of Shadows, a retelling and metamorphosis of Tennyson’s “The Lady of Shallot,” is now available for purchase, along with his other works, on Amazon and Amazon UK.

Richard lives in London, England and works professionally in IT quality assurance.

When not writing words or computer code, he enjoys spending time with family, walking, and wildlife, ideally combining all three pursuits in the English Lake District.

*********

You can follow and learn more about Richard Abbott and his books at Facebook and Google–and be sure to check out his brilliant collection of images! The author also has some amazing content at his blog, In a Milk and Honeyed Land, including Polly and Alexa, with space-related and not, his own reviews and reading list, information about his other books, and much more.

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A copy of Half Sick of Shadows: A Historical Fantasy was provided by the author in exchange for an honest review. 

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Author photo courtesy Richard Abbott

Audio Book Excerpt: Timing, Extracts B & C (Richard Abbott)

Excerpts from Timing, Book 2 in the Far from the Spaceports series by Richard Abbott

Click image for book description
Click image for more info

Today I’m pleased to present to readers what’s next up in our series featuring author Richard Abbott, whose space jaunts have so delighted meand many others. Of course, I’d previously reviewed Abbott’s debut sci-fi novel, Far from the Spaceports, followed up by another for its sequel, Timing. The audio excerpts below come from the second novel and, like our previous entry, utilize Amazon’s Polly software, which is enabled for text-to-speech in multiple accents and intonations. This compares to Alexa, a single voice.

Before moving forward, for those unfamiliar with the novels and their plots, I’ve linked the book covers to their respective Amazon blurbs. Abbott’s world-building opens a new type of sci-fi, one accessible even to those not typically enamored of the genre (such as myself), and Mitnash, along with his partner Slate, originating from artificial intelligence (AI), will capture your imagination as they seek to solve the mysteries of high-tech crime in space. Last time we listened in as a group discussed data they’d studied; today we pick up our place within Timing at a moment when Mitnash and Slate are perplexed about Callisto, then continue as the pair are joined by Parvati and Chandrika, who share their conversation regarding the loss of Selif’s ship.

Owing to the limitations on the range of voices offered just now, as Abbott points out, one voice’s accent isn’t quite where it should be. Will you spot it? Readers with previous experience in this technology, unlike myself, are likely to agree with the author, who expresses his fascination at “just how much the field has moved on since the first ‘computer voice’ some years back.” He adds that the wording is “broadly the same as the book, but changed in a few places where it sounded more flowing to move words around (funny how different spoken-aloud can sound than read-in-your-head).” (Indeed, that is so!) I’ve indicated changes in red, with words omitted from the original text in brackets and red font, and any added text (just one spot, in this instance) in red.

Note that there is more omitted text than what I’ve indicated, and can be seen in the paperback edition on pages 38-43. Toward the end of Extract A, however, while Abbott’s choice of excerpt makes perfect sense, I added in the rest of Mitnash’s statement (Maybe. But I’m not convinced. Is there any way to see if there’s any crossover of personnel?) as a point of interest to indicate some text that does not yet transfer as smoothly within text-to-voice. However, if I left out the rest (see red below) the remaining text on its own would be unclear as to who is speaking, and the missing text would be sensed. Hence my longer addition here, where I did not do it elsewhere.

Finally, related to this technology are two articles pertaining to development, limitations and what awaits in the margins of progress, for better or worse. “Computer-dictation systems have been around for years. But they were unreliable and required lengthy training to learn a specific user’s voice[,]” writes The Economist at the start of this year (click here and see note below). By June, Baidu, Inc.’s Deep Voice 2 text-to-speech technology was being reported on following a paper presented the previous month, detailing its ability to “listen to hundreds of voices to learn certain speaking styles. After less than 30 minutes of time listening to each speaker, Deep Voice 2 then can recreate the style perfectly[.]” (Click for article.) Where do we go from here?

And without further ado, simply click the arrow to listen–and enjoy!

 Extract B

After that debacle, [we] Slate and I gave up investigations for a while, and just had fun. But eventually we both decided it was time to start work properly.

