Book Review: Dickon’s Diaries (With Giveaway)

We present this review on this, the 565th anniversary of the birth of Richard Plantagenet,

Duke of Gloucester and,

Dei Gratia Rex Angliae et Franciae et Dominus Hiberniae

by the Grace of God, King Richard III of England and France and Lord of Ireland.

800px-King_Richard_III
Late 16th-century portrait, housed in the National Portrait Gallery, London. See page for author [Public domain], via Wikimedia Commons

Dickon’s Diaries – A Yeare in the Lyff of King Richard the Third
by Joanne Larner and Susan Lamb

See below for details about winning a free, signed copy of Dickon’s Diaries!

A few years ago I had opportunity to see a bit of social media shenanigans in which a well-known image of King Richard III was shopped to include the monarch wearing a Santa hat. It was Christmas, after all, though one person was not amused and demanded it be removed for the king to keep his dignity, wintry wonder or not.

But why should it be undignified? Can a person not stand tall while simultaneously engaging in mirth, something that will bring pleasure to others? One of the reasons I didn’t see it quite the way the lady who doth protest is because in my estimation it was drawing Richard into our activity, sharing our joy with him by him becoming “one of us” for the moment.

Joanne Larner and Susan Lamb do similar in Dickon’s Diaries, though I would add that the effect is greater because their inclusion moves in both directions. While Christmas in Richard’s time was not observed in the way we do now, keeping a diary or some sort of recordkeeping encompasses all ages. Moreover, all people have some thoughts they generally keep to themselves or within a circle of confidantes, so the concept would not be completely unknown to people then or now.

As the title gives away, Dickon’s Diaries presents a year in the life of Richard III; the book takes us through Sprynge, Summer, Autumne and Wynter, all of which encompass their attendant activities and a group of modern ladies quite fond of the king, who heretofore had shared his words of wisdom on Ye Book of Faces, and now “hath wryttn down alle Oure thoughts and anecdotes for your pleasure.” See? Even the king wills it. For our enjoyment he draws us in to share his modern experiences and bids us read on.

Dickon’s Diaries is an entertaining, light-hearted look at a medieval king who, via a bridge spanning time, engages in modern activities and responds to them, often hilariously. The Dames who dote on him make their appearances, showing affection and often providing explanation and links between what he knows of the world and that presented to him in this modern age. With a fondness for Jaffa cakes, a Capp of Chino on occasion and a growing collection of “My Little Destrier” (chronically missing a difficult-to-acquire prize piece on Ye-Bay, the “Murderous Mustang”), Richard makes his way with aplomb from episode to episode, documenting each and even advising others in an “agony uncle” column established for that purpose.

Shortly before a cake-baking competition, one nervous subject, Miss Cilla Goose, writes in for a solution to her nail-biting habit, especially given that her Grace will be judge. Assuring Miss Goose of his impartiality, Dickon then directs her to a local nail spa, where its proprietor will ensure that her nails “verily do shine and sparkle.” In his post script: “We suggest thou maketh a fruite cake—Oure currant favourite. (Didst thou see what We did there?)”

One of the best elements of the book is within its nuance, in that its wit is diversified and even subtle at times. The women who often surround him occasionally appear themselves as subject of his comments, wound into self-deprecating humor that keeps the king likeable while still able to pull off the occasional conceit. Catching sight of a particular Dame in the stands at a tournament, he bows and asks her favor. “Of course, she swooned. (We doth have this effect on alle female creatures, with the exception of Oure wyff.)”

The king is indeed hotheaded, silly or serious at times; wrapped within these (and other) emotions and elsewhere through the book are historical references that range from the obvious –

“Nay, manne! ‘Tis not the rhymes! Thou didst say: ‘Roses are redd!’ Surely thou didth meaneth ‘Roses are whyte’! Now get thee hence and changeth this treasonous verse forthwith!”

—to the artful:

‘Twas a few weeks ago that We didst consult Our box of lights [computer] … Then, lo, We didst espy a sett of changes of apparell for [My Little Destrier] also. Ye knowest fulle welle that destriers canst be caparisoned in Oure coloures and Oure standard; welle, now can ye buyeth various different cognizants, useful for ye Stanleys, We suppose, who hath always been known for changynge their coates! (Smirks.)

The narrative is also cunningly sprinkled with Shakespearean references, telling given the real playwright’s relationship to Richard Plantagenet as his protagonist. After the long-suffering Lovell devises an entertainment plan to shake off the winter blues, an “interesting manne” shows up, stating that he “is within this tent to writeth a goodly storie of us, but the musick shall bother him not, for he is a tadd hard of hearynge.” This opens up for readers to imagine or concoct a variety of comical possibilities as to how the bard got it so wrong.

As the event opens the “welcomynge speech … read[s] thus”:

Now is the winter of Oure Dis-co-tecke, made glorious summer with sandwiches of pork, and crisps, subtleties and fancies.”

Before starting the book, I’d wondered if I would have difficulty reading extended amounts of dialect, but this proved not to be a worry. The fancy font most of the book is written in may appear to be problematic when first starting out, but one gets used to it rather quickly, and it is large enough to be reader friendly. Speaking of friendly, the aforementioned woman on the social media would be happy to know (one would hope) that Richard always does maintain his dignity, even if he must engage in a series of frowns, glowers and shakes of his head in disbelief to get his point across.

Of course, we don’t know precisely what the real Richard was like in his own time. Would he have laughed at ribald jokes or seen the sparkle in silly word play? Would he be amused at the authors’ portrayal of Shakespeare, who disparaged him in a manner that echoed through the centuries? Since he was found in 2012 – within the book a topic addressed to which he queries the ability of a nation to lose its king, and the authors treat with perfect balance of the comic as well as reverence within jest – a number of “certainties” have been debunked. So why not the possibility that he had a rollicking sense of humor as well!?