“Slate, perhaps we should go through the details of the problem on Phobos?”

She cleared the wall screen, and scattered a whole array of documents across the surface.

“Where shall we start?”

With a top-level summary of the losses, compared with the ones we saw on Callisto.”

A chart opened, with two traces spilling across it. Red for Phobos, blue for Callisto. They were mostly flat, with irregular spikes showing the discrepancy pattern. Irregular, but averaging out at more or less one a week when you looked at the big picture. Callisto came out slightly more often,  Phobos slightly less. Other than that, there really wasn’t a great deal of similarity. Different days, different amounts, different principal components.

I was missing something.

“Slate, we did leave the old code on Callisto running in parallel with the new, didn’t we?”

“Absolutely. With triggers to send an alert down to us, if ever the problem surfaced again.”

“And have the triggers fired at all?”

“Not at all Mit. Not even once.”

“But why not? We never found the root cause. Why isn’t the same problem happening every few days still?”

Slate was silent for a while.

“That’s a really good question. I have no idea. Maybe, whatever situation was causing it has gone away?”

“That would be an absurd coincidence.”

“Or maybe it was an insider job, and the person is keeping a low profile? Maybe we frightened them off?” [In which case Jo’s coding style has nothing to do with the problem.]

I wasn’t convinced, but we lacked information. [Maybe. But I’m not convinced. Is there any way to see if there’s any crossover of personnel?]

[I can request the staff roster. But remember Callisto: the records are very skimpy. I’ll ask Khufu what he can find out.]

[Meanwhile, is there any chance of getting a look at the code repository on Phobos?]

[No. I asked last night while you were asleep, and they won’t open a remote link. Not for anyone, not for any reason. You’ll have to wait until we get there.]

“So, is there any more we can do for now?”

“Not really. I can show you the same data in different charts, but you’re not going to learn anything helpful by looking at them.”

So we didn’t do that. We cleared the screens, out of habit, then Slate got on with whatever she did when I was not conversing with her.

 

Extract C

I wanted human company again, so I stretched, and went in search of Parvati. She was brewing chai as I wandered in to the kitchen. Seeing me, she doubled up the amounts, found a second mug, and arranged some savoury crackers and a red and yellow striped cake on a tray.

“Did you and Slate get anywhere?”

I shook my head.

“Total blank. The figures don’t tell us any more than the basic alert message we got from Finsbury, and they won’t let us access the code yet. There’s almost nothing we can do until we get there.”

We moved back to the bridge, and enjoyed the snack together.

“Chandrika just picked up the latest from the wreck site for Selif’s ship, if you’re interested?”

I very definitely was interested. We finished the crackers, and she sliced two generous portions of the cake.

“They’ve made available the results from the data recorders. There’s nothing at all unusual until about three minutes before the crash. At that point, Selif took the vessel’s riding lights offline, and uploaded an amendment to the nav plan. [Anyway,] The upload was completed successfully, taking only the expected lag. Except that a couple of seconds later, both recording devices ceased gathering data. At the same instant. That is unheard of.”

I looked at her.

“How did that happen?”

“The maintenance log for the recorders showed that Selif had skipped two routine services. So they highlighted that in the report, and almost immediately the manufacturer put out advisory notices, basically denying all responsibility if people ignore the recommended schedule. So the official version simply lists an open verdict.”

“Is there an unofficial version?”

She grinned.

“Of course. Chandrika, why don’t you tell them?”

“To be sure. I heard this from one of the personas on Martin’s. He works part-time with a man who’s an expert on the embedded systems in boat engines.”

I nodded. It was a highly specialised area, and one that I knew next to nothing about. But it made sense that a man with those skills would have an opinion on data recorders.

“Well, he said two things. One is that a full restart cycle for those boxes is about half a second longer than the time from the point of failure, up until the impact on Tean. And the second thing is that there are only two known exploits for that model of recorder which could bring down both boxes together. One of them cannot possibly have anything to do with this case: a different ship configuration altogether. The other one happens to rely on a routing plan change.”