If joking around for some doesn’t include modern words used within medieval speech or activities, or medieval English employed not exactly in the way it would have been in the fifteenth century, well, there’s a reason for that. Especially given the rowing over where to re-inter the king, as the authors mention in their end notes, there certainly seemed room for a bit of cheer, and that’s what this is meant to be: a light-hearted expression of Richard presenting the possibility that, indeed, he too liked to get away from the stress at times and have a bit of laughter and merriment. The diaries never claim to be what they are not, and what they are not is not its aim.

Sometimes naughty, occasionally fantastical, always clever and filled with exuberant energy, Dickon’s Diaries is the anecdote for a rough day or object of an evening’s pleasurable reading. Anyone who even periodically enjoys social media funniness, those interested in Richard III or even the uninitiated would get a great kick out of the diaries, since the “prior knowledge” involved in some of the jokes tend to be the sort most know about already (e.g. Shakespeare). Its narrative brings everybody into the moment because we all find ourselves in the midst of hilarious misunderstandings and funny fusion of cultural habits familiar and foreign, even when they are from our own time.

Despite its lack of strict adherence to period speech, the authors most definitely show themselves in a variety of ways to be keen observers of language, and we are given ample opportunity to verily bathe in the freewheeling frolics within the narrative as well as dialogue. Additionally, what the characters seem to be thinking and feeling shows up in illustrator Riikka Nikko’s drawings wholly, and the impression of them entices us into events depicted. One gets an inkling not just for the characters’ experiences, but also the environment in the actual moment, the sense of what is happening and a feel of involvement within it all. I actually would have loved to see more of these pictures included and hope that in the second volume there will be.

Dickon’s Diaries is a whirling, laugh-out-loud experience of a read that is easily re-enacted, given its light hilarity and easily digestible segments (chapters within each season). Filled with flavor, fun and individuals – some of whom are real, including writers and musicians! – readers will want to get to know even more, and can participate in on Ye Book of Faces or even within their own experimentation. With a place for everyone, Richard comes to us and we to him; together we can stand and celebrate the best parts of life.

Now readeth ye on!

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Would you like to win a free, autographed paperback copy of Dickon’s Diaries? Of course you would! Simply comment below – even a quickie hello works! – and you are automatically entered into the drawing, which will occur in three weeks. Please make sure we have a way to contact you! Alternately, you may comment at the pinned post in the blog’s page on Ye Book of Faces, located here

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Click here to see my review of Richard Liveth Yet: A Historical Novel Set in the Present Day,

and for my review of Richard Liveth Yet (Book II): A Foreign Country, click here.

Stay tuned for my review of Richard Liveth Yet (Book III): Hearts Never Change

About the authors …

Joanne Larner was born in London and moved to Rayleigh in Essex (UK) in 2001. She has wanted to write a novel since the age of thirteen and finally managed it in 2015. She was helped by two things: National Novel Writing Month and Richard III. Richard was her inspiration and she became fascinated by him when she saw the Channel 4 documentary The King in the Car Park in February 2013. She researched his life and times and read countless novels, but became fed up because they all ended the same way – with his death at the Battle of Bosworth.

So she decided to write a different type of Richard story and added a time travel element. The rest is (literally) history. She found his character seemed to write itself and with NaNoWriMo giving her the impetus to actually DO it, she succeeded. After she began writing the story that was in her head, she found that there was far too much material for one book and, in fact, it finally turned into a trilogy consisting of Richard Liveth Yet (Book I); Richard Liveth Yet (Book II): A Foreign Country and Richard Liveth Yet (Book III): Hearts Never Change. The final installment takes place mainly in Richard’s time and Joanne found that many actual historical elements seemed to match serendipitously with her requirements. For example, the characters who were contemporary to Richard, the date of Joana’s death, the fact that Lorenzo’s wife, Clarice, had twins that didn’t survive the birth, etc.

In the event you simply cannot wait for the drawing and possibly win a free signed copy of one of Joanne’s books, you may purchase Richard Liveth Yet (Book I) at Blurb, Amazon or Amazon UKRichard Liveth Yet (Book II): A Foreign Country at Blurb, Amazon and Amazon UK and Richard Liveth Yet (Book III): Hearts Never Change at Blurb, Amazon and Amazon UK.  Dickon’s Diaries – A Yeare in the Lyff of King Richard the Third is available on Blurb, Amazon and Amazon UK. The pair will again team up for a second volume, and Joanne  is working on another Richard book, which will be called Distant Echoes and will involve a fictional technology, Richard’s DNA and his story in his own words. Joanne is pleased to add that she has recently had a story published in The Box Under the Bed: An Anthology of Scary Stories from 20 Authors, available at Amazon and Amazon UK.

To follow Joanne Larner and her writing, sign up or follow her at Facebook, Twitter and her blog.

Susan Lamb writes …

I am a staunch Ricardian, I love to visit places associated with Richard III, and I’m convinced that he was not responsible for the disappearance of the boys in the tower. I also love reading, I’m a passionate supporter of the Redwings horses too, and the Greyhounds. I live in the West Midlands with my husband Ray, my mom, and not forgetting Beauty the Greyhound.

Dickon’s Diaries came into being because originally I wrote (and still do) a Facebook page called “Dickon for His Dames,” where I write as him. I was talking to Joanne one day, and both Joanne and myself felt that too much was written about the seriousness, duty, and cares of his life, and we wanted to inject  a little humour into an otherwise sad story as we felt that too much was written about his ultimate demise. So our book started there, and it’s not making fun of him at all, far from it, we’re having fun with him and not at his expense, unlike some other books we’ve seen.

So, Muddleham is a euphemism of Middleham,  a kind of alternative universe, a little like Brigadoon I guess! Where he lives happily with his wife Anne, son Edward and Lovell, his trusty sidekick. His dames who visit him are all more than a little in love with him! White Syrie his horse has a mind of his own, and his staff and neighbours adore him, especially the buxom baker lady. Edward gets into many scrapes with the blacksmith’s son, and his essay for school left a lot to be desired! We are currently working on book two, where Anne will voice her opinions occasionally, so will Lovell, and there will be a lot more fun to come!

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A copy of Dickon’s Diaries – A Yeare in the Lyff of King Richard the Third was provided by the authors in exchange for an honest review. 

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Author photo courtesy Joanne R. Larner

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Illustrations used with the gracious permission of Riikka Nikko

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Book Review: A Foreign Country (With Giveaway)

Richard Liveth Yet (Book II): A Foreign Country
by Joanne R. Larner

See below for details on how you can win a free, signed copy of

A Foreign Country!

… as well as how to get your FREE Kindle edition of 
Dickon’s Diaries – A Yeare in the Lyff of King Richard the Third.

Not having recalled reading in the past any alternative history, I wasn’t entirely sure what to expect when I picked up Joanne R. Larner’s debut work, Richard Liveth Yet: A Historical Novel Set in the Present Day. To its credit, the book doesn’t take itself overly seriously, though it does present us with a marvelous package of imagination and poignant insight. Moving forward now to its sequel, A Foreign Country, we delve deeper into Rose’s brush with time travel and the last Plantagenet king.

Previously we witnessed King Richard’s appearance in our modern times; now, as the novel’s title implies, we—along with Rose, of course—journey to a land that has simultaneously fascinated and been ignored: the past. Following a year spent with the king in which he trains and they plan for his success at the “next” Battle of Bosworth, Rose marks the first anniversary of Richard’s departure by attempting renewed contact through a time fault. After some failure, she makes her way to Richard and his court, where by necessity he introduces the time traveler as “Princess Rose of Norway.”

I was pleased to see Larner repeat her pattern of using song names as chapter headings. As before, titles, not necessarily any song’s words, reflect each chapter’s events, and the author matches marvelously. An early section, titled “The Court of the Crimson King,” shows Richard as Rose first sees him on the night of a formal event:

His doublet was of a deep, dark blue, crossed with gold thread, with a thin, golden collar and edging, the fastenings down the front jeweled with pink rubies and sapphires. It enhanced the deep blue of his eyes.

 We catch further delightful glimpses in phrase, such as “sleeves slashed with lemon silk,” as Larner takes us through a wide array of songs and artists accompanying Rose and King Richard’s experiences, passages winding their way through the pair’s beings as well as the storyline, in much the same way we, too, recall movie or music lines within certain real-life contexts.

As the narrative moves forward, Richard and Rose have opportunity to get to know each other better, now in his own time, though still with the limitations he has placed on their relationship. By now he is married with children and loves his wife deeply, while maintaining a strong bond with Rose. However, suspicions arise and there is recognition that something is afoot, and while fears color ideas regarding what it all may be about, the details are clear to none, characters and readers alike. Mixed in with this are Rose’s own personal anxieties that grow stronger as time passes, until she can no longer dismiss them.

While not falling away from the plot, the author digs in a bit deeper as well, referencing mutual deals and the Hanseatic League’s stranglehold on European business interests, as well as Rose’s wry observation that bureaucracy in the fifteenth century is just as convoluted and outlandish as in her twenty-first. Even as citation, Larner’s mention of various historical trade and further political doings adds substance to her story as well as life in this era, a time many seem to perceive as made mostly of various narcissistic wars.

Brought into this mix is Leonardo da Vinci, who very much plays his own part while also mirroring the old and the new, and the mixing of the two, within the tale. We see both Richard and Rose’s roles reflected within his persona: an acceptance of other, and retention of attitudes prevalent in his own time, the contrasts creating new layers of each individual as they explore, directly or via proxy, someone else’s world. Rose and Leonardo, too, come to know one another better as Larner sketches in the artistic angle with proficiency and grace while the great polymath seeks out the new and different to examine. During one journey da Vinci

was often in a litter too, because he enjoyed looking out over the countryside and sketching in his notebook, occasionally making a caricature of one of the company. He particularly liked drawing subjects with interesting faces: those with exaggerated features, such as prominent noses, bushy eyebrows, large moles or deep wrinkles … She learned by watching him[.]

 While on one level a lighthearted and unpretentious tale, A Foreign Country works on and within others, too, that examine the world and its strange attractions, the division and meeting of these and the complicated manners in which humans respond to a variety of stimuli. Like the actors between the novel’s covers, events are typically more complicated than they appear. Still, Larner’s aim for an entertaining yarn more than succeeds as we read through the smoothly-written narrative, easily transported from one scene to the next and reluctant to put it down at any point. With a larger cast than the first book and multiple plotlines, one is eager to see where the author could possibly take this story next in the series’ final installment, Hearts Never Change. That readers mightn’t be able to conceive the path forward for Richard and Rose is not a worry, for Joanne Larner has established herself as a proficient storyteller. Given her passion for Richard III, there is also a great eagerness to travel to wherever she may wish to take us.

For your chance to win a free, signed copy of A Foreign Country, simply comment below OR at our Facebook page, located here. All names will be entered into a giveaway and a winner drawn in two weeks.