I sat there, absorbing the news. It made sense that these units would go into an automatic reboot mode if they went dark for some reason. Normally, that would restore them to full operation in plenty of time to carry on doing their job. But in this case, the boat had hit Tean before they had started up again. I stirred in my seat, but Slate beat me to it.

“That’s very precise timing on someone’s part. Does anybody think it is just a coincidence?”

“Oh, Slate, the official verdict is open. Nobody is suggesting anything.”

We all laughed together.

“Either it was phenomenally bad luck on their part, or…”

I paused, and Parvati continued.

“Or else someone wanted rid of them, and found a clever way to do it.”

*********

Click here for the previous entry in this series, Extract A, and stay tuned for my review of Half Sick of Shadows as well as more from Richard Abbott!

About the author…

Richard Abbott writes fiction set in two very different places. First, there is science fiction, set in a near-future solar system exploring issues of high-tech crime and human-machine relationships. The second area is historical fiction set in the Middle East at the end of the Bronze Age, around 1200 BC.

His first science fiction book, Far from the Spaceports, introduces Mitnash Thakur and his virtual partner Slate as they investigate financial crime in the asteroid belt. Its sequel, Timing, was released in the second half of 2016.

His historical fiction books explore events in the Egyptian province of Canaan, following events in the life of a priest in the small hill town of Kephrath during a time of considerable change throughout the region.

His latest publication, Half Sick of Shadows, a retelling and metamorphosis of Tennyson’s “The Lady of Shallot,” is now available for purchase, along with his other works, on Amazon and Amazon UK.

Richard lives in London, England and works professionally in IT quality assurance.

When not writing words or computer code, he enjoys spending time with family, walking, and wildlife, ideally combining all three pursuits in the English Lake District.

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You can follow and learn more about Richard Abbott and his books at Facebook and Google–and be sure to check out his brilliant collection of images! The author also has some amazing content at his blog, In a Milk and Honeyed Land, including Polly and Alexa, with space-related and not, his own reviews and reading list, information about his other books, and much more.

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Note: The Economist link loads slowly, if at all, though I’ve noticed a direct copy/paste of address to bar, as opposed to linkage, seems to do the trick: https://www.economist.com/news/leaders/21713836-casting-magic-spell-it-lets-people-control-world-through-words-alone-how-voice

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Audio Book Excerpt: Timing, Extract A (Richard Abbott)

As readers recall, I’d previously reviewed Richard Abbott’s debut sci-fi novel, Far from the Spaceports, later returning for more Mitnash and Slate in its sequel, Timing. Today the author graces our pages with an audio excerpt from Timing—the first for us here at the blogola! It was rather exciting listening to it, and I am so pleased to have the opportunity to share it here, along with some author comments as to the linguistics involved in setting up the pieces.

First, for those unfamiliar with the novels and their plots, I’ve linked the book covers to their respective Amazon blurbs. Abbott’s world-building opens a new type of sci-fi, one accessible even to those not typically enamored of the genre (such as myself), and the above-mentioned duo will capture your imagination as they seek to solve the mysteries of high-tech crime in space.

Click image to read plot description
For more about Timing, click the pic!

 

 

 

 

 

 

 

 

Today you’ll hear—and can read along—a bit of discussion between Mitnash and Slate, along with another pair, Rydal and Capstone, as the group talks about oddities in the data they are studying. It comes from a narrated portion utilizing Amazon’s Polly software; Abbott points out that unlike Alexa, which is a single voice, Polly can do text to speech in several.

Previous to hearing this excerpt, I was still in marvel mode at any of this, though my conversation with the author brought me forward a bit, into a place where I began to distinguish characteristics and contemplate the mechanics of setting it all up.

“[I]t’s like all programming really… a slow start to get all in place, then once it’s there, you kind of just turn the handle.” Of course, I know very little about programming—probably readers are way ahead of me on that—but his comments enabled me to view it more as technology rather than something huge and undefinable. While constraints remain, it nevertheless is exciting to “witness” the process unfold.