About the author …

Joanne Larner was born in London and moved to Rayleigh in Essex (UK) in 2001. She has wanted to write a novel since the age of thirteen and finally managed it in 2015. She was helped by two things: National Novel Writing Month and Richard III. Richard was her inspiration and she became fascinated by him when she saw the Channel 4 documentary The King in the Car Park in February 2013. She researched his life and times and read countless novels, but became fed up because they all ended the same way – with his death at the Battle of Bosworth.

So she decided to write a different type of Richard story and added a time travel element. The rest is (literally) history. She found his character seemed to write itself and with NaNoWriMo giving her the impetus to actually DO it, she succeeded. After she began writing the story that was in her head, she found that there was far too much material for one book and, in fact, it finally turned into a trilogy, of which A Foreign Country is the second part. This takes place mainly in Richard’s time and Joanne found that many actual historical elements seemed to match serendipitously with her requirements. For example, the characters who were contemporary to Richard, the date of Joana’s death, the fact that Lorenzo’s wife, Clarice, had twins that didn’t survive the birth, etc.

In the event you simply cannot wait for the drawing and possibly win a free signed copy, you may purchase Richard Liveth Yet (Book I) at Blurb, Amazon or Amazon UKRichard Liveth Yet (Book II): A Foreign Country at Blurb, Amazon and Amazon UK and Richard Liveth Yet (Book III): Hearts Never Change at Blurb, Amazon and Amazon UK.

Dickon’s Diaries

will be FREE on Kindle this Wednesday and Thursday, July 19 and 20. 

Click one of the Amazon links below to get yours!

Joanne has also collaborated with Susan Lamb to write a humorous book about Richard called Dickon’s Diaries – A Yeare in the Lyff of King Richard the Third, also available on Blurb, Amazon and Amazon UK. The pair will again team up for a second volume, and Joanne  is working on another Richard book, which will be called Distant Echoes and will involve a fictional technology, Richard’s DNA and his story in his own words.

To follow Joanne Larner and her writing, sign up or follow her at Facebook, Twitter and her blog.

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A copy of Richard Liveth Yet (Book II): A Foreign Country was provided by the author in exchange for an honest review. 

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Author photo courtesy Joanne R. Larner

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950: 1066 Remembered, Guest Blog: “Senlac Ridge” (Ian David Churchward)

Today we are so grateful to host a guest blog, with re-print of lyrics from “Senlac Ridge,” by English folk singer Ian David Churchward and the Legendary Ten Seconds. The lyrics, reading like a poem, depict King Harold’s race to London following his victory against the Vikings at the Battle of Stamford Bridge. His army depleted, he now faces a terrible decision: allowing time to revive his army to fight the invading Normans would concede the continued pillage and raping of English villages on the coast. Or should they dispatch without delay to the Battle of Hastings, despite a weary army and reinforcements not yet arrived?

battle-of-hastings
The Battle of Hastings was fought in 1066 at this location: the English position was on top of the hill where the abbey later stood, and the Normans approximately where the photographer is standing. (Image and caption courtesy Christopher Hilton via Wikimedia Commons) (click image)

Senlac Ridge

At Stamford Bridge King Harold

Took the Vikings by surprise

But shortly after victory

From the south bad news arrived

William had landed

To claim the English throne

He had the Pope’s blessing,

Men at arms and knights so bold

Harold raced back to London

His housecarls close behind

Receiving news of rape and pillage

In the English countryside

Harold was determined

Not to waste precious time

Though his army was depleted

He had courage, he had pride

From the woods the Saxons gathered

Out on Senlac Ridge

Though they were weary

They would not give an inch

Up the slope the Normans charged

The shield wall held firm

The Normans they fell back

William had them charge once more

The battle raged on all day

An arrow took out Harold’s eye

The shield wall was broken

Beneath the autumn skies

Yes, the battle raged on all day

An arrow took out Harold’s eye

The shield wall was broken

Beneath the autumn skies

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harold
“Harold the King was killed”: Section the Bayeux Tapestry illustrating the death of King Harold and the traditional legend that he was killed when hit in the eye by an arrow. (Wikimedia Commons) (Click image)

About Ian Churchward…

woefulwonders
“Senlac Ridge” appears on the album Woeful Wonders & Stupendous Blunders. For more information, please click image.

The Legendary Ten Seconds was originally a solo music project of Ian Churchward who has played guitar in various bands after starting to play the guitar in 1979. Ian’s first band was called Chapter 29 and after this band split up in 1986 he started a new indie pop band called The Morrisons later that year. This band released a flexi disc, which was played on the John Peel show on BBC radio one in 1987. From the late 1990’s until about 2007 Ian also played in a ceilidh band called Storm Force Ten which then became a new band called Phoenix.

songs
A bit about “Senlac Ridge” appears in Churchward’s Songs About Richard III: A Richard III Music Project. (Click image)

You can learn more about Ian Churchward and the Legendary Ten Seconds and their music at FacebookCD Baby, a blog dedicated to The Richard 3rd Projects and Twitter.

For a promotional video of Songs About Richard III, click here.

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Click here to see my review of the Legendary Ten Seconds’ album Richard III.

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Lyrics re-print courtesy Ian David Churchward.

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This post was updated to include a correction re: the promotional video.

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Book Review: Richard Liveth Yet (With Giveaway)

Richard Liveth Yet: A Historical Novel Set in the Present Day

(Book I in the Richard Liveth Yet Trilogy)

by Joanne R. Larner

See below for how you can win a free, signed copy of this fantabulous novel!

On occasion I receive a book for review that makes me a bit nervous. Perhaps I don’t typically care for that genre, or the setting isn’t one I am usually drawn to. In this instance I was thrilled to be asked to review Joanne Larner’s Richard Liveth Yet, as it had two strong points going for it: time travel and Richard III, both of which are amongst my favorites. And that great judgment everyone makes: the cover. A painting of the author’s “fantasy Richard,” it is attractive and true to how the last Plantagenet king probably looked, with a more subtly modern appearance to its frame.

richard-liveth-yet-book-i-coverHaving also previously read time travel featuring the medieval king and later criticism of how he too quickly adapts to his new surroundings, I wondered how the author would handle his transition in this book. I knew that covering every possible nuance of the immense amount of change he would encounter would simply be impossible, that a certain amount of summary, as with the aforementioned novel, would have to occur if the story was ever to take place. So I wasn’t preoccupied with Richard moving into the modern world too fast—it was more a case of anticipation, like unwrapping a Christmas present to see what’s inside.

As it turns out, Larner knows exactly what to pick out and wrap up, and how much to leave to the imagination. As I got started I could see the novel was, as described in a showcase blurb, a lighthearted story, easy to read, perhaps not seeking to take itself too seriously.

Having said that last bit, I would caution that the tale of Richard meeting Rose and what happens between them also develops some rather poignant and lovely scenes, strong enough to bring humor into the mix and provide an all-around delight for readers every step of the way.

Like her creator, Rose Archer is an osteopath, so her experience in treating musculoskeletal problems comes in handy when she meets up with the time-transported Richard III, who suffers from painful spinal curvature. Larner cleverly avoids potential awkwardness between the two—as well as between characters and readers—by displaying Rose’s suspicion that her friend Laura, knowing of her obsession with the medieval monarch, has set her up in this situation, only to laugh at her later.

Richard, for his part, is tense but curious, periodically restraining himself for fear of sorcery or the unacceptably alien. With his behavior the author also introduces the concept that in fact a medieval man might very well have enjoyed some of our ways or technological advances if given the chance to sample them—even if the introduction entails a bit of hesitation, or he balks at other elements. Indeed, why not?

As the story moves forward, Richard and Rose get to know each other better, she introducing him to the ways of her world and he talking about his life and history, both of them at times filling in the blanks for each other. As their mutual trust begins to build and Richard’s back problems come up in conversation, he agrees to therapy, and readers are treated to a taste of time-transport humor, which mixes in a bit of Richard’s own.

From the new patient’s case history sheet:

Name: Richard Gloucestre, aka Ricardus Tertius Rex

 Date of birth: 02/10/1452

 Age: 32/561

 Address: Middleham Castle, Middleham, Wensleydale; Crosby House, London; Nottingham Castle, Nottingham; Windsor Castle, Windsor; and many others.

 Occupation: King

 Phone number: (Puzzled frown)

 Road accidents (e.g. whiplash): Was whipped occasionally as a child!!!!

 Presenting complaint: Chronic mid and low back pain and stiffness, with associated headaches, twenty years’ duration, getting worse

 Medication: Willow bark

At some point, as readers themselves know, and Rose as well, though she tries to avoid it, Richard would encounter information about his own end in all its horrifying details. They both know he cannot remain in the twenty-first century indefinitely, and they begin to develop a plan to return him to face what he must. Looming before he left his time was the Battle of Bosworth, where Rose knows he will die. With the benefit of hindsight in all the historical details in our time, continual training and Rose’s treatments and instructions how to care for himself, King Richard sets about adding to his plans for complete victory in the dreaded battle that otherwise would lead to his demise and the start of the Tudor dynasty.

rose-as-perceived-by-author
Introducing Rose Archer, the female lead character from Richard Liveth Yet.

In her introduction Larner writes that she aims for historical accuracy, though she does—and this is true of most historical novelists—take some liberties in unclear areas. This would certainly be linked to one disputed event in which John Neville, who like his brother the Kingmaker died at the chaotic Battle of Barnet, is said to have been wearing Yorkist colors beneath his armor, despite his stated allegiance to Warwick and the Lancaster cause. While there are those who call into question this version of events, Larner utilizes it to show a side of the king she and Rose both see, one who mourns for even the divided dead, recognizing the tragedy of having to choose between treasured loyalties. “I wept for [John] and Warwick. It should have been so different.”

Even Richard’s pleasures of the new age reflect what concerns him. After a particular treatment Rose asks,

“How was that, Sire?”

 “Reem!” he replied. He had heard the expression on one of the reality TV shows and used it all the time now. He never ceased to surprise her, the strange things he liked about modern life. He enjoyed the reality shows because he said they were about ‘real people with real problems and emotions.’ It seemed to be true that he genuinely cared about ordinary people.

Rose is a person who enjoys getting to and doing things, seeing various sights, and having a time-traveling visitor doesn’t stop her. In fact, her active lifestyle becomes a method of research in the pair’s aim to restore Richard to the fifteenth century, in turn revealing the author’s strength in connecting her narrative to history and significant locales within it. We are given insight into how various places appeared in Richard’s day while he takes it in, as do we, within that new moment. It brings the worlds together in a manner that guidebooks by their nature don’t, and places within it a humanity absent from such literature. We witness Richard’s responses to the changes—for better or worse—and see a bit of the reality from his time: “real people with real problems and emotions” once walked these locales and through Larner’s story their spirits continue to breathe meaning and life, allowing their significance to remain part of what continually makes these places dear to those who live or visit there now.

Also addressed in the novel is the universal effect of music, which Larner presents as scene headings named after songs on “Richard’s Playlist,” an inventory of songs included on an iPod he is gifted. While the lyrics don’t always exactly match what occurs in each passage, the titles do reflect scene content and speak to the manner in which so often music resonates with events in our lives, providing a backdrop that can comfort or even exacerbate sadness in moments when we sometimes need to let that emotion play itself out. Not only a very creative manner in which to involve Richard with music, it is also cleverly mapped because this medium would be inescapable to someone traveling to our time, it being such a large part of our lives. It being vastly important is of course true for other eras, but newer technology enables its ever presence in the day to day, and it is absolutely on target that Larner has it play such a role in the book as it does.