“In this case [included are] limitations of the text-to-speech engine, which at current state of the art can’t correctly parse some complex sentences! I often put a qualifying clause at the end of a sentence instead of earlier on, and Alexa and Polly don’t know how to say it within the overall shape. So [in places] I’ve moved some phrases around in a sentence to give better flow.”

In today’s excerpt the audio remains faithful to the text, but as we move on in this series, we’ll catch glimpses of the accommodations. Listen, however, for the nuances that appear: accents, pronunciation inconsistencies (I thought I heard at least one), vocal pitch and so on. At post’s bottom, see the link to an article about using technology for far more than entertainment.

And without further ado, let’s listen up. Simply click the arrow below to start.

Extract A

Rydal’s gig, the Heron, was moored in amongst half a dozen vaguely similar craft. I had expected something about the size of the Mermaid, in which Nick had ferried me, last time I was here.

The Heron was considerably smaller though, and it would be a squeeze getting more than the two of us into her. A purist would say it was more of a scull, than a gig.

We sat side by side in the bridge to look at her analysis. It was rather less roomy there than my bedroom at the Rileys’, but since the Harbour Porpoise was still with Boris, there wasn’t much choice.

Rydal first got Capstone to display the increments as a kind of contour map, overlaid onto the Isles of Scilly. It wasn’t very revealing. There were certainly some minor local variations from island to island, but it looked random to me.

Then she pulled back to show the whole asteroid belt. That was different. Just as she had said, Ceres and Vesta showed huge peaks – Ceres was the larger – and the amount across the Scilly Isles was dwarfed in comparison. I nodded.

“That looks convincing. But it doesn’t tell us much about the cause.”

“Now see what happens if we scale for population size rather than show simple totals.”

The red planet as seen from the ESA Rosetta during its 2007 flyby [CC BY-SA 3.0-igo], via Wikimedia Commons
The display changed. This time the Ceres and Vesta peaks were almost identical in size. The total values might be different, but the subsequent disbursements had been chosen so as to make the amount per recipient the same. That spoke of careful planning. Meanwhile, Pallas was flat, and the various other domes here and there, around the belt, showed nothing as well. That was really interesting.

“You mentioned Mars?”

“Well, yes. There’s a few places on Mars itself, and a tiny scatter on Phobos. Nothing on Deimos. Here…”

The Martian system appeared. As she had said, Deimos showed the same low-level random splutter as the Scillies. Phobos showed a little bit more, but nothing very definite. Mars, with its wide diversity of settlements in different places, showed an equally wide variety. In amongst that, were several peaks, reaching almost the same value as Ceres and Vesta, but the data was patchy. I leaned back.

“Slate, what is there in common between those places?”

“I’ll see what I can find out. And I’ve just fired off a query to Khufu down in London to see if we have any similar data on the Jovian system. Capstone tells me that he and Rydal have no details for there.”

Khufu was the main Pyramid installation supporting the Finsbury Circus office, together with those other scattered souls who, like Slate and I, were on detached work off planet. Vaster than a persona and more capable, he was also more serious, less easily sparked into lively debate, and not really the sort of individual you would want to spend time with. He did, however, have access to a colossal amount of information, and was able to leverage this to make connections the rest of us might miss.

At any rate, a query going down to the Finsbury Office and back would take the better part of an hour, given the relative locations of Bryher and Earth just now. So we had time to spare. Time to see what we could do for ourselves with this puzzle.

While waiting for Slate’s analytics to initialise, I half-turned to look at Rydal. Her skin was darker than mine, and as we had boarded the Heron, she had gathered her unruly ringletted hair back into a more orderly bob. She glanced at me briefly, and I looked back at the screen. It was ready now.

“Any ideas?”

“We need to find the common factor. Let’s see what Khufu comes up with.”

To my surprise, it was Capstone who answered.