As historical fantasy, Richard Liveth Yet covers a lot of bases: through a magnificently-written story readers learn a great deal about historical events and possible explanations, including very plausible bits of information coming from Richard himself. It does not seek to portray him as perfect, and indeed the king admits to some of his own flaws. Narrated in third person, it enables us to get a taste of both Rose and Richard’s perspectives, as well as a reasonable evolution of their friendship and all they both encounter presented with a weight that satisfies the thirst to know how he views the modern world, without dropping into tedium. It is an exceedingly readable tale encompassing the history with a touch of romance and of course a bit of magic, leading to a conclusion we don’t expect but that primes us for the sequels, A Foreign Country and Hearts Never Change.

Larner has taken great pains to match history with her portrayal of Richard, simultaneously cracking the stereotypical portrayal of a medieval man who naturally hates everything in the new time, and in which his presence within it only chaos can ensue. In so doing she adds to his character by showcasing his willingness to examine the alien, even to embrace some, and care about the people amongst it all. She also provides an address to the controversial decision regarding his final resting place, and Richard’s own views on the matter may surprise some, while they reveal Larner’s idea of what Richard III himself finds most important.

A finely crafted novel, easy to read and carrier of a wealth of information and ideas, Richard Liveth Yet is a joy to unwrap; to encounter and witness the characters’ own discoveries and connections is a privilege, and traveling the roads of time through their eyes is indeed a gift from the author, unforgettable as it settles into our own landscape, making us all the richer.

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For your chance to win a free, signed copy of Richard Liveth Yet, simply comment below OR at our Facebook page, located here. All names will be entered into a giveaway and a name drawn in three weeks. 

Update: Drawing November 21

About the author …

larner-author-imageJoanne Larner was born in London and moved to Rayleigh in Essex (UK) in 2001. She has wanted to write a novel since the age of thirteen and finally managed it in 2015. She was helped by two things: National Novel Writing Month and Richard III. Richard was her inspiration and she became fascinated by him when she saw the Channel 4 documentary The King in the Car Park in February 2013. She researched his life and times and read countless novels, but became fed up because they all ended the same way – with his death at the Battle of Bosworth.

So she decided to write a different type of Richard story and added a time travel element. The rest is (literally) history. She found his character seemed to write itself and with NaNoWriMo giving her the impetus to actually DO it, she succeeded.

In the event you simply cannot wait for the drawing and possibly win a free signed copy, you may purchase Richard Liveth Yet (Book I) at Blurb, Amazon or Amazon UK.

Richard Liveth Yet‘s sequel, A Foreign Country, is also available for purchase at BlurbAmazon and Amazon UK.

Her third book, Richard Liveth Yet (Book III): Hearts Never Change, is almost completed and should be published on Kindle and Blurb by the end of the year.

richard-liveth-yet-book-ii-cover

hearts-never-change

To follow Joanne Larner and her writing, sign up or follow her at FacebookTwitter and her blog.

We are also delighted to note the music video, called “Richard Liveth Yet,” by the Legendary Ten Seconds, with images of locations from the book, and the book itself.

A lovely photo album of places and people depicted in Richard Liveth Yet.

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All images courtesy Joanne Larner.

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A copy of Richard Liveth Yet was provided to facilitate an honest review. 

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This post was updated to add specific date of drawing

Guest Post: Kristie Dean: On the Trail of the Yorks (Plus Giveaway)

On the Trail of Richard IIIToday I’m very excited to host Kristie Dean, author of On the Trail of Richard III (formerly The World of Richard III), which I reviewed back in August. The paperback edition is being released today in the United States and is available for purchase at Amazon.

Now Dean is back with an accompanying text, On the Trail of the Yorks, which I’ll leave for her to introduce. However, I will add that you should be sure to leave a comment because there’s a free copy to be had! Simply leave a comment–don’t fret about saying anything super snazzy–and you’ll be entered into the draw! On the Trail of the Yorks is also available for purchase here.

On the Trail of the Yorks

Part of the fun of researching On the Trail of the Yorks was visiting the places the York family had lived and loved. I especially enjoyed visiting locations that had not experienced great changes because it felt as if I could almost reach out and touch the past. When Lisl invited me to do a guest blog, I decided to share some of my pictures from the research trip. Some of these made it into the book, while others did not.

Ludlow Castle has to be one of the more picturesque castles in the British Isles. The best views of the enormous building can be gained by meandering along the Bread Walk from Ludford Bridge. Towering over the river, Ludlow can be glimpsed from the path through a mixture of tangled vines and flowers. Richard, Duke of York, was here at the castle when news reached him that the king’s troops had arrived.

Ludlow Castle

From the first moment I visited Kenilworth Castle, I was enchanted.  The castle ruins glow red in the sun and it is easy to imagine how grand it once appeared as Richard approached it towards the end of his reign. ­­The garden in the castle is a recreation of a Tudor garden and is exquisite. A garden certainly existed at Kenilworth in Richard’s time as well.

Kenilworth Castle

Calais was an unexpected delight. I arrived early in the morning and made my way to the center of the city. After parking my rental car, I walked to Église de Notre Dame where George, Duke of Clarence, and Isabel Neville likely married. Unfortunately, it was closed for renovations, but I was able to make my way around the outside before walking on to the harbor. Calais was largely destroyed in the twentieth century and not much remains of the city as Richard and his brothers would have known it.

Calais
Église de Notre Dame

Bruges, Belgium is a place that I hope to return to time and again. Picturing Margaret, Duchess of Burgundy, as she rode in a lavish procession through the city following her marriage to Charles, was incredibly easy. The city center still retains its medieval feel and there is so much to offer a visitor interested in history. Of all the places that I visited for the first time on my research trip for On the Trail of Richard III, it was my favorite. Take a ride on the canal, wander the twisting, winding medieval streets, or climb to the top of the belfry for an amazing view.

Bruges

Anne Neville married Edward of Lancaster at the Château d’Amboise in France. I was doubly excited to visit the château since Anne Boleyn also stayed there for a time. The day I visited was a gorgeous sunny one, with the creamy white building shimmering against the backdrop of the sparkling blue sky. As I strolled through the gardens, I pictured a young Anne Neville doing the same as she contemplated her marriage to her family’s former enemy.

Chateau d'Amboise
Château d’Amboise

Cecily Neville is believed to have been born at Raby Castle. While little of the interior is the same as it was in her time, the exterior still resembles the castle Cecily knew. A visit to Raby Castle can take a few hours and the interior is accessible via a guided tour. On one of my visits I was lucky enough to see several of the deer that still roam Raby’s deer park. Although I have been several times, I always manage a visit to the parish church in Staindrop.

Raby

Ewelme, in Oxfordshire, was another delightful surprise. Elizabeth, the fifth child and second daughter of Cecily and Richard, married John de la Pole, the son of William de la Pole and Alice Chaucer. She and John would have visited Ewelme often, especially when Alice was still alive. Within the parish church of St. Mary the Virgin, a large alabaster tomb rests between the nave and the chapel of St. John the Baptist. This elaborately decorated tomb contains an effigy of Alice wearing a ducal coronet.

Ewelme

Eltham Palace was a favorite of Edward IV. He was responsible for the construction of the Great Hall. Today, the only way to visit the hall is by buying a ticket to tour the Art Deco palace. I thought I would rush through the palace and make my way immediately to the hall, but I thoroughly enjoyed the 1930s interior.

Eltham Palace
Eltham Palace

Lincoln Cathedral is a must-see for any visitor to England. The soaring cathedral was reputedly once the tallest building in the world. Not a single detail was overlooked in its construction and it is a beautiful place to visit. Nearby is the Medieval Bishops’ Palace where Richard likely stayed on his visit to the city. I also enjoyed visiting Gainsborough Old Hall, a short distance away. Richard was a guest here overnight.

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Gainsborough Old Hall

About the author…

Kristie Dean is the author of On the Trail of Richard III (formerly The World of Richard III) and On the Trail of the Yorks, both available from Amberley Publishing. When not travelling for research, you can find her at home with her husband, three dogs and two cats.

Many, many thanks to Kristie Dean for stopping by for a visit and sharing her beautiful photos with us!

Remember to comment below to get your name in the drawing for a FREE COPY of On the Trail of the Yorks.

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Music Review: Richard III

Please note the time sensitive Christmas ordering special below, as well as info about band appearance and narrative notes.

Richard III by Ian Churchward and The Legendary Ten Seconds

 Track Titles

  1. Sheriff Hutton
  2. Richard Liveth Yet
  3. Written At Rising
  4. Act III, Scene IV
  5. The Year of Three Kings
  6. Hollow Crown
  7. Remember My Name
  8. Lord Lovell’s Lullaby
  9. Requiem
  10. Royal Title
  11. Ambion Hill

Additional narrative notes are also provided (see below).

r3-3rd-album-front_med_hrHaving read the Legendary Ten Seconds characterized as a folk band, I wasn’t sure what to expect when I received their third CD to review, though I was intrigued with the concept album format whereby all the songs map out historical events. More precisely, they detail a specific series of events pertaining to a key figure: Richard III. This release, aptly titled Richard III, highlights instrumental periods in the monarch’s life, through melodic tunes reminiscent of medieval music itself. Listeners will recognize certain moments in which the band pays homage to their medieval forebears, with particular use of mandola notes, bells, organs and other instruments. However, there is balance with a modern sensibility, so while the music is identifiable as medieval-inspired folk, this is neither the monophonically-textured sound we tend to associate with the Middle Ages, nor stereotypical folk often heard mainly at summer forest fairs. What it does present is much of the heritage—our own—that we are taught about as children and will recognize in themes of truth and loyalty, pastoral poetry and the timeless desire to be remembered. It is all presented here so engagingly that even those who might tend toward reluctance will find themselves drawn in, for the music as well as the history it recounts.

“Sheriff Hutton,” the album’s first song, opens with an immediate sense of storytelling, as if the music itself is performing the gesticulations of one about to move forward into a verbal narrative. It is the perfect song to open the collection owing to this musical smoothing out of one’s apparel as well as the lyrics themselves, which tell of discovery as the speaker describes what he experiences upon visiting three sites: Sheriff Hutton, where as Duke of Gloucester Richard stayed, given its proximity to the north; Middleham Castle, the setting of his formative years and where his beloved son, Edward, was born and tragically dies too young; and Bosworth Field, site of the battle where Richard loses his life and the Plantagenet dynasty comes to an end. The song itself encapsulates the story of Richard’s later life as the singer takes us forward in time to “one fateful day,” having already experienced the sense of loneliness and brokenness that permeate the sites, and mindful of Richard’s own experiences when he himself stayed there.

fotheringhaycastle
Fotheringhay Castle (click image)

There is a newness to this start of the CD, yet also a wistfulness, perhaps undetectable to some unfamiliar with the life and times of Richard III. However, the musical arrangement is such that it acts also like a sort of foreshadowing, for once familiarized, these listeners will be able to detect the melancholy, recognizing it the way readers realize they do clues in a story, leading them to the often typical train of thought that commences with, “What if…?” This is paired with opening to the aftereffects of a tragedy as the album then takes listeners back in time to “see” the events that lead to this moment.