“Slate and I have been working together on this, Mitnash. You see, I have a lot of demographic data that isn’t relevant for your normal investigations into fraud. But it fits very neatly with what Slate already knows, and means we can eliminate most possibilities. So far as we can tell, there’s only one common feature that appears to have any relevance to the matter. Ceres and Vesta use a twinned Sarsen pair as the main financial deal hub. Deimos and Pallas do not. Mars has a lot of different systems here and there, so it’s harder to tell.”

Artist’s concept of the Dawn spacecraft with Vesta and Ceres. NASA image. (Click image for details; once there click “open in media viewer” for a really fantastic closeup. Also see link for NASA gallery)

“He’s right, Mit. Pallas has a single Sarsen with a lot of upgrades to quicken her up. Deimos has a routing engine down to Mars, based on a cut-down Ziggurat. No real local processing at all. The main Mars site at Elysium Planitia has a full Pyramid, but there are a lot of sites elsewhere on the planet which do have twins. A couple of them are reasonably close to the peaks, but there is no direct connection that I can see yet.”

“From memory though, the twinned pair is a fairly common configuration. We mainly see it in finance, but it’s very widespread beyond that too. Ship navigation and all. I’m not surprised that there are several like that on Mars. Slate and I can send a query to get a full list across the system, if we think it would help. But does anyone here on the islands use twinned Sarsens?”

“Oh yes. The main financial hub on St Mary’s. You remember, we talked about it, last time we were here.”

Rydal stirred.

“Actually there is another, though hardly anybody knows about it yet. Back on Martin’s we have one as well. I’m telling you this in absolute confidence, but there is a move by some of us there, to take the islands’ deal processing away from Mary’s. We’re putting together a proposal right now, listing a number of occasions when the Mary’s hub has either underperformed or thrown errors. Acquiring the twinned pair was part of the proof of concept.”

This was news to Slate and I. At a guess, it would be news to Elias as well, but Rydal had effectively sworn us to secrecy, for the time being.

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Click here to read about some remarkable advances used to help people with autism enjoy higher levels of productivity, meaningful interactions and privacy. 

About the author…

Richard Abbott writes fiction set in two very different places. First, there is science fiction, set in a near-future solar system exploring issues of high-tech crime and human-machine relationships. The second area is historical fiction set in the Middle East at the end of the Bronze Age, around 1200 BC.

His first science fiction book, Far from the Spaceports, introduces Mitnash Thakur and his virtual partner Slate as they investigate financial crime in the asteroid belt. Its sequel, Timing, was released in the second half of 2016.

His historical fiction books explore events in the Egyptian province of Canaan, following events in the life of a priest in the small hill town of Kephrath during a time of considerable change throughout the region.

His latest publication, Half Sick of Shadows, a retelling and metamorphosis of Tennyson’s “The Lady of Shallot,” is now available for purchase, along with his other works, on Amazon and Amazon UK.

Richard lives in London, England and works professionally in IT quality assurance.

When not writing words or computer code, he enjoys spending time with family, walking, and wildlife, ideally combining all three pursuits in the English Lake District.

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You can follow and learn more about Richard Abbott and his books at Facebook and Google–and be sure to check out his brilliant collection of images! The author also has some amazing content at his blog, In a Milk and Honeyed Land, including Polly and Alexa, with space-related and not, his own reviews and reading list, information about his other books, and much more.

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Stay tuned for more excerpts, my review of Richard Abbott’s next book, Half Sick of Shadows, a retelling and metamorphosis of Tennyson’s “Lady of Shallot,” and some conversation with the author!

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This post has been updated to include an embedded audio box for excerpt as opposed to the hyperlink previously created. 

Book Review: Timing

Timing (Far from the Spaceports: Book 2)
by Richard Abbott

There are some sequels we get around to reading, or even purchase enthusiastically, remembering the pleasure experienced from their predecessors. Rarer, however, is the follow-on one prodigiously hopes is being written before they even conclude the first. In this instance, I became a beneficiary of the reality behind that wish when I learned of Timing, second in Richard Abbott’s Far from the Spaceports series. Having read and reviewed the first novel last year, I became quite attached to Mitnash Thakur, financial fraud investigator to the Scilly Isles, an asteroid belt near Jupiter, and couldn’t get enough of his prepossessing personality and, dare I say, aura.