With the singer, or storyteller, we embark on a journey from a time when the infant Richard is noted in the “Clare Roll,” a poem documenting the armorial history of the prominent Clare family, the earls of whom Richard, Duke of York is descended; the second song’s title is drawn from his son’s mention within.

The youngest son of the Duke of York

Born in the castle of Fotheringhay

October 1452

Was the sun shining on that autumn day

Richard liveth yet

Richard liveth yet

Richard liveth yet

Born at the castle on the rise of the River Nene

Noting Shakespearean word order within one line, the song also foreshadows the playwright’s role in Richard’s posthumous reputation, and another depicts a scene from Shakespeare’s Richard III, with several vocalists taking up the roles of different characters as they discuss Edward V’s coronation date. While it may seem a curious choice to base a Ricardian song upon, it sets the stage for Richard’s coming rule while also highlighting a central Shakespearean reconstruction re: the alleged withered arm. While we now know that Richard III suffered from scoliosis, the useless arm is a fabrication.

Male and female vocalists appear on the various tracks and they are used to great effect—to play different roles, for example, as mentioned above; in duets, sometimes partner, others as counterpoint; and perhaps to change up the sound “appearance,” though this is carefully considered as their voices and particular and varying uses of them match the individual pieces of narrative so well one might be forgiven for believing each track was written specifically for those particular voices.

Richard III (click image)
Richard III (click image)

In linear fashion the CD progresses through eras in Richard’s life, including leadership roles in which he must manage shortage and adversity, through to the “year of three kings”—1483—which sees the death of Edward IV, Richard’s brother and monarch, to be succeeded by his son, Edward V. As Edward IV’s heir is too young to assume full duties, Richard is named protector and becomes king, followed by the disappearance and presumed deaths of Edward and his younger brother, also called Richard. Marking a turning point in the album as well as Richard’s life, events in “The Hollow Crown” are depicted from Richard’s point of view, and he discloses that in addition to the grief he feels at his own son’s passing, he knows full well what people are saying about his reign, and the darkness that threatens to overtake him:

This hollow crown upon my head

They say Queen Anne will soon be dead

The sky is dark though it is day

With my book of hours I do pray

Following is a transitional tune, one that could be told from Richard’s perspective, that of a soldier, or even both, in parts. Sung with alternating solos and Dylanesque duets (think “Mozambique” or the even smoother “One More Cup of Coffee”), it is a brilliant approach to take given there, of course, would be many expressing the sentiments within, but also to magnify the reality that Richard himself may have struggled with his decision to go to war. There are plenty of pros and cons, and the loneliness of the tune is mindful of what the monarch may feel in these moments, lost as Edward and, now, Queen Anne are to him. Still, he retains his book of hours and it could be he finds solace in prayer, remaining in low spirits but not remotely near to, as some have suggested, a death wish. The tune ends with a rather rapid fadeout, akin to a musical ellipses, mirroring acknowledgment of the terrible realities of war and remembrance.

From this point on the lyrics reflect thoughts and emotions of others, for the king is dead and can no longer speak. The singer channels these figures, such as Margaret, mourning her brother, killed so viciously, and references antiquarian Sir George Buck’s The History of King Richard III. In the end a ghostly apparition beckons to our storyteller, who acknowledges that some may or may not believe all he has laid out. Important to note, however, is that despite many circumstantial attempts to destroy Richard’s reputation and legacy, evidence exists to prove previous claims false or perverted—evidence available in the Titulus Regius, for example, discovered by Sir George, evidence that, like Richard himself, long lay buried and perhaps some still does—that despite all this, “the truth, it has survived.”

This is a wonderfully evocative account of the life of Richard III, one that will draw listeners again and again.

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The Legendary Ten Seconds was originally a solo music project of Ian Churchward who has played guitar in various bands after starting to play the guitar in 1979. Ian’s first band was called Chapter 29 and after this band split up in 1986 he started a new indie pop band called The Morrisons later that year. This band released a flexi disc which was played on the John Peel show on BBC radio one in 1987. From the late 1990’s until about 2007 Ian also played in a ceilidh band called Storm Force Ten which then became a new band called Phoenix.

Richard III is the third album from the Legendary Ten Seconds. For more information on previous music, click here or images below.

Tant le désirée
Tant le désirée
Loyaulte Me Lie
Loyaulte Me Lie

 

 

 

 

 

You can learn more about Ian Churchward and The Legendary Ten Seconds and their music at FacebookCD Baby, a blog dedicated to The Richard 3rd Projects and Twitter. For Richard III-related links, see Lord Z (and tab above).

Special Notes:  An additional album, The Legendary Ten Songs Of Sir Ian Of Churchward may be purchased as a download from CD Baby OR it can be gotten for FREE before Christmas when purchasing any other album from Lord Z (this link ONLY). Be sure to get it from Lord Z! Additionally, for as long as supplies last, album purchase includes a FREE Ricardian Legendary Ten Seconds beer mat (see and click image below).

Free beer mat with any album purchase from Lord Z (click image)
Free beer mat with any album purchase from Lord Z (click image)

Concert Information:

The Legendary Ten Seconds will be appearing at Stony Stratford in February!!

poster for stratford gig

Narrative Notes:

On Tant le desiree the narratives are written and read by author Sandra Heath Wilson. They are fictional and read from the point of view of Richard III’s mother, Cecily Neville.

On  Richard III  the narratives are historical and factual. These Richard III narratives are written, read and recorded by Matthew Lewis and provide information about Richard III.

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The reviewer was provided with a copy of Richard III in order to provide an honest review.