This time around I fairly dove into the narrative, enabled by Abbott’s smoother story opening in Frag Rockers, a then nearly-empty Bryher bar in which Mitnash feels “old contentment resurfacing,” an apt manner in which to re-unite previous readers with this protagonist, given the memories re-kindled as we observe Mitnash’s gaze circle around his group and, together, remember. This is not to say one must have read Far from the Spaceports to understand what occurs here. Timing is most definitely a strong standalone, and any reader coming to it first also experiences an order advantage.


Neither of us had considered transferring her to a handheld, or some other portable gadget, since our last experience of that was still too painful.


What I mean by this is that periodically within Timing Abbott references an episode that occurred in the first novel; as a previous reader I feel the satisfaction of recognition. Newer readers have this in store for them as well, even if they read the two novels in reverse order: in the series debut, happening upon full events only referenced in Timing consummates each occasion, resulting in a gratifying sense of completion, an “Ahh, so that’s how it played out!” Mitnash tells his story with an intimate feel, as if he is speaking only to you the reader, so links between the novels as well as those connecting readers to the narrative and real-life society’s imaginings of their own future, link two worlds not only with technological realities and fantasies in common, but also the range of emotions that accompany them. We don’t just care for the characters; we feel a kinship.

Within the narrative, Abbott avoids weighty jargon, relying instead on a writing style that runs as smoothly as water, and an ability to communicate succinctly and economically some layered and otherwise complicated information. In this manner he takes us from Jupiter now to Mars, where a financial scam spirals into terror activity, negatively affecting even Slate, Mitnash’s artificial intelligence (AI) partner, whose own agency as persona is demonstrated in a robust personality, preferences, even bias and occasional snobbery. Her fears, too, play a role in how they navigate their way through the case, for the fallout might be serious indeed. At one point Slate attempts to interact with a set of personas centrally located within the attack directed against a college computer system.

They were still metaphorically limping along very awkwardly, their normal coordinated step disrupted by the trauma. When they did approach the subject, cautiously and with much hesitation, the level of fear they felt was like nothing Slate had witnessed before.

 [T]hey had also been unable to communicate with one another. For a pair whose initial, halting attempts at chat had been with one another, whose awareness had included each other from their very first cold startup, the loss was catastrophic. It was still difficult for them to build a trusting rapport with anything external.

 Slate was, I understood, very gentle with them, and avoided probing too deeply.

Slate’s compassion is tinged with fear for herself as well, and as events escalate with threats and extortion from a new band of outlaws called Robin’s Rebels, the pair must join forces with an unlikely partner, one they are not sure they can trust, even as they know they have to. The author maintains a fine balance with this angle, re-introducing a previous character and keeping us sitting up straight as we journey from spot to spot—experiencing the idiosyncratic nature of each—keeping a close lookout for someone we don’t know. Abbott also splices in details about our protagonist’s relationship with Shayna, back on Earth, and the peculiar weave of time that affects how days are experienced in these parts, on occasion plaiting them together in a brief comment about his poor timing, the utilization of which he would need to execute more efficiently if he is to crack this case. As we move along, Abbott silently teases out the question hovering between the lines about Mitnash and Shayla: Are their own weaves of time, and the manner in which they experience them, compatible? Or does the timing of each exist on planes far too separate for their union to be a success?

These questions and the situation they inhabit, paired with Mitnash’s continuing working relationship with Slate make one of my favorite aspects of the novel. Not that I admire trouble, mind you. In Far from the Spaceports the investigative duo get on well despite the occasional stumble, and carry on nicely. It works and is, as part of the introductory novel to this world, appropriate. In Timing, Mitnash and Slate experience deeper disagreement, some rather more serious as Abbott gives us a more profound view to the nature of the discord, or at least their conflicting perception and opinion. It also solidifies Slate’s role as more than a sidekick, intensifies the pressure of work in space and the stress of a human and AI relating to each other—not to mention humans raised in a number of extremely different environments—and lends questions to where Mitnash’s deeper feelings, preferences and loyalties lie.

As Mitnash struggles to write and dispatch a message to Shayna, partly attempting to explain his excessive amount of time away, we see how relationships affect those within them as well as those who observe. As in so many other passages through the book, Abbott provides insight into how a persona—this particular one, anyway—thinks, even if her logic is flawed, and the influence it has on Mit’s behavior.

“If we did succeed in getting straight back, we’ll still have been away from Earth for about six months. You need a better note than that.”

 An hour later I had crafted something which, I thought, sounded warm and conciliatory rather than just trite … Signal lag was about a quarter of an hour to Earth, and it was morning in Greenwich just now. Shayna would read it before too much longer.

 “Is that why you and Rocky gave up sooner than us?”

 [Slate] was not impressed.

 “Don’t you think that’s rather glib, Mit? On the Lovelace scale, we had the equivalent of nearly ninety years as a couple. And managed some five year separations within that. Do you think you will be together that long? How many human couples do you know who get to ninety years together?”

 Of course I apologised, and she accepted, and I settled down for the night.

Abbott as a science-fiction author, the characters and the plot itself mature as the complexities of all three, plus more, interact and give us a story that provides questions as well as answers, thrill and satisfaction, and an adventure that can’t be beat. The psychology of relationships being a huge theme running through the book follows superbly, in human terms and within a storyline unencumbered by excessive examination to bog down events. As a reader not typically attracted to sci-fi, it enthralled for itself, as well as the awareness that I could be drawn to the genre not once now, but twice, a condition that underlines the author’s ability to captivate readers from inside as well as out of the genre’s general readership.

The asteroid belt between Jupiter and Mars. In 1596, Johannes Kepler noted the excessive gap in the orbits between the two and believed there must be an undiscovered planet there. There is in fact a dwarf planet, Ceres. By Mdf at English Wikipedia (Transferred from en.wikipedia to Commons.) [Public domain], via Wikimedia Commons (Click image for more information)
So where do we go from here? Interestingly, I find myself contemplating a second reading of both novels—and soon—something I often pass up on other books I unsurprisingly loved because the timing was always off. I feel as if I am the only one Mitnash is telling his story to, and am drawn into the world Abbott builds with such fluidity, a perfect mix of fantasy elements with reality, the differences of the people in his world to us, as well as how similar and ordinary much of it is. (As readers may know, I’m a great lover of the ordinary.) As the story wraps itself around us, we become a part of that world, a magical attachment that lingers even when we step away.

About the author …

Richard Abbott writes fiction set in two very different places. First, there is science fiction, set in a near-future solar system exploring issues of high-tech crime and human-machine relationships. The second area is historical fiction set in the Middle East at the end of the Bronze Age, around 1200 BC.

His first science fiction book, Far from the Spaceports, introduces Mitnash Thakur and his virtual partner Slate as they investigate financial crime in the asteroid belt. Its sequel, Timing, was released in the second half of 2016.

His historical fiction books explore events in the Egyptian province of Canaan, following events in the life of a priest in the small hill town of Kephrath during a time of considerable change throughout the region.

His latest publication, Half Sick of Shadows, a retelling and metamorphosis of Tennyson’s “The Lady of Shallot,” is now available for purchase, along with his other works, on Amazon and Amazon UK.

Richard lives in London, England and works professionally in IT quality assurance.

When not writing words or computer code, he enjoys spending time with family, walking, and wildlife, ideally combining all three pursuits in the English Lake District.

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You can follow and learn more about Richard Abbott and his books at Facebook and Google–and be sure to check out his brilliant collection of images! The author also has some amazing content at his blog, In a Milk and Honeyed Land, with space-related and not, his own reviews and reading list, information about his other books, and much more.

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The blogger was furnished with a complimentary copy of Timing in order to facilitate an honest review.

For my review of Far from the Spaceports, click here

Stay tuned for my review of Richard Abbott’s latest, Half Sick of Shadows, a guest blog and more!

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Author image courtesy Richard Abbott